Sculptures

A carved marble figure of a reclining nude, 19th century Measures: Height 16 1/4", Width 25", Depth 11".

A late 18th-early 19th century full size wooden sculpture of a horse, with tail made from horse hair, resting on a rectangular wooden base mounted on four castors.

Great Pearlware Figure of Aphrodite & Eros, 'Venus and Cupid' Figure attributed to Neale & Co, circa 1790. The large pearlware early English pearl...

A lovely 19th century carved Carrara marble figure of a young girl waving her right hand as a dove rests on her dress, she is standing aside a basket with a ball of string and a gar...

Alabaster, 19th century, woman with a flute beside the fountain, bronze flute. Measures: H 78 cm, L Basic: 30 cm x 23 cm.

Statue with patina damaged by time, dual signature Moreau, Raingo, circa 1890, in good condition despite a lack in hand.

Ernestine Sirine-Real (1899-1994) "Bust of a man". Signed and dated 44, plaster.

Small 19th century patinated female bronze figure of the allegory of manufacture featuring a spindle, a hammer and a gear-wheel. The female figure holding up her light tunic and look...

Ernestine Sirine-Real (1899-1994) "Bust of a woman". Unsigned plaster. Measures: H. 61cm.

A Georgian profile portrait of a gentleman carved from Pentalic marble. Possibly 'The Old Pretender', cousin of the Duke of Cumberland, House of Stewart.

Monumental 19th Century French Bronze Depicting Prince Hamlet & the Gravedigger, from Act V, scene i. of shakespeare's tragedy. Cast by Victor Thiebaut, Paris. Signed on base: Par Vor Thiebaut 1865. and Costa de B. Height: 51" (129.5 cm) Width: 33" (83.8 cm) Depth: 23" 58.4 cm) Victor Adolphe Thiébaut , born in 1828 and died in 1888 was one of the most illustrious founders of French art. He was the creator of the Art Foundry Thiebaut Brothers ,one of the largest and most prestigious art foundries in France during the 19th and 20th centuries. His achievements are visible throughout the world and especially in Paris. In 1849, after being associated with him, his father Charles Antoine Floréal left him the reins of the family foundry " Thiébaut & Fils ", a company manufacturing loops and medals, cylinders for printing canvas and paper, machine parts steam and other industrial objects made of bronze and copper. Two years later, in 1851, Victor Thiébaut decided to start a new activity of art foundry. He created the "Thiébaut Frères Art Foundry". It is from this time that the house will experience great prosperity and international artistic renown. Victor Thiébaut was a perfectionist. He believed that the perfection of cast iron was the main point of making a work. This way of thinking earned him the trust, the friendship and the advice of the sculptors of the time. The first works of Victor Thiébaut are exhibited throughout Europe. The London Exhibition in 1862 gave him the Knight's Cross of the Legion of Honor . That same year, he was elected mayor of the 10th arrondissement of Paris . Over the years, the fame of the Thiébaut Frères Art Foundry enabled the company to produce more and more important works in collaboration with prestigious artists. In 1860, Victor Thiébaut realized his first Parisian work: the fonts of "Agriculture" and the "Work" of Gumery. These works are visible on one of the fountains of the square-Émile Chautemps. In 1861, he produced a monumental work for the city of Paris: the bronze group "Saint Michael slaying the devil" by Duret, installed on the fountain Saint Michel. In 1863, another monumental work installed in the heart of the capital. Victor Thiebaut performs the statue of Napoleon I er , installed at the top of the Vendôme column . The statue was shot down in 1871 and repaired in 1875 by the Thiébaut Frères Art Foundry. Between 1864 and 1899, Victor Thiébaut realized many monumental works, still today, throughout the capital, including " The Triumph of the Republic ", place de la Nation , the "monument to Joan of Arc", place the Pyramids , the "Lioness of the Sahara", the Louvre palace , many works present in the Luxembourg gardens , the Tuileries gardens , the Jardin des Plantes , and in many other places. In 1878, the "Thiébaut Frères Art Foundry" cast the work " Charlemagne and its Leudes ", installed on parvis Notre-Dame . Victor Thiébaut died in 1888, leaving his sons Victor and Jules with orders for the family business. Until his last days, Victor Thiébaut worked on two monumental orders that will be completed and installed after his death. One of the most visible works made by the "Fonderie Thiébaut Frères" was undoubtedly the replica of the "Statue of Liberty", installed on the bridge of Grenelle ( Swan...

A white carved marble figure of Napoleon Bonaparte standing with one hand in his jacket, raised on a gilt bronze mounted white marble pedestal. Overall height: 75" Sculpture height...

A fine 19th Century French Patinated Bronze Sculpture - "Gloria Patria" (Homeland Glory) by Eugene Marioton. Titled on the front of the base: Gloria Patria Signed: Marioton Dimens...

19th century bronze figural novelty wax stamp. Shipping within the United States and Canada is free.

Pair of English diminutive solid cast iron whippets laying in resting position. Pair have been powder coated in the color of Charleston green , Earl...

Pair of French Victorian patinated bronze busts of Louis XVI and le Titien each on a square rouge marble base (signed: Chardigny/1858)

Sculpture of Napoleon in alabaster, Early 20th century. Statue, alabaster sculpture of Napoleon, early 20th century.     h: 65cm , w: 21cm, d: 18cm

" The Sphinx " French Sculpture 19th Century in Gilded Plaster Napoleon III Gilded plaster Height 36 cm. Length 10. Depth 20 cm. good condition

Bronze with beautiful brown patina representing King David victorious over Goliath. It rests on a circular base, decorated with oriental motifs. Signed hollow on the base: "A. Merc...

This clock presents a reduced reproduction in statuary white marble of "Phryne before its judges" of Pierre Campagne placed on a base in peach flower marble and gilded bronze. The painted enamel dial, underlined by a torus of laurel leaves is presented on a peach flower marble base set...

A late 19th century equestrian bronze of thoroughbred racehorse with saddle by Jules Moigniez (1835-1894) signed "J. MOIGNIEZ" on the bronze base and...

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

Crafted in France, circa 1880, the antique clay composition features three cheerful children in traditional clothing and boots; they are sitting on a bench, laughing and talking with...

Late 19th century Paris porcelain standing statue of Napoleon Bonaparte, circa 1880. White porcelain with gilt decoration. Contrasting bisque face wi...

A palatial, extremely rare, and important Napoleon III French ormolu and patinated bronze regulateur de parquet clock, by Louis-Constantin Detouche, Paris, circa 1850. The clock case made form the finest French ormolu, with 2 very large patinated bronze seated putti The white enamel dial Signed C. DETOUCHE/ PARIS. The clock movement is numbered 7064 and stamped with maker’s stamps C. Detouche RUE st. MARTIN and C. DETOUCHE 158 R. St MARTIN 160, with medaille d’argent stamp, on a serpentine part ebonized mahogany plinth. At over six feet tall, the present clock is impressive in scale and rare in Detouche’s oeuvre. While other large clocks were produced by the firm, few of this scale are so overtly decorative and usually incorporate greater mechanical complication. For example, a gilt bronze astronomical regulator clock...

Painted in a light blue and light maroon red.

Antique zinc finial has small scallops around the bottom with holes for nails or screws when it was once attached to a building. Great as garden e...

19th century French Majolica bust in the figure of a woman. Lovely detail in sculpture, glaze is vibrant, some glaze drips. Great molding detail. Slight nibbles around base of statue...