American Modern Mixed Media, Chu 'Autumn in Korean' Mixed Media, Hyunae Kang

Well listed Chinese Artist Yamin Young. "View from the Terrace". Mixed-media on handmade rice paper, mounted to the fabric base, protected by the plexiglas...

Gouache painting on paper of farmers tilling and sowing a field, by Ton Yan Kui. Unsigned with label from A.M. Adler Fine Art, NY. Comes framed.

A hyper realistic portrait of an official with watercolor on silk bordered panel, framed in dark wood, from Korean late Joseon dynasty, circa 19th century. The beard man sitting with a formal frontal view, displays a benevolent facial expression, in keeping with the Confucius value of the officialdom at the time. He dons a black linen official hat and a blue silk robe...

A Korean Folk Art painting mounted as a hanging scroll. The watercolor on paper was likely dated from 1930s-1940s. The work depicts a "Jakhodo" theme (...

Screen A: Autumn Scene with Geese in a Gentle Landscape. Lovely painting depicting geese under maple, in a gentle water landscape. Mineral pigments on paper with gold leaf clouds. ...

A Korean folk Shamanism watercolor on textile matted with woven brocade and presented in a wood frame with an oriental style metal hanging hardware. The painting was estimated to be from early 20th century circa 1910-1930s. It depicts Guan Yu (160-220AD), a legendary Chinese warrior and general from Eastern Han Dynasty. Long worshiped in China as a deity, across all three major religions, Guan Gong...

Grapevine Anonymous. Korean, 17th century. Wall panel, ink on paper. Upper seal: Kou Kinun in Lower seal: Kaigen Dimensions: Measures: 98.5 cm x 29.5 cm (39” ...

Anonymous. Korean, 17th century. Joseon period. Hanging scroll. Ink on paper. Seal: Shinso Dimensions: Scroll: H. 200 cm x W. 31 cm (79” x 12”) Image: H. 122 cm x W. 29.5 cm (48” x 11.5”) The grapevine came to China and then Korea from western Asia via the silk road trade routes. By the mid-Joseon period, it was one of the most popular subjects for Korean literati painters. Grapevines were painted as a singular subject or, less commonly, in combination with squirrels, which are associated with children due to their playful nature. Together, grapevines and squirrels embody wishes for abundant offspring and wealth. For the Korean literati artist the twisting vines, curling tendrils and round, plump grapes provided ample opportunity for expressive "brush play”. In this painting the artist has abstracted the scene and is seemingly unconcerned with discontinuities and proportion. Vines spring up from nowhere, grapes hang in random clusters and the squirrel’s head appears as if twisted backwards. For the vines and leaves we can feel a sense of speed in the brushstrokes, imparting a dynamic feel which is at once intense and animated. This contrasts dramatically with the countless tiny strokes of ink which realistically capture the texture of the squirrel’s fur...

A Korean Folk Art painting watercolor on silk mounted with brocade border and framed. The watercolor was likely dated from late 19th century to the tur...

A Korean Folk Art painting watercolor on silk mounted with brocade border and framed. The watercolor was likely dated from late 19th century to the tur...