15th Century and Earlier Decorative Objects

The central element of this geode has been preserved with two windows on each side, revealing gorgeous calcite formations sat on a blanket of differentially tinted amethystine quar...

Matched Pair Split Ammonite fossil mineral specimens Jurassic - Cretaceous Period, 200 - 145 million years old Measures: 5 x 4.25 x 0.5 in. / 13 x 10 x 1.5 cm Height on custom d...

This stunning formation consists of a large pyramidal calcite on a bed of deep purple amethyst. The split calcite with unusual epitaxial goethite and a second generation of amethys...

This is an extraordinarily complete geode, split in two and mounted atop a custom metal Stand. This piece celebrates the visual phenomenon of the geode in its entirety, with some par...

IMPORTANT SEDES SAPIENTIAE VIRGIN AND CHILD ALSO CALLED « THRONE OF WISDOM » ORIGIN: FRANCE, BURGUNDY PERIOD: EARLY 13th CENTURY Height : 75 cm Len...

An extraordinary stibnite specimen from China, with a tall, elongated crystal formation that evokes the shape of a silver sword. Its sleek, metallic lustre and refined symmetry give ...

A natural piece of Petrified Wood set on a stand. Completely organic natural raw fossil, cleaned for display. Appearing as a towering mountain with jutting peaks. To the back sid...

Oriented Stone Meteorite Chondrite 5.00 kg Detached from its parent body by a mighty impact, this large, oriented Meteorite travelled over a hu...

A beautiful fragment from a lunar meteorite, among the rarest of all geological finds. This specimen belongs to NWA 11303, a feldspathic regolith breccia which formed when the shock ...

MARTIAN STONE - NWA 14713 Lherzolitic shergottite 127 g “This 127-gram fragment of the NWA 14713 meteorite displays a green-black mottled exterior. The rock is a martian shergottite (a basalt) composed mainly of coarse grains of pyroxene as well as calcium-plagioclase glass. This glass, called maskelynite, formed from crystalline plagioclase when the specimen was blasted off the surface of Mars by an energetic collision. There are currently less than 350 known martian meteorites...

This rare natural amethyst specimen, featuring at its center an exceptional calcite formation composed of brilliant crystals, is a truly remarkable piece. It showcases a vibrant, dee...

This huge, Museum-quality Spinosaur tooth is completely in tact with no repairs. This incredible specimen includes a display box for preservation and display purposes. Spinosaurus (m...

We would like to introduce you to some fascinating pots excavated in Japan. This is a pot fired in an ancient Japanese kiln called Tokoname ware. Tokoname is a kiln located in Aichi...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

Large Mexican Green Onyx Tower Obelisk Specimen Weighing 20 lbs. Offered for sale is a very large specimen Green Onyx Tower Obelisk. It is a variation of the renowned Onyx stone, di...

We are pleased to introduce a glazed ceramic vase from the Liao dynasty of China, dating from the 10th century, about 1,000 years ago. The Liao dynasty was established by the Qidan ...

NWA 12759 Stone, Chondrite - L5 18.3 KG “This specimen of the NWA 12759 L5 chondrite has a smooth posterior fusion crust where meteoritic melt pooled as the rock descended through the atmosphere and was heated by friction with molecules of air. The meteorite is from the L-chondrite asteroid that was destroyed by an energetic collision 470 million years ago.” Dr Alan E. Rubin, PhD Department of Earth, Planetary, and Space Sciences, UCLA Detached from its parent body by a mighty impact, this large, oriented meteorite travelled over a hundred million miles through space before falling to Earth in the North African desert. Beautiful regmaglypts radiate from the apex of its cone shaped nose. These elongated dimples formed when streaks of superheated molten rock streamed off the meteor’s surface as it blazed through the atmosphere. The entire piece is coated in a glossy, umber-coloured fusion crust and close examination reveals remnants of encrusted, orange dirt. Whilst most meteors tumble as they travel through the Earth’s atmosphere, oriented meteorites...

