Pair of Italian 19th Century Louis XVI St. Candelabras

An elegant pair of French early 19th century Louis XVI style with white carrara and black Belgian marble and ormolu two light candelabras. The pair are raised by a square white Carrera marble...

A superb and extremely high quality pair of French 19th century Louis XVI st. Belle Époque period Brèche Violette marble and ormolu candelabras. Each candelabra is raised by a square...

A stunning true pair of French early 19th century Louis XVI st. patinated bronze, white Carrara marble and ormolu three arm candelabras. Each candelabra is raised by a square base be...

A most important and impressive large scale pair of French mid 19th century Louis XVI st. Vert Antique of Greece marble and ormolu mounted seven arm candelabras. Each candelabra is raised by a square marble base decorated by a laurel chased ormolu band. Above is the mottled socle supporting the sensational urn which is flanked by richly chased 'S' scrolled bundles of wheat spiraling down to the base. Above are the seven electrified 'S' scrolled ormolu arms with extremely detailed foliage amongst buds and blossoming...

A French XIXth Century Pair of Louis XVI Style Candelabras Two candelabras in bronze very finely chiseled and gilded with two fluted branches, the twisted barrel from which escapes...

A Pair of Sumptuous Gilt Bronze Candelabras by Ferdinand Barbedienne This magnificent pair of candelabras exemplifies the grandeur and refined aesthetic of 19th-century French crafts...

This exquisite pair of 19th-century French lamp bases showcases the refined elegance and masterful craftsmanship characteristic of the Louis XVI style. Each piece combines intricate ...

An important pair of Louis XVI style patinated and gilt-bronze four-light candelabra after the model by François Rémond, now in the Wallace collection, London. French, circa 1830. Stamped to one bronze ring ‘RG’. Each candelabra has a central stem in the form of a torch en flambeau with three scrolling acanthus reeded branches terminating in sphinx heads and palm-leaf candleholders. The arms seemingly tied to the stem piece by knotted gilt-bronze cords ending in tassels. The candelabra are issued from patinated bronze ovoid vases with fluted stems and square section porphyry bases. Each vase is mounted with gilt-bronze female heads and foliate swags and encircled by a putti friezes. The handles of each vase are in the form of patinated bronze satyr’s masks. This important pair of candelabra are after the model attributed to the ciseleur-doreur François Rémond dated 1782-5 now in the Wallace collection, London. [F.134-5]. Peter Hughes, in his catalogue entry for the Wallace candelabra...