Clay Paintings and Screens

Huang Gang (Chinese b. 1961) a monumental painting done in Chinese lacquer and mineral pigment on board, signed "Huang Gang, 2003". In good condition with a...

Antique Japanese oil painting on wooden board, titled ‘Morning of Gora (Hakone, Japan)’, by Masuta Narahara (1888-1963). 27 x 21.5 x 0.5 cm (10.62 x 8.46 x 0.19in). Aged deteriorati...

A set of three paintings of ink and watercolor on silk mounted within brocade borders as scrolls by Watanabe Seitei (1851-1918). This is a very rare an...

Large decorative 6 Panel Architectural privacy screen room divider. Will go well with style decor . From Traditional to Modern. This is a heavy in weight piece. Many details are inc...

<< Story behind the work >> Obi fabric I used for this artwork is taken from three different over 100-years-old antique sashes, and is framed in wood taken from antique chest-of-dra...

<< About this canvas >> This set is a depiction of a tall chrysanthemum stem, entirely dyed in a traditional shibori technique. << Period / Story >> The haori featured in this canvas was created and used during the late Showa period (1960-80ies). << Explanation and meaning of pattern and colors >> A charming chrysanthemum flowers all around a stem seem to reach the heavens. The chrysanthemum flower, which retains its vitality long after being cut, symbolizes longevity, purification from malevolent spirits, and good fortune. In ancient times, during the Kamakura period (1185-1333), emperors loved the chrysanthemum pattern, and it remains the most prestigious flower and the emblem of the Japanese imperial family...

This work is inspired by traditional hand-dying technique edo-komon, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is elegantly framed with paulo...

Title : ICHIMATSU Japan / 2020s Size : W 1480 x H 1480 mm Each part is dyed with indigo to express a checkered pattern that collapses. This quilt is made with Woven fresh linen. Hand-quilted with cotton thread. Hand dyed with indigo. [Blue Tip atelier...

Charcoal on layered washi (Japanese paper) stuck on wooden canvas, 53 x 65.5 x 1.5cm (20.86 x 25.78 x 0.59in), by Eiki Tsukioka (1916-1997), as one of the leading Showa’s Nihonga (J...

An exquisite Japanese folding screen painted and signed by Kano Tanshin (Morimasa) (1658-1719), circa early Edo Period. An important member of the Kano painter family, the son of Kano Tanyu...

This work uses an antique kimono fabric dated Taisho era (early 1910th), with a pine tree motif, and arranges it so that it looks like a tree decorated with various auspicious symbols - persimmons, pines, peonies, etc. The line in the middle symbolizes “kintsugi” - concept of wabi-sabi, which values imperfection, impermanence, and the beauty of aging. It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury. I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece. << Explanation and meaning of pattern and colors >> The art work features the matsu - pine pattern, which depicts the Japanese pine tree spreading over deep black fabric. It appears as if the pine dranches are decorated with various auspicious symbols - persimmons, pines, peonies, etc. In East Asia, the pine tree is revered as a symbol of longevity due to its vibrant green leaves, even during the winter season. In Japan, it's often referred to as the "evergreen tree" because its leaves remain green throughout the year, making it a symbol of good fortune that has been cherished for a long time. << Characteristics of the fabric >> The fabric is hand-painted in traditional Japanese technique "yuzen". << About the frame >> Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. During the Edo period, it became customary to store cherished kimonos in paulownia chests...

A Modern oil painting of a harbor town with the water and mountains views in the distance. It is signed on the bottom left hand corner Ataka and dated '30 (1930). The brushwork is ...