White Undulating Ruffled Sculpture, Sandra Davolio

Vessel with Blue Edges V, 2023, (Porcelain, C. 15.7 in. h x 8 in. diam., Object No.: 4186) Sandra Davolio has lived in Copenhagen, Denmark since 1974 and was born in Italy in 1951. ...

Trio, 2021 (Ceramic, C. 16.5 in. h x 6 in. w, Object No.: 3936) Tina Vlassopulos was born in London in 1954. After graduating from Bristol Polytechnic in 1977, she returned to Londo...

Coral Vase IV, 2025, (Porcelain, C. 15 in. h x 10/6 in. diam., Object No.: 4301) Sandra Davolio has lived in Copenhagen, Denmark since 1974 and was born in Italy in 1951. She receiv...

Nest I, 2022 (Porcelain, C. 4.3 in. H x 6.7 in. W x 6.7 in. D., Object No.: 3922) Olivia Walker works in porcelain to create pieces that explore the symbiotic relationship between growth and decay, as well as the relationship between nature and man-made. All of her works start by being thrown on the wheel, before being built upon with thousands of individually-applied fragments of porcelain. Many of her vessels are thrown and altered – they are cut away and reassembled in the leather-hard stage which allows her to deconstruct the form of the bowl and then build up a surface on this new form. Olivia starts from a set point on a bowl and lets these organic accretions spread out and grow – ‘eating through," or growing over the form beneath. They make reference to organisms such as coral and fungus, but remain abstract. Olivia Walker was born in 1985 and lives and works in London. Her work was featured in numerous publications including Emerging Potters Magazine, Clay Craft...

'I use a medical dental drill bit to carve the surface of white porcelain, from a form thrown on a wheel, to create delicate patterns. This work requires an enormous amount of patien...

'Nest' is a unique porcelain sculpture by the British artist, Olivia Walker. Walker works in porcelain to create pieces that explore ideas of growth and decay through the constructi...

Handmade monumental shell wall-mounted sculpture, in silky smooth white plaster, created by artist Hannah Woodhouse in her London studio. Contemporary design inspired by nature and midcentury European sculpture. Height 19.7" ( 50 cm). In this listing you are purchasing a single wall mounted sculpture, opening to the right, but you can purchase them in mirror image pairs. All our plaster wall-mounted sculptures can be custom colored to a color of your choice if you supply a paint color reference (for an additional charge quoted on an individual order basis). If you do not request our color service, the lights are shipped in our trademark calm white color. Monumental shell wall-mounted sculpture Hannah Woodhouse/2006 (date of design). We run plaster casting...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...