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

An impressive Iron Age pottery jug from the Holy Land, dating to the time of King David (c. 1000 BC), with a rounded body, loop handle, and warm, earthen patina. This vessel embodies...

A remarkably fine example of Archaic sculpture.  A figure of a discophoros, or discus bearer, standing with his right leg forward, gripping a discus in his right hand, the left arm raised with an open palm. Described with admiration in Münzen und Medaillen's 1961 auction, "The figure is a masterpiece and illustrates with rare vividness the essence of good Etruscan sculpture...

Organically formed Agatized fossil coral with unusual and rare coloring. As Florida's state stone, Agatized Coral is the product of a 20-30 million year process through which the co...

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

8.5" Polymorphopteris Species Natural Tree Fern Fossil Specimen, 305 million yrs old apx. Discovered in Pennsylvania. Here is another gorgeous plant fossil specimen that would make a...

A striking and monumental crystal rock cluster sourced from Brazil, mounted on a custom black metal and stone base. This extraordinary specimen features dozens of pristine, elongate...

The amethyst geodes from Uruguay are mined from the same rock formation as their relatives just to the north across the border into southern Brazil and are igneous (volcanic) in orig...

This small geode of lilac coloured amethystine quartz with several rhombohedral calcites at the front and red druze / blackish goethite accents. This piece was legally and ethica...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

Oligocene Turtle Fossil, South Dakota This exceptional mounted turtle fossil originates from the Oligocene period (approximately 23–34 million years ago) and was unearthed in South D...

10.75" Polished Ammonite Shell Fossil Cleoniceras Species, Over 100 Million Years Old. A truly spectacular ammonite in both size and appearance. Weighing almost 8 pounds, with subtle...

Genuine Spinosaurus (Dinosaur) tooth. Spinosaurus (meaning "spine lizard") is a genus of theropod dinosaur that lived in what now is North Africa, during the upper Albian to upper T...

Important 15th century polychrome wood virgin and child Origin: Southern Germany Period: Late 15th Century, Ca. 1480-1490 Height : 125 cm Polychrome limewood Good condition Provenance : Private collection, Alsace, France. As soon as 1430, sculpture starts a major and deep stylistic evolution than will unfold over a century, until around 1530. We call it the International Gothic. This production is particularly interested in a quest for realism. This important Virgin and Child wears a long red dress with a round gilded neckline. A delicate golden belt...

Pre-Columbian Standing Male Nude Figure, probably Aztec, black burnished terracotta, mounted on ebonized wood base. 14.5" H x 7" W x 4.5" D. Provenance: From an Upper East Side Colle...

This is the well preserved and fully intact fossilized femur of a Dryosaurus altus, found in Emery County, Utah within the famous fossil-rich Morrison Formation spanning much of the ...

Unclassified Meteorite Stone Height: 36.83 cm 42.5 kg A dramatic extraterrestrial sculpture, of monolithic form, covered in a thick grey-brown fusion crust and with areas of sandy deposits from untold years spent on the desert floor. Formed in the asteroid belt between Mars and Jupiter during the formation of our solar system, some 4.55 billion years ago, this large stone would have been separated from its parent body by an enormous impact before journeying through interplanetary space and eventually reaching Earth. Upon atmospheric entry it would have reached cosmic velocity, heating the surrounding air to 1700°C and producing a large ball of fire. The heat was sufficient to melt the outer surface of the stone, exposing a new surface which in turn also melted away, losing as much as 95% of its initial mass before reaching the ground. The last molten layer to form as it collided with the Earth covered the stone in a layer of fusion crust, evidence of the incredible impact force delivered by this extraordinary specimen. “This unclassified stone meteorite was found in Northwest Africa. It has a relatively smooth, dark brown, slightly weathered fusion crust; some small melt veins are visible on the surface. Due to the near-absence of terrestrial rocks in this region of the Sahara, meteorite hunting in this area has yielded many notable discoveries.” Dr Alan E. Rubin, PhD Department of Earth, Planetary, and Space Sciences...

