New beautiful lavastone Buddha statue from Indonesia in Dharmachakra mudr

The lavastone Buddha statue from Indonesia is an exceptional piece of art that showcases the unique beauty of lavastone craftsmanship. Carved from lavastone, this magnificent statue ...

The very large and special lavastone Buddha statue is a truly remarkable and unique piece of art. Hand-carved from one very large block of lavastone, it stands at an impressive height of 220 cm, with a width of 161 cm and a depth of 111 cm. The estimated weight of approximately 3000 kg showcases its substantial presence and solid construction. Crafted in the middle of the 21st Century, this statue depicts Buddha in the Dharmachakra mudra, symbolizing the turning of the wheel of Dharma. What sets this lavastone Buddha statue apart is its extraordinary character. Over time, it has become partly overgrown with moss, lending it an ancient and natural aesthetic. Upon request, the moss can be cleaned, revealing the raw beauty of the lavastone underneath. This unique feature adds to the statue's charm and individuality. Originating from Indonesia, this lavastone Buddha statue carries the spiritual essence and cultural heritage of the region. Its large size and intricate hand-carved details make it a centerpiece that exudes a sense of peace, serenity, and enlightenment. With the convenience of worldwide shipping, this lavastone Buddha statue offers the opportunity for individuals around the globe to experience and appreciate the profound beauty and spiritual significance of Indonesian art...

A large, finely carved Tang style stone statue of Buddha Amitabha. Depicted with a full-cheeked face below neatly gathered hair and ushnisha, with large eyes, downcast smile and full...

The Buddha statue was made from a copper alloy in a standing position with hands in double Abhaya mudra. This mudra symbolizes the act of dispelling fear in the face of adversity. In Laos and Thailand where this mudra are used as one of the most iconic gestures, with its origin was pre-Buddhism era, when it was a symbol of good intentions and friendship when approaching strangers. In contrast to Indian iconography, it was often shown with both hands raised to the level of the shoulder in Southeast Asia. The statue was made in the classic Lopburi style, which historically was heavily influenced by Khmer art...