Louis XVI More Candle Holders

A lovely pair of antique silver-plated candelabras, each with three upward curling branches to hold three lights. The branches themselves are decorated with a foliate motif, and extend from a smooth central column topped...

Pair of strict classicistical fire gilded candlesticks France 1840, signed Barbedienne. Strict classicist design with square base, flowers and leaf ornaments in different finish. Decorated and smooth elements in alternation create otically balanced object. The widest part of the stem is 4.0cm Ferdinand Barbedienne (* August 6, 1810 in Saint-Martin-de-Fresnay, Calvados department, France; † March 21, 1892 in Paris) was a French sculptor, bronze ware manufacturer, and gallery owner. One of the most important and popular Éditeurs d'art, or publishers of art articles, he had most of the French sculptors of his time under contract. Life and work Ferdinand Barbedienne was the son of a farmer. At the age of 13, he learned the Craft of saddlery. In 1822 he moved to Paris, where he first worked as a clerk in a wallpaper shop. He received start-up capital from his employer to open his own store, which he set up on Rue Notre-Dame-de-Lorette in 1834. He pursued the idea of exhibiting bronze statues in addition to his core business and mass producing them in small format. In 1838, he joined forces with the mechanic Achille Collas, who had developed the machine á reduction (réducteur for short); a device based on the principles of the pantograph that could reproduce three-dimensional objects in any size - reduced or enlarged. On November 29, 1838, both signed the founding contract for the company Société Ferdinand Barbedienne et Achille Collas, which aimed to commercially exploit the mechanized production of sculptural works for an initial 20 years. Barbedienne took care of the commercial management of the company, while Collas contributed the patent on his invention and seven existing machines, and with his profound knowledge of machinery was responsible for the production processes. Together they decided on the subject matter of the objects, the selling prices, and all other financial matters. In 1841, they produced casts of the Apollo of Belvedere, the Spinario, and 21 pieces with the motif of a bas-relief of the Parthenon. These were followed by versions of the Laocoon group, the Venus of Arles, and the Borghese Fencer, among others. Special interest was initially shown in works from antiquity, for which casts from the Atelier de Moulage in the Louvre served as models. The company continued to produce works by representatives of the Renaissance such as Michelangelo, Donatello, Giovanni Bologna or by French sculptors such as Jean Goujon, Jean-François Flamand, Pierre Puget, François Girardon, Antoine Coysevox...

A Pair of Sumptuous Gilt Bronze Candelabras by Ferdinand Barbedienne This magnificent pair of candelabras exemplifies the grandeur and refined aesthetic of 19th-century French crafts...

This exquisite pair of candlesticks exemplifies the refined aesthetic and masterful craftsmanship of the Louis XVI style in 19th-century France. Cast in gilded bronze, they exude ele...

A pair of small, antique Louis XVI style silver-plated candlesticks, with a beaded pearl pattern around the upper rim and the gently flared pedestal base. This matching pair would id...

A Pair of Louis XVI 19th Century Gilt-Bronze and Gilt-Metal and Marble Candelabra Art Deco-style candlesticks and candelabra pressed cast ...

Pair of 19th century French Louis XVI style bronze candlesticks. This beautiful pair of French Napoleon III bronze candlesticks or candleholders have a beautiful etched design and wi...

These are a pair of gilded candelabras inspired by the Louis XVI style-a style originating from France. The main shaft of the candelabras are constructed from female statues. Unlike the rest of the gilded parts of the candelabra, the women are made from patinated bronze and seems to be standing on one leg while holding up the candelabras’ arms, representing the intense vitality and brilliant beauty of women. At the feet of two young women holding lamps are soft and flexible waves, exuding strength and health, honoring the beauty of the young woman. By taking a closer look you will see that there are five arms radiating in all directions. In Western culture, the number 5 symbolizes origin, adaptability, adventure, love of freedom and diversity. The lamp base is constructed with a quadrilateral support with Acanthus inspired feet, which are classic motifs and delicately sculpted leaves. The combination of gold and bronze creates the subtle and rich tone to it, giving it true antique touch...

Pair of 19th century Italian Louis XVI style silver plate candlesticks. Beautiful pair of antique Italian Louis XVI style silver plated candlesticks, candleholders, altar prickets o...

21st century hand carved amber crystal and silver bronze candelabra. This candelabra is in hand carved amber crystal and the dial is in black porcelain decorated in platinum. On requ...

This exquisite pair of 19th-century French lamp bases showcases the refined elegance and masterful craftsmanship characteristic of the Louis XVI style. Each piece combines intricate ...

An important pair of Louis XVI style ormolu candlesticks In the manner of Pierre Gouthière Of substantial size and expertly cast in matt and burnished gilt bronze, the circular p...