Japanese Lacquer

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Antique Japanese lacquered wood Box Beautiful and elegant lacquered wood box and gold gilt, decorated with a crane with floral motives and Japanese script Measures: Height 6 inches 1...

The Inro is comprised of three stacked compartments and features a deer motif with mother of pearl accents, an ojime and a wooden frog netsuke. Inros were used to store items like m...

A fine and rare Japanese black lacquer table or jewellery cabinet, exquisitely decorated in intricate detail, dating to the late Meiji per...

This is a wooden bucket used by Japanese lacquerware craftsmen to store lacquer. It is believed to have been used from the Meiji period to the first half of the Showa era (1868-1940)...

Japanese lacquer box with mandarin ducks motif on cover. One lacquer tray and one small lacquer plank inside the box.

Pretty Japanese lacquered box decorated with birds and foliage. signed Lacquered inside and outside Late 19th century Without key Nice lock Ideal for storing jewelry.

An exquisite small Japanese maki-e lacquer stacking box for incense and accessories, ju-kobako, late Edo or early Meiji Period, mid 19th century, Japan. Crafted in maki-e lacquer an...

A miniature Japanese set made of wood and lacquered in a classic black with gold accents and lacquered red interiors. The set consists of a variety of...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

A fine Japanese lacquer Takamakura Geisha pillow, first half of the 20th century. Depicting Shi-Shi Lion between peony and rock in gold, silver, red and ...

An exquisite Japanese Meiji Period small lacquer incense box, kogo, in the form of a duck or goose, late 19th century, Japan. The delicate lacquer box, known as a kogo in Japanese, ...

A fine Japanese miniature kodansu constructed from Kaki wood (Persimmon) circa 19th century, late Meiji period. With its expressive exotic wood grains and exposed tenon construction,...

This is a good papier mâché, circular, black lacquered tray, hand enameled and gilded, made in Japan during the 19th century, Meiji period. This circular tray is very decorative, ...

φ310× 205(H) [mm] Box size: φ340×240㎜　4㎏ Lovely design A Kasuga lantern with a cute male and female deer in raised lacquer. The grey parts are made with lead. The window of the lant...

A fine and unusual Japanese lacquer box for incense accessories, kobako, featuring a tagasode (whose sleeves?) design, Meiji Period, circa 1900, Japan. The exquisite box of simple rectangular shape worked in maki-e lacquer, taka-maki-e, and raden, all against a lush ground of gold nashiji. Fitted with silver rims. The main decorative element of the box depicts a six panel folding screen, byobu, showing an interior scene with kimono strewn over a rack, a motif known as tagasode (whose sleeves), all in raised taka-maki-e lacquer and inlaid raden. The screen depicts an intimate room with tatami mats on the floor and sliding shoji doors in the background. The foreground depicts a large clothing...

This is a box for the matcha powder using while tea ceremony in Japan. It is called 'Natsume'. It is made with wood. The design is a boat and it is hand painted. The material is with...

A Japanese writing box with ink stone (known as Suzuribako) with exquisite maki-e decoration circa late Meiji to early Taisho period (1890s-1930s)...

A very fine Japanese maki-e lacquer decorated tabako bon, or smoking box, late Edo Period, mid-19th century, Japan. The elegant smoking box of black lacquer decorated with a wonderful gold lacquer takamaki-e design of a gnarled and elegantly twisted plum tree with branches in full bloom. A border of golden cranes in flight to the top. The smoking box, called a tabako bon, is comprised of an open section at the top with inset with two cylindrical metal canisters...

A Japanese lacquered tea caddy (known as Natsume) with fine Maki-e decoration circa 18-19th century Edo to Meiji period. The large-sized nat...

A spectacular Japanese maki-e lacquer lidded box, possibly a writing box, suzuribako, decorated with images of folding fans, ogi, Edo Period, earl...

