Paravento Giapponese a due pannelli

Paravento giapponese a sei pannelli , opera di un pittore della prima metà del 19° secolo, di scuola Rinpa. Sei pannelli dipinti con inchiostro su foglia oro e "gofun" su carta veget...

Paesaggio giapponese della sciuola di Kano dei primi anni del XVIII° secolo a due pannelli con alberi di bambù. Pigmenti minerali e foglia d'oro su carta vegetale. Bordo in seta ne b...

Floral scene of a Rimpa School garden with polychrome chrysanthemum flowers. Two-panel screen painted in pigment on gilded rice paper of beautiful size and well preserved. Bold color...

Nice four-panel Japanese screen painted on vegetal paper, depicting a landscape with a red maple, flowers and birds. The size is very refined and easy to place in a design project.

From our recent Japanese acquisitions and coming from a Japanese collector of rabbit usagi sculptures Rabbit family trio (3) seated rabbit sculptures hand cast and hand painted This is an unusual Japanese one-of-a-kind group in both large and small scale Quality: Hand cast with carved ears...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

Japanese Two Panel Screen: Peonies In the Mist. Showa period (1926 - 1945) painting in oil on canvas of peonies with gold and silver dust clouds. Signature reads, Seishu.

A masterful landscape made entirely of carefully arranged mulberry paper fibers in a Japanese art practice called Obara. Accented with gold leaf. Incredible craftsmanship and a wonderful rendering of bare trees. Made by Yamauchi Issei (b. 1929), stamped in the corner. Issei is well known throughout Japan as the leading artist in Obara Paper Art. Starting in 1948, he apprenticed with Fuji Tatsukichi, a leading proponent of the arts and crafts movement in Japan who worked to Revive many cultural traditions on the brink of extinction. Issei started exhibiting in the Nitten in 1953, won the Gold Medal in 1963, and eventually became a juror. His artwork was given as a gift to the Showa Emperor of Japan, as well as dignitaries such as General Douglas MacArthur...