French Mantel Clocks

French Empire clock of stunning quality of borne shape constructed of rouge marble, original fire gilt ormolu and patinated bronze. The dial of the clock is signed "L Ravrio" below 1...

Antique French Pink Marble and Ormolu 3 Piece Clock Garniture Set, Circa 1880-1890. Clock: 18" High x 8" Wide x 5 1/2" Deep Candelabra (2): 13" High x 10...

French sculptor Etienne-Maurice Falconet (1716-1791) is the inspiration for this beautiful, sumptuous mantel clock. His clock, crafted in the late 18th Century and now on display at the Louvre Museum, caused such a stir when it was exhibited over 100 years later, at the Great Exhibition in Paris in 1900 that one reviewer claimed that it "attracted so much admiration from the crowds gathered around that the pressure was sufficient at times to endanger its safety." As well as this famed 'Three Graces...

Three piece French bronze clock set with urn and swag pediment and lion head handles, embossed dial with inset porcelain numerals, along with conforming pair of 9 light candelabra, 1...

Period French marble and ormolu mantel clock with sunburst or sun king motif original works. Gilding in great condition. Neoclassical form with enamel embellishments in great conditi...

An exceptional French mid 19th century Charles X period ormolu portico clock. The clock is raised by fine bun feet below the rectangular base with an elegant mottled design and richl...

A very good quality 19th century Louis XVI style gilded ormolu clock garniture, the clock having a classical urn finial with garlands, ribbons and foliate decoration. The white ename...

French blue celeste porcelain and ormolu mantel clock. Very good condition with original ormolu and no damage to the porcelain panels, some of which have neo-classical influence. Two...

Beautiful Art Deco 3 piece mantel clock, most likely French. This high quality clock has a carved marble geometric design with a finely cast bronze bull on one side and includes 2 ma...

Table clock, Apollo. Bronze, marble. Model of Lenoir-Ravrio, Louis-Stanislas(1783-1846). Paris, around 1820. Table clock composed of a staggered rectangular base made of red veined...

Antique Three-piece Louis XV and Sèvres style clock and ewer set French, late 19th century Dimensions: Height 36cm, width 34cm, depth 12cm Consisting of a central mantel clock a...

TABLE CLOCK "ARAB WARRIOR" 19th Century ex Christie's In French porcelain, relief decoration, polychrome and gold, white enamel dial with black Roman numerals, relief and gold metal bezel, autonomy of eight days, rings the hour and half hour bell. Marked. Dim.: 35 x 17 x 10 cm FRENCH PORCELAIN MANTEL...

Decorative French mantel clock with a scrolled and gilded wood case in the Rococo style. The painted green finish is accented with gilt floral and foliate details. The enamel dial is...

Wooden Mantel Clock Vincenti et Cie Late 19th century The mechanism is marked "Vincenti et Cie, Médaille d'Argent 1855, Made in France." Vincenti et Cie, established in 1823 by Jean Vincenti in Montbéliard, was revitalized by Albert Roux in 1829, who expanded and innovated the company. Under Roux's leadership, the firm continued its Montbéliard operations and opened a store in Paris in 1850 on Rue d'Anjou in the Marais. The company earned a silver medal (Médaille d'Argent) at the 1855 Exposition Universelle, for which this clock bears the mark "Médaille d'Argent, 1855," symbolizing its excellent craftsmanship. The clock dial is marked Bailey, Banks & Biddle for the oldest nationwide jeweler in America, originally founded in 1832 in Philadelphia, Pennsylvania. The company is one of America's most prestigious retailers, known for creating the updated and final version of the Great Seal of the United States as well as the first 40,000 Purple Heart medals...

The movement is contained in an unusually large (67 cm!) white marble obelisk which is surmounted by an armillary sphere finial. The front with a panel chased with nymphs supporting ...

French portico clock with bone inlay, 19th century, Georgian. Ebonized French portico mantel clock on matching base with highly detailed bone i...

French pendulum clock / mantel clock, Boulle style Paris, circa 1870. Paris, circa 1880 The waisted case, veneered with red tortoiseshell and...

Edwardian mantel clock housed in a break arch case with raised chinoiserie decoration on a black ground and resting on a wavy plinth. Brass bezel opening to the silvered dial with en...

Miniature Chinoiserie Decorated Mantel Clock Miniature mantel clock housed in a break arch case with raised chinoiserie scenes on a red ground....

A striking high quality French 19th century Napoleon III period ormolu, tortoiseshell, and brass inlaid Boulle clock. The clock is raised by handsome ormolu paw feet with acanthus le...