This authentic Megalodon tooth fossil from South Carolina is an impressive collector’s piece measuring 5.13 inches tall and weighing 236 grams. With its broad triangular form, well-p...

A stunning specimen of green fluorite from China, formed by large intergrown cubes of different sizes, creating a beautiful and sculptural shape. The central crystal is especially st...

A stunning amethyst formation formed of a three quarter geode with cut window, revealing deep purple amethyst crystals, with a beautiful central calcite coated in black goethite and ...

This exceptional 15th-century Venetian painted casket is a rare example of early decorative art from the late Medieval to early Renaissance period in the Republic of Venice, Italy. H...

This is a Japanese pottery called "Shigaraki ware". Shigaraki is a historical kiln located in Shiga Prefecture, Japan. (Shigaraki Kiln is marked with a ...

A classic and very attractive specimen of Pyrite from Huanzala Mine, Huanuco Province, Peru. Complex pyritohedron cluster with striated crystal faces and a metallic mirror luster wit...

This authentic Spinosaurus vertebra fossil originates from the world-renowned Kem Kem Formation in the Sahara Desert of Morocco, a region celebrated for yielding some of the most ico...

This is Shigaraki ware pottery made in Shiga Prefecture, Japan. Shigaraki ware is said to have been born in the Shigaraki region of Shiga Prefecture around the 8th century and is one...

Large Fossil Ammonite Natural Specimen, Mortoniceras on Artistic Display Matrix. About 110 million years old. This is a lovely display ammonite nicely recovered and given an aesthet...

This genuine Carcharodontosaurus tooth is a prehistoric treasure from one of the most fearsome predators of the Cretaceous period. With its razor-sharp serrations and blade-like shap...

FRAGMENT OF SARCOPHAGUS Painted with the djed pillar topped with the atef crown. This type of symbol was frequently painted on the bottoms of sarcophagus vats. H. 79,5 cm Egypt, end ...

An Etruscan "bucchero" black ware two handle vase dating from the 6th century BC. Adorned with boar designs in relief around the body of vessel and a single standing human figure in...

Immerse yourself in the splendour of this gleaming quartz sphere, featuring exquisite golden rutile inclusions from Brazil. The sphere's flawlessly polished surface enhances the intr...

Ptychopariida is a large, heterogeneous order of trilobite containing some of the most primitive species known. The earliest species occurred in the second half of the Lower Cambrian...

This rare and beautifully sculpted 4.50 gram Moldavite specimen showcases the natural, aerodynamic form and vibrant olive-green hue characteristic of the finest Czech impact glass. M...

A captivating Roman marble head of a Goddess, possibly Venus, dating from the 1st–3rd century AD, exquisitely carved and presented on a bespoke marble pedestal styled as a classical ...

Saint Nazaire Sword, Late Bronze Age, circa 800-900 B.C. An exceptionally well preserved Bronze Age sword, with elegant, finely incised decorations,...

An extraordinary and museum-worthy 15th century Gothic Corpus Christi, masterfully hand-carved in wood with exceptional anatomical detail and partially polychromed in white and royal...

A half polished geode with a thick agatised border. The inside covered by deep purple amethyst crystals and 2 beautiful calcite formations at the centre, one of them covered with a b...

