19th Century Mantel Clocks

Impressive three piece gilt bronze mounted Sevres robin egg porcelain clock set, center clock urn having amorial bow and quiver finial and rams head handles, body with hand painted c...

Louis XVI style garniture set. Torch and quiver design is centered at Bottom of the clock. A hand painted garden scene is presented at the Lower portion of the clock and a beautifu...

Marble and gilt bronze clock with mythological decor, 19th century, Napoleon III period. A 19th century Napoleon III period clock in marble and gilt bronze with a mythological theme...

EMPIRE ORMOLU BRONZE FIGURAL MANTEL CLOCK OF CERES, GODDESS OF AGRICULTURE Movement by Etienne Tavernier; France, circa 1815 Item # 104HWG22Z A fine Empire period mantel clock with bun feet raising a rectangular base with a central portrait of Bacchus flanked by exquisitely chiseled motif of swirling foliage surmounted by a figure of the goddess Ceres grasping in her lowered hand a wreath woven with foliage and berries while in her garment she collects a bountiful harvest; she rests beside the clock tower with a framed lens opening to access the white enamel dial with black Roman numerals inscribed Etn. Tavernier set with Breguet style hands, raising an urn filled with fruits of the soil; against the tower rest the implements of labor, a shovel and flat rake. The movement is engraved "B". A significant clock movement maker, Etienne Tavernier (French, 1756-1839) is listed in Tardy's horology reference as working closely with the house of Abraham-Louis Breguet as well as providing clock movements...

A magnificent Louis XV style French gilt bronze elephant clock, signed by Barreau F. de Bronzes, dating to the 19th century. This highly decorative timepiece exemplifies the elegance...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Magnificent midcentury French three-piece gilt bronze Ormolu garniture set. The set consists of a clock and two Six-light candelabrum in the Louis XV style with floral and Grape ...

This is a late 19th century gingerbread mantle clock. The clock is from the Eastlake period. The face of the clock is white porcelain. The clock is nicely carved and has brass accents.

A beautiful, classically designed antique French gilt bronze clock set by Japy Frères. It features oval panels to the sides showing Fortun...

A most attractive small French white marble and ormolu Mantle/Mantel Clock Surmounted by classically shaped lidded urn with flower head finnial and draped all round with floral garla...

American Federal mahogany pillar and scroll mantel clock with a broken arch pediment, three urn wood finials, flanking ringed columns, hinged glass d...

A magnificent, large, and original, French three piece mantel set from the late 19th century. The Napoleon III Second Empire period, Neoclassical style antique clock having an urn form finial with sculptural gilded bronze mounts, over architectural case made of the most beautiful variegated specimen marble, with various shades of salmon pink and white, black and silver veining, pierced flower blossom ormolu mounted columns flank the hand enameled fancy dial with Provincial figural scene, signed Guinchard & Martin, Castres, glass door with beaded gilt brass bezel, housing the high-quality eight day time and strike movement stamped AD Mougin...

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

Lewis Foreman Day for Howell James & Co. An Aesthetic Movement mantel clock with hand painted floral decoration and sunflower to the dial flanked...

Small mantel clock with bas-relief France Bronze, enamel early 19th century Dimensions: H x W x D: 33 x 19 x 9 cm Description: Antique, fire-gilt portal clock with figurative, Gre...

A lovely quality 19th century black forest mantle clock, the clock dial located at the centre within a farmyard scene consisting of a cockere...

Louis XVI style clock in gilded bronze and porcelain: the base is very richly decorated: putti heads, flower garlands, knots and rosettes and porcelain plates decorated with golden s...

A very fine and Palatial French Louis XVI style figural gilt bronze mantel clock. The vase shaped case surmounted with a pomegranate-cast finial and flanked by large satyr mask handles fitted with intertwined gilt-bronze snakes, amongst floral wreaths, ribbons and acanthus. The rectangular acanthus decorated base flanked on each side with a figure of a cherub holding a globe and a Putti writing a poem, both above a plinth decorated with fruit and floral garlands surmounted with lion-mask-legs. The circular white enamel dial with wreaths of flowers with Roman and Arabic numerals, Signed: Étienne Le Noir...

Empire period portico clock in white marble and gilt bronze, 19th century This Empire period clock (circa 1800-1810) is composed of a marble terrace topped by two flat columns decor...

High victorian inlaid black marble mantel clock circa 1870. Fine quality mantel clock of large proportions from the period in victorias reign when it was in vogue to commemorate the...

French Louis XVI-style (19th Century) white marble mantle clock with gilt bronze trim and a pediment with a wreath & arrows. (Clock face signed: HGER DU ROI, PARIS) (Not working)

Antique Mantel Clock with Eagle and Chamois Family, ca. 1900 A large Black Forest wooden carved mantel clock with an eagle on top and a chamois defending her child. The clock is embedded in a handcarved wood pile. A masterpiece of Brienz woodcarvings which brightens up any chimney piece. The clockwork is cleaned and overworked by a clockmaker - working order. Soberly considered mantel clocks are small pendulum...