Antique Gothic Revival porcelain clock by Dagoty & Honoré French, c. 1830 Measures: Height 51cm, width 25.5cm, depth 17cm This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honoré, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honoré...

A very good quality late 19th century French Louis XVI style gilded ormolu mantel clock. Having a broken arch pediment with a twin handled urn to the centre. The inset champlevé enam...

Antique French Louis XVI style ormolu and patinated bronze clock with cherubs, circa 1860-1870.

Edwardian mahogany Balloon clock standing on brass ball feet with boxwood and ebony chequered stringing and satinwood line inlay. Enamel dial with Ro...

A horologic masterpiece of precision and beauty, this neoclassical marble and ormolu mantle clock is an extraordinary example of late 18th-century French clockmaking by the famed Jea...

An extremely high quality French mid 19th century Louis XVI st. signed 'Lepaute, Paris' ormolu clock. The clock with a superb chasing throughout has all of its original gilt. Raised ...

Large French marble figural mantle clock. Hippolyte Francois Moreau (1832-1927) famous for bronze statuettes of young women. Son of Jean Baptiste Moreau...

Edwardian Chinoiserie Decorated Mantel Clock, Asprey, London. Edwardian mantel clock housed in a bell top case with raised chinoiserie scenes on a green ground resting on gilded blo...

Baroque style bronze and ormolu cherub mantel clock French, late 19th century Measures: Height 69cm, width 35cm, depth 26.5cm This dramatic a...

This magnificent clock set is signed ‘Le Roy’, most likely for Le Roy et fils. Founded in 1785, Le Roy et fils was an acclaimed French clock-making firm...

A very fine 19th century Rouge Griotte marble and gilt bronze clock in the Louis XVI style decorated with gilt bronze motifs, of rectangular form the painted floral porcelain white e...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Incredible and huge gilded and patinated bronze clock set of three pieces composed of a pair of nine lights candelabra and a clock . The candelabra are supported by a two standing c...

A very important gilt bronze, enameled bronze and patinated bronze clock depicting two children holding the stellar globe on which a cupid holding a torch in the right hand and a gar...

Fine quality Louis XVI gilt and patinated bronze figural mantel clock of Venus with cherubs. Fine quality Louis XVI gilt and patinated bronze figural mantel clock of Venus with cher...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

A Louis XVI period mantel (fireplace) clock by Bruel of Paris Constructed in Carrara marble and ormolu, rising from an ormolu dressed elliptical base supported by bronze toupie feet, the figures of Psyche and Cupid rest on a rocaille ground, housing the eight day twin train clock...

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

The white onyx and gilt bronze three-piece set consists of a central clock, accompanied by two six-light candelabra. The three items were crafted in the 19th century, during the reig...

An impressive late 19th century French gilded ormolu and patinated bronze mantel clock. Having three putti mounted to the top each playing musical instruments. The clock having an ei...

A unique and most decorative French 19th century Louis XVI st. Onyx and Ormolu mantel clock. This exceptional clock themed around the classical art is raised on ball feet below a two...

An ornately decorated French brass mantel clock from the turn of the 19th and 20th century. This antique French clock is exquisitely decorate...

Art Nouveau mahogany Balloon clock with satinwood inlay and standing on brass ball feet. Enamel dial with Arabic numerals and original hands. Eig...

A French Antique Empire Gilt Bronze Silk Thread Mantel Clock The neoclassical theme with a lady and a mandolin.The clock retains its original blued steel Breguet style hands. The ...

This clock set contains three pieces: namely, a mantel clock and a pair of flanking candelabra. The mantel clock is designed about a Japanese porcelain vase, known as Imari ware. This white ground vase, painted in reds and blues and ornamented with foliate forms, functions as the clock case, the dial centrally mounted and encompassed by Rococo style gilt bronze motifs. This vase is supported by a gilt bronze base, which is profusely ornamented with gilt bronze acanthus leaves, garlands, and, most distinctly, a pair of putti. The vase is mounted with lion head handles to each side, also of gilt bronze, while the lid of the vase is topped by a gilt bronze finial in the form of a putto. The candelabra are similarly decorated and of similar construction, each one being built about a smaller Imari...

