French Clocks

Excellent condition with finely chased dore bronze mounts. Has key and pendulum.

Impressive French Empire period ormolu and malachite sculptural mantel clock French, c.1825 Measures: Height 92cm, width 63cm, depth 22cm By Jacquier of Paris, circa 1825, this magnificent, impressive, and exceptionally fine antique clock...

Keep time in your office, study, or atop your mantel with this elegant antique clock in the original glass dome. Crafted in France, circa 1870, the portico clock stands on a wooden g...

XIX CENTURY CLOCK EMPIRE CLOCK IN SIENA MARBLE AND DECORATED WITH BRONZE. SUSPENSION MECHANISM WITH FILE. COMPLETE WITH ITS KEY AND PENDULUM. MEASURES: 45 CM HIGH good condition.

A large and impressive French Empire period gilt bronze mantel clock of exceptional quality and colour. French (possibly retailed in Italy) - Circa 1820. The finely chased and original gilt bronze case depicting Orpheus playing his lyre with an eight-day bell striking movement, outside countwheel, backplate initialled and numbered 'A C D 1516’. The dial with Roman numerals and inscribed Riccardo Pacinoti of Lavourne. It is a French movement (silk suspension) striking the hour and half hour. The case in the form of an oblong pillar cast with anthemium and cornucopia beneath a draped urn and a laurel wreath, flanked by the figure of Orpheus playing his lyre, the stepped plinth cast with wonderfully detailed underworld scenes, on leaf scroll feet. In excellent condition the clock case has been cleaned with the movement completely overhauled and serviced to the highest standard by a specialist restorer. In general 19th century French bronze clocks...

This mantle clock is by a well-respected Paris maker in a fashionable style. The oval base supports a vase shaped clock case in turn supported by winged dolphin heads and flanked by ...

Large Empire style ormolu and malachite mantel clock with mythological sculpture French, late 19th century Measures: height 58cm, width 46cm, depth 14cm With large sculptural work depicting Jason and the Golden Fleece...

19th Century finely chased and cast dore bronze mantle clock. Porcelain dial in excellent condition. Signed "Millet." Original pendulum. Don't have original key, but can have one made.

A wonderfully impressive and enchanting French Empire period mantel clock by Jean-Antoine Lépine (1720-1814), clockmaker to both King Louis ...

Antique Empire period gilt-bronze mantel clock by Deverberie French, c.1805 Measures: Height 67cm, width 54cm, depth 19cm This exceptional timepiece was made in Empire period Fr...

A fine quality French Empire clock by the eminent maker Ledieur, signed on the backplate of the movement.. The movement is an 8 day bell striking s...

Empire period ormolu and enamel Ceres mantel clock after Thomire. French, c.1810 Measures: height 46cm, width 38cm, depth 13cm. This superb mantel clock was made in the First Fr...

Important clock-regulator entirely realized in gilded bronze of the Empire period. It has a lyre shape with seven strings and a bust of Homer crowned ...

An Empire style ormolu and malachite mantel clock by Denière French, c.1820 Measures: Height 50cm, width 33cm, depth 14cm Made in the early nineteenth ...

FRENCH RESTAURATION ORMOLU & PATINATED BRONZE FIGURAL MANTEL CLOCK OF ROMAN PHILOSOPHER HORATIUS Paris, circa 1820; silk-suspension movement signed "Etablissement Barbot de Paris" Item # 010CVX22A An incredibly fine Restauration period clock, it depicts a seated figure of the important Roman philosopher Horatius holding a scroll in his right hand while waving his hand over the results of war: ruins of a column and remains of an architectural mural...

This bras en l'air, or "arms in the air," French mantel clock demonstrates the neoclassical luxury of the Second Empire style. The focal point of the clock is a large doré bronze mai...

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker who specializes in maintaining museums. The e...

Mantel clock 19th Century Empire Le Roy et fils (French, founded 1785) Le Roy et fils was a prestigious French clock making firm. The company was fou...

A stunning early 19th century French Empire period chateau longcase clock with eight-day comtoise movement handcrafted of solid walnut, circa 1815, all original. This tall, handsome chateau longcase clock, with a deep, rich patina that reveals the beauty of age, features a hood with a stepped cornice over a shaped front dial case door...

Empire style figural mantle clock from the beginning of the 19th century. This mantel clock is known also as the “Allegory of love”, as the woman featured in this clock is holding on...

