Ceramic Mantel Clocks

Antique French Louis XVI Blue Sèvres Porcelain and Ormolu Mounted Clock, circa 1875-85.

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

The combination of sumptuous, lustrous ormolu and finely decorated Sevres style porcelain makes this mantel clock an exceptional piece. Built in France and retailed by the prestigiou...

A charming and exquisitely crafted late-19th century porcelain mantel clock by the Ansonia Clock Company, titled “La Nord” and produced in collaboration with the prestigious Royal Bo...

Comprising a central clock and a pair of flanking candelabra, the clock with central circular dial signed 'PICARD / A GENEVE', surrounded by three ormolu cherubs and two porcelain pl...

French Empire Style Gilt Metal Ebonized Wood Mantle Clock, 19th century, with porcelain clock face framed by floral motif with flag and hat, flanked by a man and woman waving on ebon...

Hallmarked "Gantter" at nearly each bronze part. Movement and assembly presumably by Vincent et Cie, Paris, France, circa 1860.* Very rare and authentic giant 19th century clock. Thi...

Louis XVI Style Sevres Gilt Bronze Mounted Pink Ground Three Piece Clock Set, late 19th century, the clock centered by a white enamel dial painted with flowers, two handles with masq...

This fantastic porcelain clock garniture contains three vases, one of which has been mounted with a ormolu clock dial with jewels surrounding it. The vases are decorated in the style of the Sèvres Porcelain manufacturers, with cartouches to the front and back. The panels on the front depict ladies and putti in a landscape, while the reverse sides depict riverbanks. The vases are set on ormolu bases with canted angles, and feature twin ormolu handles which take the form of masks. The central vase is surmounted by an ormolu putti...

This fine neoclassical style mantel clock will make a sumptuous addition to a grand room, or could be given as a unique gift to a loved one. The clock is the work of Ernest Royer, an...

This wonderful clock set displays many of the characteristics of the 18th century Rococo style. These include gracefulness, asymmetry, and the use of curved forms. The set, which includes a mantel clock and pair of vases, is crafted from gilt metal and is mounted with decorative porcelain plaques. The mantel clock features a gilt metal rectangular case with a break arch top. This is crowned by an urn, featuring a gilt metal stem and a pinky-red floral porcelain body, which is covered by a gilt metal lid and finial. The case is also topped by a gilt metal wreath...

This exquisite pink porcelain clock set is made in the Louis XVI style and comprises of two vases flanking a central clock. The porcelain clock dial is delicately painted and bears a...

This antique porcelain mantel clock demonstrates the 19th century nostalgia for the delicately elegant decorative arts under King Louis XV, also known as the Rococo style. Crafted by celebrated porcelain artist Jacob Petit, this exquisite clock is particularly notable for the way in which the porcelain has been shaped so as to give the clock such a whimsically free-spirited, scrolling shape. The clock is formed as a clock case upon a lower base, which are both decorated as a though a singular piece with green glaze on a white ground, accented with painted floral panels and extensive gilt highlights all over. The clock case, which is particularly exuberant in design, features a central, circular clock dial. The white enamelled dial is bordered with beaded ormolu, and features black Roman numerals and the inscription 'Scherer'- the name of the 19th century Parisian clock...

Neoclassical style porcelain and gilt bronze clock set by Barbedienne French, late 19th Century Clock: Height 53cm, width 27cm, depth 24cm Candelabra: Height 56cm, width 19cm, dep...

Large three-piece porcelain, champlevé enamel, and ormolu mounted clock set French, late 19th century Measures: Clock: height 46cm, width 25cm, depth 15cm Vases: height 38cm, width 14cm, depth 11cm This exceptional antique clock set consists of a central clock flanked by a pair of small vases...

The clock was modeled by Johann-Joachim Kaendler, the Meissen Manufacturer’s most important modeler and designer. Its rocaille style demonstrates the influence of the Rococo trend p...

A Monumental and Exceptional French Ormolu and Turquoise Sevres Porcelain Clock, circa 1875 Immerse yourself in the splendor of 19th-century French artistry with this monumental and...

Meissen gorgeous rococo mantel / table clock made of gilded / gilt bronze, excellently decorated with sculptured figurines made of porcelain. Manufactory: Meissen Hallmarked: Blue M...