A magnificent example of a gogotte formation composed of thick swirls and folds of sparkling sandstone. Discovered in the Oligocene sand dunes of Fontainebleau, France, formed circa 30 million years before present or later. The incredible, almost otherworldly appearance of gogottes may easily be mistaken for the work of a most talented artist. In fact, these sandstone sculptures are entirely natural in origin. They have been found in multiple locations but those from Fontainebleau, such as the present example, are the most remarkable. Thirty-five million years ago, a sea covered what is now the forest of Fontainebleau, and dunes of exceptionally fine and homogenous sand formed. As silica-rich water filtered through this sand, it turned into stone. The flow of water finely modelled the sandstone into the aesthetic concretions we now know as gogottes. These are rare and are only found sporadically several metres deep into the ground. They owe their sparkling white appearance to the extreme and unmatched purity of the Fontainebleau sand, sometimes reaching a composition of 99.9% silica. Each of them is unique – a masterpiece slowly fashioned by the hands of Nature. The intriguing name of “gogotte” was coined by French geologist Claude Guillemin (1923- 1994), who was inspired by the children’s book series Babar the Elephant. In one of the books, a group of monsters called Gogottes are shown hiding behind rocks. These rocks reminded Guillemin of the sandstone concretions...

Important virgin and child in majesty Origin : Germany Or Eastern France Époque : Second Half Of The 13th Century Height: 104.5 cm Length: 3...

Libyan Desert Glass Circa 29 Million y/o Height: 9.5 cm A beautiful, tactile piece of yellow glass, found between the high crested dunes of the Libyan De...

Rock crystal vessels were highly demanded and valuable in Medieval times. Inventories from European royal houses and the highest aristocratic families detail the important and sophisticated collections of ewers and bowls. Rock crystal has also been used extensively in religious art. Fine European reliquaries were also made of Rock Crystal including gems, enamel and other precious materials. The work of rock crystal is very ancient. The materials has been worked and valued for its solidity and its purity: it has been believed to be water ice permanently frozen. Our superb example is a gold-mounted rock crystal bowl with enamel. The items origin is not clear and various features and characteristics may lead us to think of different origins and periods of creation. A single piece of stone mounted with gold could be a Milanese work. Although the cut could be French as similar pieces belonged to the French royalty (especially the art lover Duc de Berry, (1340-1416)). French and Italian crystal cutters have been active at the same time and it is often difficult to differentiate their works. Islamic art also influenced European artists. The famous Fatimid treasury provided examples of their sophistication and quality. The seven ewers carved for the Fatimid Imans (known as "The Magnificent Seven") display impressive quality of both rock crystal and enamelled mounts. Even though not identical to works by French silversmith Jean-Valentin Morel who was appointed goldsmith to Queen Victoria in 1852 or Reinhold Vasters (1927-1909) another renown German goldsmith who embellished older rock crystal items, there are similarities between these works. Both reduce their use of colour to black and white on pure gold mounts. Moreover the black enamel design is quite similar. Also, no gems are included and no human figure is represented. Sotherby's described our bowl as a "German Rock crystal bowl with later gold mounts, 15th century." Other items from the period from Germany or Austria are usually silver mounted and the decorations are more colourful and include gems or human figures but they have in common enamel motifs. In our case, the gold foot, handles and rim could date from the 1900s. An expert has established the foot, handles and rim are pure gold. The goldsmith responsible for the improvement of the bowl is possibly the most famous Reinhold Vasters whose work has been displayed in the greatest museums such as the V&A in London and the Metropolitan Museum of Art in New York. The Rock Crystal bowl we have is gold mounted. The gold shows in enamelled details that are black and white. The gold handles are also enamelled with black acanthus-like leaves. The enamelling method could be "champleve" or "painting metal". The metal that is usually preferred is copper but these techniques are also applied to gold. The bowl itself could be from the 14th century. It's cut reminds of an estimated 14th century rock crystal ball bearing the Buoncompagni family arms...

Tyrannosaurus Rex Tooth in Fossil Matrix. Late Cretaceous, circa 65 Million years before present. Lance Formation, Marchant Ranch Quarry, Niobrara County, Wy...

This Megalodon tooth originates from the fossil-rich coastal deposits of South Carolina, a locality long celebrated for yielding some of the finest examples of these prehistoric trea...

A very nice vintage polished petrified wood paper weight, circa old! The piece is in very good condition with wonderful brown and tan colors and measures 4.5"W x 3.5"D x 3.75"H. Col...