A very fine 19th century French Louis XVI gilt bronze mantle clock . Signed by the clockmaker

Important giltwood clock with a mirror background of Rococo inspiration with a rich sinuous and asymmetrical decoration representing a Chinese couple ab...

A fine quality monumental gilt bronze three-piece clock garniture. Comprising a fine quality large gilt bronze eight-arm figural rococo candelabra a...

German Lenzkirch mahogany and carved ormolu cased mantel clock. The clock has wonderful carved scrolling feet supporting a rolled ridged stepped base decorated with leaf carved ormol...

A Louis Philippe Gilt-Bronze 'Reims Cathedral' Musical Mantel Clock, The Clock Movement By J. Charles, Paris. The Musical Movement By Martinet & Benoit, Geneva. Modelled as the We...

An exquisite 19th century French gilt bronze and hand painted jeweled Sevres Porcelain clock set. Fine gilt bronze and hand painted jeweled...

A Large and Exceptional Napoleon III Period Gilt-Bronze and Sèvres Style Porcelain Three-Piece Clock Garniture. By Denière, Paris. Comprising a mantle clock and pair of eight-light...

A superb, large and early Ormolu clock, mounted with exquisite Sèvres style porcelain with a Bleu Celeste ground and fine overglaze gilt decoration. The richly chased foliate case is...

This charming Louis XVI-style mantel clock is a fine example of French decorative craftsmanship, likely dating from the late 19th century. The clock features a white enamel dial sign...

This exquisite French mantel clock is a testament to 19th-century artistry and craftsmanship. Crafted from white marble and adorned with a gilded bronze sculpture, the clock features...

French mantel clock "Astronomy" Paris Bronze, marble Mid 19th century Dimensions: H x W x D: 38 x 55 x 16 cm Description: A Louis XVI-style figural mantel clock mounted on a two-t...

A stunning and large original antique French gilded bronze clock. It is of the most beautiful Rococo style, waisted case decorated with 'C' scrolls, acanthus leaves and floral swags....

A rare and wonderful Aesthetic Movement black marble brass gong-striking mantel clock with brass finials and brass gallery to the top, just below with hand-painted porcelain panels o...

This antique clock set is a luxurious masterpiece, perfect for adding elegance to hotel lobbies, grand living rooms, spacious hallways, and museums. ...

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock. The finely chased ormolu body, with its original two-tone mercury gilt, centered with a circular enameled porcelain clock face with Roman and Arabic numeral dials and inscribed 'A. Thomas - Fabt de Bronze - 56, Rue de Turenne - Paris', surmounted with a pair of playful seated cherubs amidst clouds and wreaths, the case crowned with a figure of a Gallic Rooster (Coq Gaulois...

A magnificent Sèvres-style gilt bronze and jeweled porcelain clock set. The fine pair of Sèvres-style ormolu mounted covered cobalt blue ground porcelain vases with hunting scene. ...

Fine French 19th century gilt bronze figural Louis XV style clock. The crest showing a pair of Bacchanale subject putti, one reclining on a naturalistic rocky outcropping with a chal...

A large and magnificent clock set by the renown bronze founder H Luppens of Brussels. Classically modelled in the Louis XVI style, the clock features three ormolu cherubs toiling to ...

Antique mantel clock in the French Empire style with variegated white and charcoal marble case with hand-craved white marble neoclassical appliques...

Large clock in the style of Egyptomania, in marble of different colors, decorated with stylized hieroglyphs, falcons and scarabs. It is topped with a sphinx in patinated bronze. Eg...

Miniature Empire Bronze Clock - Matelot Paris fire-gilded and patinated bronze early 19th century Dimensions: H x W x D: 18 x 14 x 9 cm Description: Very rare miniature of the famous Pendule Matelot "Au Bon Sauvage". The depiction deals with an important topic of the time, trade with the colonies. The rectangular base stands on pressed ball feet. Attached to the front, we see two cornucopias filled with exotic fruits and held by a bow. A young sailor, dressed in a raffia skirt and feather jewellery...

Figural mantel clock signed “Al. dre Destape Palais Royal” The bronze figural mantel clock depicting one of the mythical heroes - Orpheus originates from the Empire period. The cloc...

Outstanding quality large antique Victorian marble mantle clock. Having an outstanding quality marble and ornate gilded brass case, with an 8 day movement striking the hour & half ho...

A stunning original antique French Rococo clock by A. D. Mougin. Boldly modelled balloon shape, profusely decorated with scrolls, acanthus and floral swags. To the top is a large ela...