A large and magnificently decorated Japanese lacquer document box, ryoshibako, signed Umeboshi/Baikyo, late Edo or early Meiji Period, mid 19th century, Japan. The large document box, ryoshibako, of tall, rectangular shape with rounded corners, and fitted with an inrobuta (flush-fitting) cover with beveled edges. The exterior of this exquisite box is decorated all over with fifteen different raised reserves shaped as uchiwa (paddle) fans against a lush and intricate krikane ground imitating shagreen. The uchiwa shaped reserves all of takamaki-e, and exquisitely painted with designs of animals, flowers, and landscapes in silver, gold, maki-e, hiramaki-e, and takamaki-e, with kirikane, nashiji, and polychrome embellishments, upon gold lacquer fudame grounds. The interior of the lid is nothing short of spectacular, featuring a large design of a magnificent and beautifully detailed rooster and hen with chicks gathered around a lazy stream. Large stalks of chrysanthemum bloom behind them. All against an ethereal nashiji ground. The cover of the box features five reserves: 1. Three minogame (turtles with long tails), symbolizing longevity 2. "Narihira Crossing the Sumida" from The Tales of Ise...

This is a box for the matcha powder using while tea ceremony in Japan. It is called 'Natsume'. It is made with wood. The design is some automne flowers and it is all hand painted. Th...

Japanese Lacquered Katana Stand – Tashi Kake, Meiji Period (19th Century) Rare Tashi Kake from Japan, an elegant vertical stand for a katana, crafted in fully lacquered wood. This M...

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...

A very beautiful set of six (6) Japanese black lacquer and gold sake, Champagne flutes, or wine stemware glasses, circa 20th century, Japan. Each with a different botanical design in...

A Japanese ink stone box (known as Suzuribako) with exquisite maki-e decoration from Edo period (circa mid-18th century). The box features a rectang...

A fine antique Japanese Meji Period lacquer box decorated with a fan and a stylized star shaped window in the maki-e technique. The fan at the top right corner, fully opened depictin...

This is a box for the matcha powder using while tea ceremony in Japan. It is called 'Natsume'. It is made with wood. The design is plums (Japanese apricot 'UME') and it is hand paint...

With slightly domed removable lid opening to an open interior, conforming case with central gilded samurai family crest or Mon depicting a butterfly. Brass trim and handles. Richards...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

A fine and impressive Japanese gold maki-e decorated black lacquer five-tier jubako with presentation tray, two lids, and the original tomobako storage box, Meiji period, late 19th c...

Stunning antique Japanese lacquer hair comb with a geometric petal-like background of stylized chrysanthemums and flowers done in gold and red maki-e. Possibly Edo or Meiji time peri...

This is a good example of a traditional Japanese Hokai shell storage box for the Kai-awase game. This box is well-detailed in chased brass appliques and makie. The box is in overall ...

A small low table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent island cou...

The case decorated overall in crackle-glaze white lacquer and fitted with a patinated metal carrying handle over three tiers of small drawers. The first two tiers are comprised of a ...

Japanese wooden lacquered lower table / stand. Age: Japan, Showa Period, Early 20th Century Size: Length 51.8 C.M. / Width 33 C.M. / Height 12.7 C.M. Condition: Nice condition overall.

A Japanese export lacquer tripod table with feet shaped as bats Nagasaki, 1850-1860 H. 73 x diam. 108 cm The six-lobbed top is decorated with reverse-painted mother-of-pearl in a sprawling motif of plum blossom, bamboo, and peonies, surrounded by fluttering sparrows enhanced by details in maki-e. The table, made to appeal to a foreign audience, incorporates a curious mixture of seasonal references. In addition to the decoration of foliage from late winter and spring, the column is decorated with grapes and a rabbit pounding rice, both Japanese motifs for autumn and the month of September. The feet, shaped like bats that almost appear to wake up from hibernation, symbolise luck and happiness in Japan. The present flamboyant Nagasaki-style table is depicted in the Asada workshop drawings of 1856. These drawings, titled Aogai makie hiinagata hikae (memorandum of designs for lacquer with inlaid pearl...

Rectangular kobako box in takamaki-e and kirigane gold lacquer circled with pewter depicting a lake landscape. Inside and back of the box in nashi-ji lacquer. Japan – Edo period (16...

