Bronze Mantel Clocks

Exceptional gilt bronze mantel clock with its key depicting a winged Cupid in a chariot. The chariot is pulled by two doves that are resting on a platform adorned with water-leaf. Th...

French neoclassical malachite and gilt bronze mantel clock French, circa 1830 Measures: Height 51cm, width 33cm, depth 14cm This mantel ...

This elegant antique mantel clock is of the Art Nouveau period, and is set within a fine rectangular wooden case embellished with gilt bronze (ormolu) borders and floral decorations. The clock was made by renowned Parisian maker E. Colin & Cie, and its central circular wooden dial...

A French 19th Century Dore Bronze Chinoiserie Style Figural clock with a Woman Resting on a Seat. This is a beautiful example of French dore bronze craftsmanship mixed with the Chino...

Winged cupid with flowing robe, clock resting between wings and fabric, raised on bronze ormolu-mounted verde antico plinth. France, first half of the 19th century. Measures: H ...

Rare orientalist gilt bronze mantel clock by Denière et Fils French, circa 1830 Measures: Height 54cm, width 40cm, depth 18cm This beautiful mantel clock is crafted from gilt br...

French Empire period ormolu mantel clock by Michelez French, circa 1815 Measures: Height 47cm, width 20cm, depth 15cm This beautifully formed and crafted mantel clock, dating to...

French architecturally formed ormolu mantel clock French, 19th Century Height 52cm, width 28cm, depth 17cm This beautiful Baroque style mantel clock is crafted from gilt bronze. The highly detailed case takes the form of a piece of miniaturised architecture: a campanile of sorts, the top level contains the clock dial while the lower level, approached by shallow steps, is flanked by figurative sculptures and culminates in a bas relief frieze...

Inspired by the art and culture of Classical Greece, this three-piece garniture contains a mantel clock and two candelabra. The rectangular body of the clock is of lapis lazuli and is surmounted by a Grecian vase...

This beautiful porcelain mantel clock is designed in the shape of a shield which is propped up on a gilt bronze (ormolu) easel support, composed of two shields and a staff topped by ...

A stunning and most unique French 19th century Louis XVI st. ormolu, patinated bronze and marble clock, stamped Vincent 1855. The clock is raised by fine ormolu supports below the ci...

A fine early 19th century fire gilt French mantle clock circa 1810, with a reclined figure of learning reading a book above a white enamel dial, signed Dautel, Rue de Thionville à Pa...

A stunning 19th century French Sevres mantel clock in the baluster shape. style baluster shaped mantel clock. The neck adorned with a two painted oval po...

A Napoleon III Gilt and Patinated Bronze Three Pieces Figural Clock Garniture. By Charpentier & Cie., Paris. Comprising a mantle clock modelled with playful cherubs with white enam...

A very impressive 19th century French gilded ormolu and bronze mantel clock, having a pair of bronze putti entwined around the eight day duration chiming clock with four scrolling fo...

The clock is signed on the enamel dial by the famous Parisian bronzier ”Ledure Bronzier à Paris” and the clockmaker ”Hedon Hr" (horloger). Patinated and fully sculpted bronze figure ...

A stunning 19th Century Louis XVI Style Regulator Gilt Bronze clock by Ferdinand Berthoud. A French Louis XVI style gilt bronze regulator clock, the finely cast rectangular case with four beveled glass sides; the large white enamel dial with Roman numerals is decorated above and below with gilt bronze garlands. The dial is signed and the stepped base is further embellished on three sides with a gilded frieze...

A handsome and high quality French 19th century Napoleon III period black Belgian marble, ormolu and patinated bronze garniture set. The three pi...

A fine Louis XV style gilt and Patinated bronze figural clock garniture by Maison Baguès. This rare example of a clock garniture by Maison Baguès has a twin train eight-day movement striking on a bell.  The garniture consists of a clock and a pair of candelabra en suite. The clock has a Rococo cast case surmounted by a patinated bronze putto playing a lyre, above a circular white enamel dial with Roman numerals, Arabic seconds and pierced hands. The dial inscribed 'Eug Bagues, Paris'. The case terminates in four scrolling legs put down on an acanthus cast plinth base. The candelabra en suite have gilt bronze pierced acanthus cast bases supporting patinated bronze putti each holding aloft three scrolling acanthus arms terminating in circular and foliate cast drip trays and nozzles. Maison Baguès The Baguès Company, located at 31, rue des Francs-Bourgeois, was founded in 1840 by Mr. Noel Baguès who started his business to cast liturgical bronzes. By 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters...

A very fine antique 19th century French gilt bronze and hand painted porcelain 3-piece clock set in the Japonisme style. The clock finely decorated with porcelain plaques, painted in the Japanese style with Cherry blossom branches. The front plaque features a Sulphur-crested cockatoo with a red sun in the sky on the right. The clock’s rectangular body is crowned by an arched top which contains a circular porcelain dial. This dial features a painting of a pair of birds on a cherry branch at its center, encircled by black Roman Numerals within white cartouches. The shoulders of the clock are mounted with gilt bronze elephant...

A fine quality 19th century English bracket clock of the Georgian era. The classical styled numerals and gilt topped case are surmounted by a floral sculpture. Marked on the face 'Le...

A stunning French mid 19th century Louis XVI st. ormolu clock, by Bardon, Montpellier. The clock has two love birds on the left looking over to a patinated bronze cupid, standing pro...

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

Imposing and magnificent fireplace gilded bronze and blue porcelain vases. The clock is decorated with putti representing the 4 seasons. It is su...

A superb gilt bronze and Sienna marble clock depicting Urania (muse of astronomy).

A very finely detailed gilt and patinated bronze clock featuring two maidens supporting the timepiece.

- Eye catching French Empire style mantle clock - Onyx base with bronze silver plated female figurine to the top - We date this outstanding time piece...

A good quality French gilded ormolu, bronze and rouge marble mantel clock, in the Louis XVI style. Having Doves above the clock face, an enamel dial with an eight day movement, chiming on the hour and half hour. Bronze putti on either side play the pipes and mounted on a rouge marble base. Maker name; Hamilton and inches...

A good quality pair of French gilded ormolu and rouge marble candelabra, depicting two putti each supporting a two branch candelabra.

A fine Early 19th century French Empire ormolu bronze mantel clock. Depicting a winged cherub standing atop a barrel while a kneeling lady pouring wine ...

An Elegant Mantle Clock In the Louis XV Manner The clock and its plinth executed in gilt bronze in a dynamic rococo style, rising from scrolling foliage, the dial in the shape of a ...

William IV rosewood and bronze bracket clock by Frodsham 185 & Baker, the brass eight-day movement striking on a bell, the backplate numbered ‘292’, the circular brass dial with roman numerals and an engine turned centre, signed ‘Frodsham & Baker Gracechurch St. London‘, in an architectural case with applied panels, the front decorated with a lion and foliage, the corners with quoins, the sides with scrolling leaves and palmettes, with a fan pagoda top with a retractable oriental gateway handle, on leaf scroll feet, with pendulum, winding key and case key. English, circa 1830. William Frodsham was an established London clockmaker. One of his sons, John Frodsham (1785-1849), went into partnership with Baker to form ‘Frodsham and Baker’ in 1809’. They were chronometer makers to the Admiralty and also made wall...

A large and exceptional Louis XVI style gilt-bronze and white marble figural mantel clock, by Grohé Frères, Paris. The dial signed ‘Grohé, A Paris'. ...

A fabulous ormolu-mounted and patinated bronze white and blue turquin marble three-piece clock set of putti. Comprising a mantel clock and a pair of five-light candelabras molded wit...