Beautiful 18th century Rococo manner gilt bronze mantel clock with elegant Sèvres style bleu / navy colored porcelain. The porcelain is very delicately hand painted with a landscape on one side of the vases and figures on a staircase on the other. Gorgeous gold details on a deep blue and jeweled background. The clock has a painting on the top with 2 ladies...

Empire clock signed à Paris The mantel clock is in gilded bronze representing Ceres as a goddess of fertility, agriculture, grain crops and motherly relationships. In ancient Rom...

Large Victorian 19th century antique faux marble mantel clock having a fantastic architectural reeded shaped top with a turned finial and moulded co...

A French Empire figurative clock of a Roman youth holding a scroll in gilded bronze showing a seated classically draped youth sitting atop the clock case holding a lyre in one hand a...

A magnificent late 19th-century garniture clock set in the Sèvres style, crafted from gilded bronze and porcelain. Originating from France, this exquisite set includes a finely detai...

A French Empire table clock, first half of the 19th century. Measures: Width 30, depth 11, height 38 cm. Key included. Later added hatch at back. F...

Garnish, clock and two candlesticks. Gilt bronze. Henri Picard and Victor Paillard. Paris, France, 1831-1864. With markings (base, back). A gilded bronze clock with two four-light...

Antique (late 19th century) Egyptian Revival period French empire style mantel clock in bronze with dark brown patina, retailed at Brown and Rogers of Providence, Rhode Island.

An outstanding quality antique gilded bronze & Sevres porcelain French 3 piece, 8 day clock garniture with candelabra, by Brocot & Delettrez, Paris, circa 1870. The clock with an 'egg' shaped urn made of cobalt blue Sevres porcelain with a hand-painted panel with a neo-classical beauty and a cupid, the rear is painted with gilt birds & floral decoration. The urn with gilt bronze handles to the sides held in the mouths of lion's masks, the clock below also with sumptuously decorated with gilded cobalt porcelain panels, the clock dial with black Roman numerals & is finely painted with two horses and a chariot with a putti falling out of the chariot. The clock has two winding arbors one for the 8 day time wind the other for a chime, the clock chimes the hours on a soft delicate sounding bell, the clock is in full working order and was recently professionally cleaned. The clock is complemented with a pair of gilt bronze & cobalt blue Sevres porcelain four branch vasiform candelabras, decorated with oval panels to the front with putti & Neoclassical maidens, the back panels finely painted with birds, each candelabra is in two sections and raised on gilt bronze bases with corbel brackets & acanthus leaf feet. The bronze casting is very likely by the Barbedienne Foundry in Paris, as the quality is outstanding, the clock is stamped "BD" for Achille Brocot (1817-1878) and Jean-Baptiste Delettrez (1816-1887), they were two of the most important French clock makers of the mid to late 19th century, please see some biography below. The clock is mechanically & cosmetically in excellent condition, and was recently overhauled by a clock-smith, the porcelain & ormolu are also in excellent condition, one of the very best investment quality gilt-bronze & Sevres porcelain clock garnitures by the top French makers of the period, circa 1870. This garniture will be professionally crated for shipping. Delettrez and Achille Brocot, son of the respected clockmaker Louis-Gabriel Brocot, established the clockmaking company "Brocot et Delettrez" in Paris on 20 October 1851, with premises at 62 Rue Charlot Paris. Jean-Baptiste Delettrez worked alongside Achille Brocot for several years and their clock movements are considered to be the most effective made during the late 19th century. Their specialty was a range of clocks based on the innovations of Brocot père and his other son Antoine, but generally of Achille's greatly advanced original design, some having a unique single-arm double-wheel escapement, some having a temperature-compensated pendulum, some having two dials, one of which showed the time and the other which showed a calendar and often other information such as phases of the moon, times of sunrise & sunset in Paris, etc. The firm was awarded a 1st class prize at the Paris World Exposition of 1857 for a commercial clock...

A very important French gilt bronze and Rouge marble figural mantel clock by Japy Frères Movement: Japy Frères (1806-1930) Origin: French Date: 19th century Dimension: 30 3/4 i...

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

Antique French round arch portal clock France (Paris) Bronze, enamel Empire circa 1820 Dimensions: H x W x D: 47 x 26 x 12 cm Description: Very beautiful, strictly architecturally...

A Magnificent Large Antique French 19th Century Ormolu and Rouge Griotte marble clock set of exquisite craftsmanship. This spectacular clock set is comprising a pair of very large ni...

Antique Ormolu French Cartel Clock on its stand, Napoleon III Era. This is a good-sized French mantel clock dating from around 1880. It has a waisted case with applied brass decoration and brass and tortoiseshell-style inlaid panels. The white enameled dial has fancy pierced brass hands and a beaded bezel. It is hand-painted with Arab numerals and decorated with garlands of flowers and leaves. The clock has a center window showing the pendulum shaped like a fairy. It drives the movement that seems to strike the hours and halves on a bell. This gorgeous antique cartel clock...