This exquisite clock set is designed in an elegant 18th-Century Rococo manner, in the style of Sèvres porcelain wares. Rococo is characterised by its use of pastel colours, graceful ...

Louis XVI Dore bronze mantle clock, Conrad Felsing, Berlin. A finely cast dore' bronze mantle clock with Sevres porcelain face and decorative pla...

Three-piece Louis XV Rococo style porcelain and ormolu clock set French, late 19th century Clock: Height 82cm, width 62, depth 28cm Candelabra: Height 76cm, diameter 22cm Compr...

A fine Napoleon III gilt bronze and porcelain three piece clock garniture by Raingo Freres. The circular gilt and 'jewel' decorated porcelain dial of the clock with Roman numerals an...

Late 19th century gilt bronze and turquoise Sèvres porcelain 'Jeweled' three-piece clock set The clock surmounted by a covered urn, the c...

Clock set three pieces in Imari porcelain and bronze . this clock set is rare ,you can use it with the candelabras , you can take off this candelabras and put the lid porcelain on th...

An Exceptionally Rare 18th Century Louis XV Ormolu Mounted Meissen Porcelain Chinoiserie Elephant, Snail, and Flower Mantel Clock. The clock drum is painted with floral reserves on a yellow-ground porcelain case, surmounted by a seated monkey modeled in cream-glazed porcelain. The dial is inscribed “MILLOT / Her DU ROY,” referring to the Parisian clockmaker Millot, horloger du roi, and retains its original single-barrel movement with platform lever escapement. The interior of the case bears a stamped “B.” The entire composition is supported by a scrolling structure of polychrome porcelain flowers mounted on ormolu branches, leading to a central Meissen figure seated on a saddled elephant, positioned on an elaborately cast gilt bronze rocaille base. The composition centers around a chinoiserie theme, which was highly fashionable in mid-18th century France, particularly during the reign of Louis XV. In this example, the chinoiserie elements are expressed through the seated porcelain figure in Chinese dress, riding atop a caparisoned elephant with a vibrantly painted red and gold saddle and bright yellow cushion. The elephant, modeled with expressive naturalism, features finely detailed ears, trunk, and legs in Meissen’s distinctive hand-painted porcelain, with further ornamentation in applied gilding. Surrounding the central figure and timepiece is an elaborate framework of metal branches issuing dozens of individually modeled porcelain blossoms. These include peonies, roses, and tulips in various stages of bloom, each petal uniquely hand-shaped and painted in hues of lilac, ivory, pink, and violet, with naturalistic green leaves extending outward on slender bronze stems. The gilt bronze mount is executed in the Rococo taste, with asymmetrical shell forms, Snails, C-scrolls, and foliate scrollwork typical of French bronze work from the Louis XV period. The ormolu is mercury-gilded, a process common in the 18th century which involved the application of an amalgam of gold and mercury to the surface of the bronze, followed by firing to vaporize the mercury. This technique created a matte yet luminous surface, prized for its depth and lasting quality. The ormolu is cast in a deeply three-dimensional style, with scrolled feet and boldly molded foliate ornaments that cradle the base of the Meissen elephant...

A fine quality 19th century French Sevres style porcelain and gilded ormolu clock garniture. The pair of five branch gilded ormolu candelabra each having Sevres style porcelain urns and pedestals with classical romantic scenes painted on them. The clock having an impressive lidded porcelain urn above with gilded handles either side, scrolling foliate ormolu mounts above the porcelain faced eight day duration clock that chimes...

This 'Marie Anoinette' antique clock is signed on the face by an unknown maker, and originated from France and dating to approximately 1880 and done in the period Louis XVI style. Th...

This sophisticated gilt bronze mantel clock is an elegant piece of mid-19th century design, beautifully cast and gilded and set with two delicate Sèvres style porcelain panels. The clock case's finest feature is the charmingly naturalistic scene at its top, showing a full-length sculpture of a female figure sitting with a basket and two doves. They are displayed on a naturalistic, oval-shaped plinth, which is decorated all around its exterior with painstakingly intricate foliate motifs. Either side of the plinth there are two Sevres style porcelain panels, each of which shows a winged putto. One putto is shown writing, while the other is shown holding a dove. Each is set inside a turquoise blue border decorated with delicate gilt scrolls. In the centre of the plinth sits the clock dial, which is enamelled and contains Roman numerals. It is signed 'Prize Medal 1851 / Miroy Fres Brevetes / Paris' after the clock's maker, Miroy Freres...

