Scroll Kitsuda Eihô (1902 - 1974) Breaking of Dawn in the Mountains Japanese

As you can see, this work was drawn by Kazuhide Sainai, who is known as a Japanese-style painter. The "Horaiyama-zu" is a very tasty view of trees, rocks, and mountains in the dista...

Fusetsu Nakamura 1866-1943 of the Showa-life painter and calligrapher Tokyo students real name: Taro issue: Fusetsu, Kanzan, Anakatatei, Goinoshishi teacher, long life, Reitsubotoki ...

Lovely Nihonga scene Meiji/Taisho period scroll Japan artist painting. Painting size: (Width x height) mm 525 x 1499.

Reika Yoshikawa (Reika Yoshikawa, Meiji eight years (1875) May 4 days-Showa 4 years (1929) March 25), the Meiji Taisho era Japan painter. His real name is Hitoshi, commonly known as Saburo. Yamato-e basic widely while the oriental of classical learning in art, line drawing, especially in Seiga paintings representation by taking advantage of beautiful thin line, such as flow, "draw" from "null" to the center of gravity is going modern...

A Japanese hanging silk scroll by late Edo period painter Haruki Nanmei (1795-1878). The gouache painting was in the tradition of Kano school and depicts an old scholar dressed in lo...

Japanese scroll painting depicted village in the mountain Ink and paper. Artist signed Overall size: 43" height. 21" width Image size: 10.8" height. 16" width I am planning to re...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...

A Japanese hanging scroll or Kakejiku, circa 1890, depicting bamboo grass and a rabbit, framed by top and bottom ribbons of brocade silk. In ...