A Monumental 19th Century Regency Style Gilt-Bronze Inlaid Grand Cartel de Applique, In the Manner of André-Charles Boulle. This impressive and large cartel clock has a circular, arabesque chased, brass dial with Roman numerals on enamelled cartouches, with engraved seconds and steel hands. The rear of the clock is open cased. The dial sits within a waisted case, with large acanthus mounted gilt-bronze volutes, surmounted by a palmette mascaron and a figure of Jupiter as a child and an enamel cartouche signed ‘Thuret A PARIS’. It is supported on large foliate mounted scrolls and decorated to the sides with Boulle marquetry panels and lion mask mounts. An eighteenth-century version of this clock by ‘Mynuel A Paris’ (Maitre 1720) is illustrated by Tardy in ‘La Pendule Francaise’, 1ere partie, p. 141. Initially conceived by C. Cressent, the design was further refined by A.C. Boulle before being embraced by J.J. de Saint-Germain. The earliest examples of this distinctive style bear the signature of clockmaker J. III Thuret. Only a handful of identical specimens of this model are known to exist. One such identical piece resides in the Frick Collection in New York, originating from the Dalva Brothers...

French Tortoiseshell Boulle clock with ormolu mounts surmounted by a brass finial. Gilded dial with individual enamel segmented Roman numerals....

An exceptional and very high quality French 19th century Louis XVI st. ormolu and patinated bronze clock, signed Raingo Frères Paris. The clock is ...

This exquisite mantel clock was designed in the 19th century in France, inspired by an earlier model by François Vion, a famous Parisian metalworker of the 18th century. In this design, as in Vion’s, the Three Graces are depicted holding up a spherical clock...

Depicting a young woman seated at a table holding a book and looking at a celestial globe, above the central dial signed 'Gaston Jolly Paris' and flanked by two busts.

Rococo style gilt bronze mounted porcelain clock garniture French, late 19th century Measures: Clock: Height 38cm, width 27cm, depth 13...

A Japonisme gilt-bronze and brass three-piece clock set French, Late 19th Century Clock: height 52cm, width 31cm, depth 12cm Candelabra: height 55cm, width 32cm, depth 9cm Made in F...

Gilt bronze and malachite Louis XVI clock French, late 18th century Measures: Height 69cm, width 36cm, depth 13.5cm This fine Louis XVI mantel clock is wrought from malachite and gilt bronze. The malachite veneer is a later, beneficial refinishing. The clock features a plinth-form malachite base supporting four malachite columns, each with a gilt bronze capital. The columns raise an ornately shaped top, which is inset with a circular white enamel dial and is surmounted by urn-form finials. Beneath the dial is suspended an ornately cast and finished gilt bronze drapery...

A very good quality 19th Century French gilded ormolu mantel clock. Having a cherub playing a base violin, a four glass case mounted with ormolu foliate and swag decoration, an eight...

A stunning and high quality French 19th century Louis XV. st. ormolu, patinated bronze and Rouge Griotte marble clock. The clock is raised b...

Louis XVI Style Gilt Bronze Mantel Clock, late 19th century, surmounted by an urn issuing a laurel wreath, the circular dial with enamel numerals, the movement strike on bell, flanke...

This 'Marie Anoinette' antique clock is signed on the face by an unknown maker, and originated from France and dating to approximately 1880 and done in the period Louis XVI style. Th...

This wonderful clock set, which is comprised of a mantel clock and pair of flanking vases, is designed in a fanciful French ‘Oriental’ style. The set is crafted from brass which has been silvered, parcel gilt and painted. The clock is also mounted with porcelain plaques which are beautifully painted with colourful depictions of birds and flowers. The mantel clock is composed of a tall rectangular body with a break arch top which is crowned by a covered twin-handled urn. The urn features a parcel gilt pointed finial on its cover and a silvered body painted with pink cherry blossoms. The urn stands on the arched top of the clock, which is decorated with a sculptural gilt scrollwork band and a gilt foliate border. The arch contains a circular porcelain dial which features a central painting of a pair of birds, encircled by black Roman Numerals within white cartouches. This dial is framed by a gilt beaded bezel. The shoulders of the clock body are mounted with parcel gilt and silvered elephant heads holding ring handles. Porcelain panels decorate the front and sides of the silvered clock body. These panels are beautifully decorated with paintings of colourful birds, butterflies and cherry blossom trees, set within gilt stiff-leaf frames. The clock body is set on a silvered rectangular base which is edged with a parcel gilt foliate band. The front of the base is mounted with a silvered and parcel gilt lion's head mask and flanking painted porcelain plaques. The clock stands on four parcel gilt silvered feet, which are geometric and scrolled in form. The pair of silvered vases...

Large cherub-themed gilt bronze clock garniture by Popon French, late 19th Century Clock: Height 68cm, width 63cm, depth 26cm Candelabra: Height 89cm, ...

A good quality French, 19th century pink sevres porcelain and gilded ormolu clock set. Having a classical urn to the top, an eight day chiming movement. A romantic scene painted to t...