Vienna Empire Mantel Table Clock Wooden Chest, circa 1815

Stunning Viennese enamel vintage table clock - made of: -- silver -- nacre -- enamel (excellently chiselled) -- onyx -- semiprecious stones Attention: The table clock is par...

Complete Vienna clock on six stocky ball feet made of alabaster, architecturally structured wooden case with fruitwood veneers in the shape of a portal, steps in front flanked by two...

Fire-gilded bronze table clock: a childlike bacchanal seated on a wine barrel under an arched vine arbour, holding grapes and a wine glass in his hands, on an oval base with an appli...

Excellent fire-gilded Empire bronze mantel clock: structure in the form of a rectangular, stepped pedestal that tapers at the front corners, on four spindle feet, with relief ornamen...

Ormulu pendule with depiction of friendship and love Paris (Lepaute, Thomire) fire-gilt bronze Empire around 1815 Dimensions: H x W x D: 44 x 36 x 13 cm French pendulum movement with eight days duration. Thread suspension and lock disc striking movement with strike on bell on the half and full hour. White enamel dial with Roman hour numerals and Breguet hands. Signature: LePaute & Fils / Hrl. du Roi (Pierre-Basile Lepaute (1750 - 1843) with his son Pierre-Michel Lepaute (1785-1849); from 1811 in joint workshop). Description: The extremely high quality pendulum shown here takes up a profound theme: Friendship, which combines with love and can thereby outlast time and death. As it is typical for the epoch of classicism, personifications and symbols are taken from the fund of ancient mythology and art and then developed further. The main figure is a young woman in an antique, girded garment, standing barefoot and with crossed legs next to an altar, on which she is leaning with her left elbow. She gracefully bows her head towards a tempestuously approaching Cupid, grasps his right hand with her left and draws him to her bosom, the seat of the heart. The delicate ambivalence of flying towards and being held culminates in the trustingly intimate look that the two cast at each other. The young woman personifies friendship, the winged Cupid love. As a sign of their intimate connection, two burning hearts appear on the altar next to the two, framed by the puffed scarf, which are closely bound together by a chain of flowers. Next to them, on the altar slab, one can see an erected book with the title "Amitie" (French: amitie, friendship). Supporting the book is a pomegranate held by a ring of pomegranate flowers. The bursting seeds spill out of the cracked skin. Since ancient times, the pomegranate and its blossoms have been dedicated to the goddess Persephone, symbolizing the underworld and death, but also life and fertility. The myrtle interwoven in the pomegranate flower wreath of "friendship" also has a far-reaching symbolic power: the plant was dedicated to the goddess Aphrodite, stands for virginity, and was and is therefore obligatory in the bridal wreath...

19th century French pendule, mantel clock - Mercury the messenger of the gods France Bronze gilded Empire around 1815 Dimensions: H x W x D: 37 x 30 x 10 cm Description: French Empire...

Royal Empire mantel clock / pendulum clock, fire-gilt, around 1805-1815, Paris Solid bronze, fire-gilded, Paris around 1805-1815, original French Empire from the first period. ...

An Exquisite Period Empire Clock, featuring Cupid (in patinated bronze) with his bow & arrow, next to him a quiver & torch. The body of the clock with bas relier decoration and anthe...