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One of the Kind White Stoneware and Natural Wood Sculpture by Eglė Šimkus

$11,067.12per item
£8,201.34per item
€9,240per item
CA$15,108.72per item
A$16,807.83per item
CHF 8,810.87per item
MX$205,387.55per item
NOK 112,195.49per item
SEK 105,616.53per item
DKK 70,352.55per item
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About the Item

Unique Ramumas/Gyvybes Sklaida by Eglė Šimkus Unique Piece. Dimensions: 60 x 50 x 24 cm. Materials: Stoneware, Aluminum, Wood. Concept and Inspiration This series is an ode to stillness and contemplation, a meditative state in which the human body gradually becomes immersed in its natural environment. Ramumas represents a key stage in the evolution of my artistic practice, where the integration of new techniques and an in-depth exploration of materials come together to create a piece that is both intimate and universal.Materials and Techniques The artwork consists of three main materials: wood, metal (aluminum), and clay, each embodying the passage of time and our connection to nature.1. Wood: A piece of hazel wood, collected from the mountains, was chosen for its raw and organic texture. Sculpted with a knife, it retains the natural marks of its growth and the work of the hand. The wood is then patinated to a darker hue, which accentuates the contrast with the aluminum.2. The Aluminum Lung: Made from aluminum cast in a sand mold, this lung symbolizes the vital breath that animates all forms of life. The contrast between the density of the metal and the lightness of the concept of breathing creates a subtle tension, highlighting both the fragility and the strength of life. The aluminum used for this piece is recycled, adding anecological dimension and a direct link to the material's transformative cycle.The lung is suspended by a piece of stoneware, designed to play a key role in the overallstructure of the artwork. This stoneware piece, both functional and symbolic, serves as theanchor for the wood branch while visually evoking the bones of a ribcage. It reinforces theidea of a symbiotic relationship between the human body and its natural environment, where each element is intrinsically linked to the other.3. Clay: Hand worked, the stoneware allows the creation of free forms, symbolizing the deep,ancestral connection between man and the earth. To assemble the piece, I use the traditional coiling technique, an ancient method that involves layering coils of clay to shape the structure. After a few days of drying, I begin to create relief on the surface, followed by another drying period. Then, I refine the reliefs by sculpting them carefully, emphasizing the contrasts between hollows and solids, subtly playing with the interaction of shadow and light.Once the modeling is complete, the piece is carefully sanded, with each surface being worked meticulously to ensure a smooth, uniform finish. It is then fired at a high temperature of 1280°C to ensure the strength and durability of the material.For the final step, I apply two layers of metallic patinas, followed by an oxidizing solution to provoke a natural rust reaction. This process gives the piece a patinated look, as though it had been left abandoned in nature for several years, thereby reinforcing the idea of a return to the wild and a fusion between art and the natural world.Aesthetics and References The aesthetics of Ramumas are deeply rooted in references to nature, with organic forms inspired by the ripples of water and patterns formed by the wind on the sand. However, this artwork also carries an ornamental dimension, drawing from Roman architecture, evoking a dialogue between living nature and the artificial structures shaped by mankind. This harmonious marriage of these two worlds creates a visual confrontation that invites the viewer to reflect on the relationship between civilization and nature.The sculpted curves and raw textures interact with one another, creating a contemplative space where each element bears the trace of its creation process, from the hand of the artisan to the influence of natural forces. Ramumas thus invites immersion into the fragile harmony between humanity and its environment. My name is Eglė Šimkus, and I was born in Lithuania in 1990 to a Russian mother and a Lithuanian father. I lived in Lithuania until 1999 when I arrived in France. My artistic work explores the deep connection between the intimate and the surrounding environment. I blend different forms of artistic expression, including writing, painting, and sculpture, to create a dialogue between the body and its context. In my work, I seek to deconstruct the traditional form to convey different perspectives of reality. Surrealism exerts a major influence, where painting becomes a fusion of ideas and elements in an imaginary world. The human body plays a central role in my creation, serving as the foundation and essence of my works.
  • Dimensions:
    Height: 39.38 in (100 cm)Diameter: 23.63 in (60 cm)
  • Style:
    Post-Modern (Of the Period)
  • Materials and Techniques:
    Clay,Glazed
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2023
  • Production Type:
    New & Custom(One of a Kind)
  • Estimated Production Time:
    7-8 weeks
  • Condition:
  • Seller Location:
    Geneve, CH
  • Reference Number:
    1stDibs: LU1219245215952

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