Magnificent Statues " The 4 Seasons " Terracotta Impruneta late 20th Century

Pair of Eagles Large Terracotta Impruneta 20th Century Height (Cm) 90 Dimensions (Cm) 59x46 Base Dimensions (Cm) 28x23 Weight (Kg) 28 very good condition

Beautiful Pair of Terracotta Impruneta Dogs - H 70 cm began 20th Century Italy-Florence Provenance: private collection. The anatomical quality is magnificent. Of appropriate size, ...

Pair of Vases Ornato Cariatidi Terracotta Impruneta Internal Diameter (Cm) 48 External Diameter (Cm) 58 Height (Cm) 43 Base Dimensions (Cm) 28 Weight (Kg) 24 Vaso Ornato Cariatidi ...

Pair of Vases Decorated with Fauns Terracotta Impruneta end 20th century Internal Diameter (Cm) 55 External Diameter (Cm) 65 Height (Cm) 55 Dimensions (Cm) 70 Weight (Kg) 50 Vase D...

Guan Yu. Terracotta. Twentieth century. Polychrome terracotta sculpture in brown and black tones that shows a man in armor and a long, bushy beard. Depicts Guan Yu (Kuong Kong) (Yuncheng, Shanxi Province, 160-Nanzhang, Xiangyang, Hubei Province, 219), courtesy name Yunchang, who was a military general under Liu Bei during the late Han dynasty of East and the Three Kingdoms Period of ancient China...

HEAD AND SHOULDER PORTRAIT STATUE Depicting a female head with a large collar. Skilfully executed, capturing the real emotions of the sitter and delivering a real presence within the room. Made from raw terracotta sculpted using the hands and small tools. Signed ‘P W Jones...

Stunning alabaster statue depicting a maiden selling flowers in the style of Ada Cipriani. Late 19th-early 20th Century - France No visible signature 16" W x 14" D x 49.5" H

The fountain. Polychrome terracotta. 20th century, following models of CARRIER-BELLEUSE, AlbertErnest (Aisne, 1824-Sèvres, 1887). The figure shows a boy, lying down and almost totally naked, with his head enhanced by a golden leaf crown. It is shown with a shell (with touches in gold), taking water from a pitcher next to it, thus recalling the allegories of the rivers or of the birth of the same of Ancient Rome. It is necessary to compare the present work with the one entitled “La Source” by Albert-Ernest Carrier-Belleuse, preserved, for example, at the Art Institute of Chicago or the Portland Museum of Art (of which there are a number of variants, changing the characters and the material used). Albert-Ernest Carrier-Belleuse was a French sculptor and draftsman trained with David d'Angers and at the School of Fine Arts in Paris. He achieved international recognition from his participation in the Salon of the French Artists of 1861 (Third Medal), reaching outstanding works such as various busts of...