Mantel Clock "Atala and Chactas" Paris Bronze (fire-gilt and patinated), enamel Empire around 1810 Dimensions: H x W x D: 40 x 32 x 11 cm Description: Very rare and extremely high quality French mantel clock, so-called Pendule Au Bon Sauvage. Depicted are scenes from the love story "Atala or the love of two savages in the desert" written by Francois René Vicomte de Chateaubriand in 1801. At the beginning of the 19th century, this was probably the most famous love story in Europe, but today it has been forgotten. The story, set in present-day Louisiana (USA), is roughly rewritten about the forbidden love between Chactas, a young Indian, and Atala, the beautiful daughter of a Spaniard. Chactas is captured in a battle between two Indian tribes, chained to a palm tree and is to be sacrificed. Atala wants to save his life and convert him to Christianity. She unties him from the palm tree at night and they flee together into the wilderness of North America. Their love for each other grows stronger and stronger and they have prospects for a future together. The story takes a tragic turn when Atala, who must remain a virgin due to a vow made by her mother, can no longer withstand the conflict of her feelings and commits suicide. The main group of characters thus shows Chacta's liberation through Atala. Atala is leaning against a pile of logs. The animal fur thrown over the logs and the weapons leaning against the stack on the right give the impression of a night camp. The bronze is of rarely beautiful quality, finely chiselled and makes the scene appear very lively. The contrast of fire-gilded and patinated bronze adds tension to the composition. In the base we see the Entombment as the end of the tragic love story. This bronze work is also very detailed, the interplay of bright and matt gilding makes the flat relief appear much deeper than it is. The depiction of the mantel clock presented here shows that the exotic was only known from stories and that the bronzier had his own ideas about the appearance of this distant world. The Indian, for example, has very European facial features and his skin was not black in reality, of course. The palm tree was also certainly not found in the North American wilderness. The heart of the clock is a French pendulum movement, integrated into the wooden pile, with an eight-day power reserve and a lock plate striking a bell on the half and full hour. The pendulum is suspended on a thread, typical of the period. The classically shaped hands, so-called Breguet hands, are also typical of the time. The enamelled dial has black Roman hour numerals, Arabic quarter hours and bears the signature: Le Roy hr. de Madame A PARIS. Interesting facts: The period from 1795 to about 1815 saw the creation of probably the most spectacular group of bronzes: The "Au bon Sauvage" pendulums - depictions of the "Noble Savage". Today's viewers react to these objects with both fascination and irritation. Enthusiastic on the one hand about the obvious quality of the detailed bronzes and the allure of the exotic, on the other hand distanced and cautious because of the possible discrimination that is suspected behind them. The ambivalence of this feeling motivates the search for the conditions of origin of these pendulums. Europeans found their new ideal of the natural man primarily in fictional and realistic travelogues about the Indians of North America...

An Empire Mantel Clock by H.Robert-Horloger De La Reine, Paris, date circa 1820-1830 A superb Empire gilt and patinated bronze mantel clock of eight day duration signed on the white enamel dial H.Robert-Horloger a la Reine . The dial with Roman numerals and gilded steel Breguet style hands for the hours and minutes. The movement with anchor escapement, silk thread suspension, striking on a single bell, with outside count wheel. The extremely fine case featuring the standing figure of Urania, Muse of Astronomy holding a pen in her left hand which points to a star-studded globe adorned with the signs of the zodiac around its circumference, the globe set on the back of four putti upon a plinth, containing the dial with a serpent-wrapped Paris, date circa 1820-30 Height 73 cm, width 50cm, depth 22 cm. In addition to the above prestigious locations, clocks of this model can be found at Warsaw Castle and in the Bayerischen Nationalmuseum, Munich. The Parisian clockmaker Bailly (d. after 1818) was one of the finest of his day and as such earned the title of Horloger de LL. MM. II. Et RR (Clockmaker to Their Imperial and Royal Majesties). Working from rue de Richelieu he was with Lepaute one of the main suppliers to the Garde-Meuble. Bailly, who retired in 1818 had the responsibility of maintaining the clocks at Compiègne and the Trianons and is known to have used cases by the leading Parisian bronziers including Pierre-Philippe Thomire and Claude Galle as well as Ferdinand Schwerdfeger who supplied him with a case for a regulator surmounted by a star-studded and zodiac banded globe...

Portal clock on a rectangular, stepped base in mahogany veneered with small bun feet. The stepped architrave is supported by four smooth columns, the capi...

