Scott Gordon, Portal, 2021

Odyssey welded steel Measures: 18.5 x 19 x 18 in. Rooted in industrial materiality and abstract expression, Odyssey invites the viewer into a narrative of motion and emergence. A spiraling steel ribbon unfurls around a central, columnar form—ribbed and machined with mechanical precision—suggesting a journey inward or upward. A sharp, angular plane rises nearby like a sentinel or waypoint, introducing tension and verticality. The contrast of machined and hand-forged surfaces echoes the balance between human intention and mechanical force. With a commanding presence on its rough-edged steel base, Odyssey reflects on structure, evolution, and the persistence of form through time. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

Succession welded steel Measures: 6-1/4 x 13-1/2 x 5-1/2 in. This minimalist steel sculpture features a rhythmic progression of three arching forms, each rising from a shared rectangular base. Varying slightly in scale and curvature, the arcs evoke a sense of motion—like a wave cresting and falling, or stages in a structural evolution. The oxidized surfaces lend a rich patina, highlighting the tactile character of the metal and the passage of time. Balancing repetition with variation, the work engages the viewer through its quiet presence and industrial materiality. It is at once architectural and organic, a study in form, balance, and endurance. Artist statement: I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form. Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental. Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Altar II Welded steel and found metal components 23 18.5 x 5in. This compact yet expressive steel sculpture evokes a sense of watchful presence and poised stillness. Constructed from welded and repurposed industrial fragments, Altar II assembles a seemingly abstract figure atop a rectangular base. A gently arched form with an affixed ring suggests a head in profile—open-eyed and alert—while a curved appendage anchors the composition with an anthropomorphic grace. Deeply evocative, the work explores gesture through geometry, invoking the timeless ritual of silent observation. Measures: 5 x 18.5 x 23 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

Monument welded steel, found objects 20.5 x 16 x 4 in. Monument stands as a stark, enigmatic structure—part signal, part shrine. With its twin-columned base and vertical shaft crowned by a cantilevered horizontal arm, the piece recalls ancient markers or industrial relics repurposed for reverence. The form is at once rigid and reaching, grounded yet gestural.Its silhouette suggests a memorial to unseen histories—a tribute to labor, endurance, or forgotten architectures. The off-center balance and weathered presence give it a sense of quiet authority, as though it were a relic unearthed from a future past.With minimalist economy and ritual poise, Monument invites contemplation on permanence, presence, and the symbols we choose to elevate. Artist Statement I work with materials that have already lived a life — steel that’s rusted, bent, scarred. These imperfections hold a kind of quiet beauty, one that speaks not of utility but of presence. Though my work sometimes carries figurative echoes, I’m drawn to the non-figurative: the essential, the raw. Steel, once loud and forceful in its industrial context, becomes still and intimate in this new form.Each composition emerges through direct interaction with found parts. I rarely alter the materials beyond what is necessary. Instead, I allow them to dictate form — interlocking, balancing, and aligning until their relationship feels complete. The process is intuitive, the engineering elemental.Art, for me, is a spiritual act — a practice of selflessness and stillness. It doesn't seek acclaim or commercial appeal. It simply exists, honest and sacred. Biography Scott Gordon...

Large Citrine Geode Portal Slice with a Rare Flower Formation, Golden Orange Citrine on Stand ▫️ Description A rare and stunning Citrine Geode Portal, this natural artwork showcase...

The Wave Sculpture en marbre et socle en bois Arden Scott Dimensions de l'oeuvre en elle même ( uniquement le marbre ): H 93 x L 70 x P 60 Dimensions...

Designed by Agustina Bottoni Handcrafted in Italy Materials: Solid brass with satin finish - rayon fringes Size: 150cm x 110cm Chain length: 150cm / 60 Melodicware explores the auditory experience of objects. These items contains brass chimes of different lengths that play musical notes. Swinging by breeze or touch, they release casual melodies inspired by Debussy. Melodicware not only embellishes a space as a jewel. Through interaction, it comes to life for a fleeting moment. The lush fringes of the delicate pieces invite to be touched by passers by, becoming thus an unexpected musical instrument. Agustina Bottoni Agustina Bottoni is an independent Argentinian designer based in Milan. She works for companies, private clients and self-productions of objects, textiles and furniture. Graduated at the University of Buenos Aires, and after years of working in the fashion industry, she transferred to Milan, graduating with honors of the MA in product design at the Nuova Accademia di Belle Arti. Following, she collaborated with design studios in Italy and the Netherlands before dedicating since 2015 to her independent design practice. Exploring the language of everyday objects, these projects tell stories through a gentle use of shape. Agustina’s multicultural experience influences the research of different materials and techniques. They also encourage an emotional perception, considering objects as companions in our lives. Her works have been exhibited at Triennale Design Museum in Milan, Salone del Mobile, Maison&Objet and others. Since 2016, she is a co-founder of design collective The Ladies’ Room. Selected exhibitions 2017: Operæ Design Fair, Lingotto, Turin 2017: Fenoména by The Ladies’ Room, 5Vie Milan, Italy 2017: Ambiente Fair with Il Coccio Design Edition, Frankfurt 2016: W. Women in Italian...

Designed by Agustina Bottoni Handcrafted in Italy Materials: solid brass with satin finish - rayon fringes Size 110cm x 22cm / 43” x 9” Chain length 150cm / 60" Melodicware ex...