French Rococo Style Brass Mantel Clock, late 19th century, with fleur-de-lis finial, pierced scroll form body on six legs, with painted white porcelain clock face. 15.5" H x 10.5" W ...

A very fine quality French late 19th century Sevres style and gilded ormolu clock garniture. Having a pair of four branch candelabra, each with ram's head and female mask mounts, dra...

French gilt bronze and faience clock set in the chinoiserie style French, late 19th century Clock: Height 52cm, width 43cm, depth 18cm Candelabra: Height 53cm, width 26cm, depth 1...

This large and impressive clock garniture set consists of a central clock and a pair of flanking vases. The three pieces are extremely finely decorated with painted cartouches of fly...

An Aesthetic Movement ebonized clock with finely carved decoration, the clock movement is by Edwards and Sons with a pair carved devices below and a blue and white floral ceramic bor...

A very good quality 19th century French gilded ormolu and Sevres style porcelain mantel clock. Having a blue porcelain urn to the top with ormolu swags, scrolling gilded ormolu folia...

A table clock in the Louis XVI Manner By Japy Frères The finely chased ormolu case is dressed with pink 'Sèvres' style hand decorated polychrome panels to the face and sides, dep...

This beautiful mantel clock has been designed in an 18th century Rococo style, which was popularised by the Sèvres Porcelain Manufactory. The clock has been expertly cast in bronze a...

Aesthetic movement mantle clock made in France in the late 19th century. The face is blue and white hand painted enamel centered over blue and white porcelain. The round case which i...

A fine Napoléon III gilt-bronze and sèvres style cobalt blue ground 'Jewelled' Porcelain Three-Piece Clock Garniture Comprising a mantel clock and a pair of five-light vase candel...

A very nice high-end clock set three pieces in sevres style and bronze,this clock set have a plus ,the dial is in sevres ,original condition and never touch, the quality of the depic...

An important Napoléon III gilt bronze and turquoise porcelain clock garniture. French, circa 1870. This very fine clock garniture comprises of a clock and a pair of vase form candelabra. The finely cast and chiselled gilt bronze case has a jewelled turquoise porcelain face with Roman Numerals above a plaque depicting children in a wooded landscape, flanked by expressive male and female cherub figures, cast in the round, beneath a scrolled pediment with torches en flambeau and surmounted by a turquoise vase and cover. The pair of candelabra en-suite are in the form of turquoise porcelain vases...

Elegant Rocaille gilt-bronze mantel garniture, finely chased and gilded with fire-gilt, crafted in France in the 19th century. The set comprises a central clock and a pair of matchin...

KPM porcelain and gilt bronze Rococo style clock set German, late 19th century Measures; Clock on base: Height 51cm, width 36cm, depth 17cm Candelabra: Height 47cm, width 27cm, de...

This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honore, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honore...

This Sèvres style clock is an elegant piece of late 19th century design, which will make a wonderful addition to a mantelpiece. It has been beautifully cast in bronze and gilded (orm...

France, circa 1880. The ormolu case mounted with fine painted porcelain scenes of a courting couple. This unusual mauve color pallet emphasizes the...

France, circa 1880 The ormolu case mounted with fine painted porcelain scenes of a courting couple. This unusual mauve colour pallet emphasizes the...

Three-piece French porcelain and gilt bronze clock set French, late 19th Century Clock: Height 27cm, width 36.5cm, depth 12cm Candelabra: Height 33cm, width 20cm, depth 11.5cm This fine three-piece clock set is by Henri Picard, one of the leading producers of luxury bronze...

A very good quality French 19th Century Louis XVI style gilded ormolu and 'Severs' style pink porcelain mantel clock. In the form of a vase with an inset clock face, an eight day dur...

Wonderful clock for the collectors of truly stylish Gothic antiques, by W.H.Tooke, Paris. Finding this unique (Germany made) Gothic table clock again felt like a blessing. The overall design is remarkable, but the combination of the craftsmanship of the bronze components and the hand crafted and hand painted Gothic porcelain plaques is what takes this clock to the next level. Whenever you find a piece that is this good then you can rest assure that there is a maker's mark. This late 1800s work of beauty was made and marked by the prolific Parisian clock...