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker who specializes in maintaining museums.The eig...

Figural mantel clock signed “Al. dre Destape Palais Royal” The bronze figural mantel clock depicting one of the mythical heroes - Orpheus originates from the Empire period. The cloc...

Large Empire period gilt bronze mantel clock French, early 19th Century Measures: Height 52cm, width 28cm, depth 17.5cm This superb Empi...

A fascinating Antique French Empire Striking Ormolu mantel clock A fascinating clock in the form of a library bookcase, with two children sitting at each side. Raised on a plinth ...

A stunning and extremely high quality French 19th century Empire st. ormolu and Vert de Patricia marble clock, signed Armingault à Paris. The clock is raised by an impressive rectang...

A late French Empire period mantel (fireplace) clock showing a seated Roman emperor in finely chased patinated bronze holding a sword in one hand and a Roman banner in the other. He ...

A wall clock with gilt bronze ribbon bow joining a gilt bronze ribbon attached to the clock case with patinated bronze back section and laurel leaf mounted surrounding a circular glass hinged cover opening to an enamelled dial signed Bailly a Paris. An eagle with spread wings at the base seated on a plinth. All finely cast. The laurel leaves signify victory and the eagle represents strength and power. Bailly is considered on of the finest French clock makers...

"L''Amour jardinier" is a gilt bronze table clocks with a garden angel and garden decors. The garden angel is on a scale and catches a butterfly. The m...

The clock is in a excellent and perfect working condition. Also it has recently been cleaned and serviced by a professional clock maker. The eight-days going movement has a wire su...

Very beautiful Empire clock on the theme of music. rare model, signed “Caillouet in Paris” Watchmaker referenced in the Tardy at the date of 1810. Scene decorated with a musician sit...

Early 19th century Empire clock crafted of gilt bronze, or ormolu, featuring an allegorical scene with a woman sitting at her work table play...

Ormulu pendule with depiction of friendship and love Paris (Lepaute, Thomire) fire-gilt bronze Empire around 1815 Dimensions: H x W x D: 44 x 36 x 13 cm French pendulum movement with eight days duration. Thread suspension and lock disc striking movement with strike on bell on the half and full hour. White enamel dial with Roman hour numerals and Breguet hands. Signature: LePaute & Fils / Hrl. du Roi (Pierre-Basile Lepaute (1750 - 1843) with his son Pierre-Michel Lepaute (1785-1849); from 1811 in joint workshop). Description: The extremely high quality pendulum shown here takes up a profound theme: Friendship, which combines with love and can thereby outlast time and death. As it is typical for the epoch of classicism, personifications and symbols are taken from the fund of ancient mythology and art and then developed further. The main figure is a young woman in an antique, girded garment, standing barefoot and with crossed legs next to an altar, on which she is leaning with her left elbow. She gracefully bows her head towards a tempestuously approaching Cupid, grasps his right hand with her left and draws him to her bosom, the seat of the heart. The delicate ambivalence of flying towards and being held culminates in the trustingly intimate look that the two cast at each other. The young woman personifies friendship, the winged Cupid love. As a sign of their intimate connection, two burning hearts appear on the altar next to the two, framed by the puffed scarf, which are closely bound together by a chain of flowers. Next to them, on the altar slab, one can see an erected book with the title "Amitie" (French: amitie, friendship). Supporting the book is a pomegranate held by a ring of pomegranate flowers. The bursting seeds spill out of the cracked skin. Since ancient times, the pomegranate and its blossoms have been dedicated to the goddess Persephone, symbolizing the underworld and death, but also life and fertility. The myrtle interwoven in the pomegranate flower wreath of "friendship" also has a far-reaching symbolic power: the plant was dedicated to the goddess Aphrodite, stands for virginity, and was and is therefore obligatory in the bridal wreath...

Clock representing the Coronation of Love or Love and Psyche after Claude Michallon. Psyche, dressed in a wet drapery held by a belt, leans over the central pillar in griotte marble to crown Amour, recognizable by his wings and his quiver at his waist. The gilded bronze dial with Roman numerals is set in the pillar decorated with a lyre surrounded by oak leaves. The rectangular base is decorated with leaves, crowns, garlands, trophies of arms and rosettes motifs. The ensemble is supported by four small winged claw feet in gilded bronze. This figure created by Michallon (1751-1799) during the Directoire period, after an antique marble from the Capitol in Rome, was a great success due to its elegance and the popularity of the subject of Love and Psyche in the 19th century. It was declined many times notably by Feuchère and Thomire. Some examples are kept in renowned museums such as the Château de Fontainebleau, the Musée Marmottan-Monet, the Hôtel de la Marine...