A exquisite, fine quality Meiji period (1868-1912) Japanese black lacquer cabinet on stand with wonderful scrolling gilded decoration. H...

A small square-form table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent is...

A rare and elegant set of three Japanese hibachi (traditional fire bowls) from the Meiji period (1868–1912), made of richly grained paulownia wood and intricately decorated with carv...

A Japanese maik-e decorated black lacquer sutra box, kyobako, with peony mon design, Meiji Period, circa 1900, Japan. The elegant lacquer box originally crafted to hold sutras, sacr...

A rare Japanese export lacquer medical instrument box Edo-period, 1650-1700 L. 19 x W. 6 x H. 8.5 cm This unconventionally shaped lacquer b...

These trays were made after the late Edo period in Japan (after 1800). This particular type of tray is known as "Negoro-bon." Negoro lacquerware is a specific style of Japanese lacqu...

Elegant lacquered tiered jûbako (picnic box) comprising five stackable tiers, two covers, and a raised tray. Each bearing an attractive deep chestnut brown ground and lacquered in ta...

A high quality, antique, Japanese black lacquer document box. It has an external design of gold maki e plum blossoms. In Japanese culture plum blossom symbolises the beginning of Spring, having its own festival, the Ume Matsuri, alongside the more famous cherry blossom festival...

A lacquered 4-piece inrô with a covering design of fireflies (hotaru) flying over helms of grass and around a lantern (andon), shining attractively for the fireflies. Surrounded by rims embellished with a scrolling vine design (karakusa). Executed in golden hiramaki-e (low-relief lacquer design) and takamaki-e (high-relief lacquer design) with small red accents on the wings and kirigane, (cut and inlaid pieces of gold leaf) at the tails of the fireflies to accentuate the ‘light’ they exude. Set on a glossy black lacquer background. The compartmentalized interior coated with nashiji (sprinkled gold lacquer)finished with fundame rims (matt gold lacquer). Laced with purple silk cords, with a brown glass bead ojime, and 2-part manjû netsuke...

A lovely Japanese lacquer rectangular lacquer tray with a slightly scalloped corner and four L shape supporting feet by one of the most celebrated lacquer artist active in Edo period Hara Yoyusai (1772-1845). Yoyusai lived in Edo (Tokyo) and worked under the patronage of Lord Matsudaira. He operated a large workshop and had a very prolific output of lacquer objects. Most survived pieces being inro...

A rare Japanese lacquered wood fubako decorated in Kodaiji maki-e style circa early 17th century the beginning of the Edo period, possibly early toward the end of the Azuchi-Momoyama period. The rectangular, long and slim box features a deep lipped lid with slightly rounded corners, a conforming lower box with two bronze medallion rings with tasseled...

A fine Japanese pictoral style lacquer cabinet with gilt-metal mounts Kyoto, Edo period, 1670-1690 Decorated in Japanese relief lacquer work, black lacquer ground decorated...

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century). The generous size of the box was reser...

Kyoto, circa 1680 The writing box has bevelled edges and a kabusebuta (overhanging lid), and is completely covered in black lacquer in maki-e and decorated in gold, silver and red h...

Japanese Inro from the Meiji Period (1868-1912). Beautiful Inro, created in Japan during the Meiji imperial period, circa 1870. It was carefully crafted in carved precious wood with applications of lacquer and decorated with orientalism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Meiji 1868-1912, Period of Emperor Mutsuhito. Approximate Date: 1870. Motif: Organic design with cascade landscape scene and five flying cranes. Drawers: Five. Shape: Cylinder. Very unusual and rare shape. Technique: Carved wood, Lacquer, hiramaki-e, takamaki-e, Gilding. Ojime: 17mm, round with Ebony wood. Netsuke: Carved dressed...

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...

An antique jubako (stack boxes) with five tiers in an elongated octagon shape circa 19th century (end of Edo or beginning of Meiji period). jubako was traditionally used to store and...

A nicely designed Japanese lacquer Inro with a wooden netsuke. The Inro with motives of a man playing a flute on one side and a creek on the other side. The Netsuke with signature.