An elegant French 19th century Louis XVI St. ormolu and porcelain clock. The small scale clock is raised by fine tapered fluted legs below striking richly chased block rosettes cente...

A very fine quality 19th century Louis XVI style gilded ormolu and champlevé enamel clock garniture, the four sided clock having four enamel col...

A fine and elaborate gilt bronze and Sèvres-style porcelain mantel clock. French, circa 1870. A fine and elaborate gilt bronze and Sèvres-style porcelain mantel clock with a fo...

This is a superb antique French gilt bronze mantel clock with Bleu Celeste porcelain panels in the Sevres manner, circa 1860 in date. The case crowned with two cherubs holding laurels one holding a mask emblematic of theatre, flanking an oval Bleu Celeste porcelain panel of the playwright Molière . The base decorated with ormolu flowers is raised on turned feet and inset with Sevres plaques decorated with cherubs. The circular dial has Roman and Arabic numerals and the clock has an 8 day striking movement complete with count wheel strike and bell, stamped with Miroy Freres...

An important Garniture de Cheminée in the manner of Henry Dasson Constructed in well cast and chased gilt bronze, with 'Sevres' type 'jewelled...

An outstanding quality antique gilded bronze & Sevres porcelain French 3 piece, 8 day clock garniture with candelabra, by Brocot & Delettrez, Paris, circa 1870. The clock with an 'egg' shaped urn made of cobalt blue Sevres porcelain with a hand-painted panel with a neo-classical beauty and a cupid, the rear is painted with gilt birds & floral decoration. The urn with gilt bronze handles to the sides held in the mouths of lion's masks, the clock below also with sumptuously decorated with gilded cobalt porcelain panels, the clock dial with black Roman numerals & is finely painted with two horses and a chariot with a putti falling out of the chariot. The clock has two winding arbors one for the 8 day time wind the other for a chime, the clock chimes the hours on a soft delicate sounding bell, the clock is in full working order and was recently professionally cleaned. The clock is complemented with a pair of gilt bronze & cobalt blue Sevres porcelain four branch vasiform candelabras, decorated with oval panels to the front with putti & Neoclassical maidens, the back panels finely painted with birds, each candelabra is in two sections and raised on gilt bronze bases with corbel brackets & acanthus leaf feet. The bronze casting is very likely by the Barbedienne Foundry in Paris, as the quality is outstanding, the clock is stamped "BD" for Achille Brocot (1817-1878) and Jean-Baptiste Delettrez (1816-1887), they were two of the most important French clock makers of the mid to late 19th century, please see some biography below. The clock is mechanically & cosmetically in excellent condition, and was recently overhauled by a clock-smith, the porcelain & ormolu are also in excellent condition, one of the very best investment quality gilt-bronze & Sevres porcelain clock garnitures by the top French makers of the period, circa 1870. This garniture will be professionally crated for shipping. Delettrez and Achille Brocot, son of the respected clockmaker Louis-Gabriel Brocot, established the clockmaking company "Brocot et Delettrez" in Paris on 20 October 1851, with premises at 62 Rue Charlot Paris. Jean-Baptiste Delettrez worked alongside Achille Brocot for several years and their clock movements are considered to be the most effective made during the late 19th century. Their specialty was a range of clocks based on the innovations of Brocot père and his other son Antoine, but generally of Achille's greatly advanced original design, some having a unique single-arm double-wheel escapement, some having a temperature-compensated pendulum, some having two dials, one of which showed the time and the other which showed a calendar and often other information such as phases of the moon, times of sunrise & sunset in Paris, etc. The firm was awarded a 1st class prize at the Paris World Exposition of 1857 for a commercial clock...

A fine Louis XVI style cobalt blue porcelain and gilt-bronze lyre clock garniture, with jewel set pendulum. French, circa 1900. The candelabra bearing a paper label to the und...

Superb and rare Sarreguemines "Pagoda" model mantel clock. Ceramic of brown crackled enamel. Side pieces signed Sarreguemines and numbered 5410. Central piece...

Napoleon III Gilt Bronze and Sevres Blue Ground Porcelain Mounted Clock, mid-19th century, the painted dial centered by Cupid, the movement strike on bell, surmounted by a footed bow...

An impressive French 19th century Neoclassical Lyre-form clock with jeweled pendulum. Amazing quality white and yellow marble 19th century French Lyre-Form clock mounted all over with gilt bronze...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...