This ormolu clock from the 19th century has a rectangular base with four feet carved with small patterns. The figure on top represents a lady playing on the spinet and on sides of th...

An exquisite French mid 19th century Empire st. ormolu portico clock. The clock raised on a rectangular base with finely chased borders and satin and burnish finish interlocking circ...

Following a model by early 19th century Paris sculptor and bronzier Pierre-Philippe Thomire, and showcasing many of the neoclassical design elements common to the Empire Style popula...

The highest quality late French Empire/Charles X mantle clock in terms of bronze casting, chasing, and gilding. The partially clad figure of Fau...

An extremely rare mantel clock with a figured mahogany-veneered case by A-L Breguet Abraham-Louis Breguet (1747-1823), who was of Swiss origin, is undoubtedly the most celebrated clockmaker of the late eighteenth and early nineteenth centuries in France. He is responsible for the invention of the self-winding watch, the tourbillon and the sympathetic watch ( a watch that is placed in a cradle of a special clock. It is then linked by means of a pin fixed behind the clock dial. Built into the motion work which, when released by the clock, automatically sets the hands to the clock's time as well as correcting the watch's regulator necessitated by any degree of inaccuracy registered at the moment of synchronisation) and many other horological improvements and developments. Around the year 1807 Breguet brought in his son, Antoine-Louis (born 1776), as a business partner, and from this point, the firm became known as Breguet et Fils. Breguet had previously sent his son to London to study with the great English chronometer maker John Arnold...

Antique vase clock France Fire gilded bronze Empire around 1820 Dimensions: H x W x D: 41 x 13 x 12 Description: Beautiful all gilt French mantel clock. The basic form is in the shape of an urn vase with lid...

Pendulette "Gare La Bombe" France gilded bronze first half 19th century Dimensions: H x W x D: 20 x 15 x 7 cm Description: Antique miniature mante...

Case: The well-cast and finished ormolu case depicts a large male figure, Orpheus, standing on rockwork while leaning on the clock and playing the flute. He is surrounded by severa...

This Etruscan vase-shaped mantel clock cast from bronze with gilded elements and brown patina originated from the first half of the nineteenth century. The Empire style was based on ...

This finely chiseled vase clock was cast from bronze with gilded elements originated from the first half of the nineteenth century. The Empire style was based on elements of the Roma...

An exquisite French Empire ormolu and cut-crystal clock, c. 1815, attributed to Baccarat. Made from the finest quality mercury gilding ormolu, this c...

A very fine gilt bronze period Empire mantle clock. France, circa 1805. Period Empire clock featuring an stylized Hercules with Lion's pelt. Origin...

Amazing clock depicting the tale of Amor and Psyche which Is about the god of love in Greek mythology. Large bronze Dore figures adorn the pediment sta...

A handsome French 19th century Empire st. Vert Patricia marble and ormolu clock. The clock is raised by fine rectangular ormolu supports below the Vert de Patricia marble base. A str...

Antique French Empire patinated and gilt bronze mantel clock French, early 19th century Measures: Height 55cm, width 43cm, depth 13cm This fine Empire period mantel clock is wro...

Maker: Dubuc Aine à Paris Case: The well-cast and finished ormolu is surmounted by a female figure leaning over and opening the top door of cage containing a putti. Flanking t...

An impressive early 19th century French clock by T H re Le Roy, having 8 day striking silk-suspension movement with silver dial. The c...

Maker: Dubuc – Clockmaker. Case: The well-cast ormolu case depicts a barnyard scene with a maiden supporting a milk jug accompanied by several animals that include a sheep, ro...

"Empire gilt bronze vase clock circa 1810 Attributed To Claude Galle" Beautiful bronze vase pendulum with original mercury gold gilding, splendid carving details. Paris movement wit...

19th century French pendule, mantel clock - Mercury the messenger of the gods France Bronze gilded Empire around 1815 Dimensions: H x W x D: 37 x 30 x 10 cm Description: French Empire...

19th century, French chiselled and gilt bronze table clock This table clock was made of chiselled and gilded bronze in the early 19th centur...

French gilt bronze mantel clock with Classical figures French, 19th century Measures: Height 45cm, width 39cm, depth 17cm This mantel clock feat...