Marble Busts

A charming and small scale true pair of French 19th century Louis XVI st. Rouge Griotte marble and Ormolu busts. These wonderful Ormolu busts depict 'Jean qui rit et Jean qui pleure'...

A wonderfully unique true pair of French 19th century Louis XVI st. Terra Cotta and Marseilles Pink marble busts. The busts are of a young boy and you...

An elegant and high quality pair of French 19th century Louis XVI st. Vert de Patricia marble and Ormolu busts of a Pan and Syrinx, signed Jean Baptiste Lebroc. Each impressive bust ...

Finely sculpted antique marble bust of Marie Antoinette after the original sculpture by Felix Lecomte (1737-1817).

A French bust in bronze with original gold patina is derived from a masterpiece by Jean-Antoine Houdon. The original Bust of Louise Brongniart (1772-...

Sèvres (Attributed) biscuit porcelain and ormolu bust of Marie Antoinette after Felix Lecomte (French sculptor 1737-1817) exquisitely cast and modeled, the face in white biscuit porc...

We present you this unique Carrara marble bust dating back to the end of the 19th century. It represents a young Louise Brongniart, daughter of a prominent French architect and membe...

A Set of Four 19th Century French Patinated Bronze Marble Mounted Busts of Philosophers. The stunning patina adorning each bust accentuates the intricate facial expressions, breath...

A monumental 19th C. Italian Marble Bust of The Grandparents, Titled: Rimembranze, Signed Vichi. Presenting an exquisite Italian masterpiece from the 1800s, we have a captivating white Carrara marble bust group entitled "Rimembranze" (Remembrance). This remarkable sculpture portrays an endearing elderly couple locked in a tender embrace, their love emanating through the gentle touch of the man's hand on the lady's chin and face. The profound affection and mesmerizing connection between them are beautifully captured in the expressions gracing their faces. Renowned for his exceptional talent, Ferdinando Vichi meticulously crafted this sculpture, paying meticulous attention to every detail. The couple's wrinkles, veins, and musculature, as well as the delicate rendering of their clothing and expressions, are expertly brought to life by Vichi's craftsmanship, establishing this artwork as one of his most remarkable and meticulously executed pieces. The sculpture rests on a contrasting black marble base with the title "Rimembranze" etched into the side, further enhancing its aesthetic appeal. Vichi's artistry is truly captivating. The old woman's knitted shawl, meticulously fashioned out of marble, appears astonishingly lifelike, while the choice of beautiful white marble exudes a refreshing allure. The old man's playful gesture of touching the lady's chin is captured with natural grace and warmth. Vichi's exceptional ability to sculpt fabric with such finesse creates an illusion of softness that defies the medium of marble itself. The remarkable attention to detail, from the intricately carved wrinkles and smile lines to the depiction of a lifetime shared in joy, evokes a profound sense of admiration. Ferdinando Vichi, a member of the esteemed Florentine School and associated with the Bazzanti Gallery in Florence, Italy, was part of a talented group of Tuscan sculptors. His body of work encompasses a wide range of subjects, including romantic busts, orientalist themes, and Renaissance-inspired models. Similar to his contemporaries from the late nineteenth century, Vichi often drew inspiration from romantic and tender subjects. This is exemplified in the beautifully detailed marble group depicting an elderly man's playful courtship and deep love for his wife. This 19th-century Italian marble group titled "Rimembranze" is signed by the esteemed artist Ferdinando Vichi, who was associated with the renowned Pietro Barzanti...

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

The marble bust facing frontal with her eyes looking to her right. The hair fastened in a skillfull knot behind, the drapery covers her shoulders and breasts, with another section un...

PAIR of French (19th Cent) small bronze busts of Louis XVI and Marie Antoinette on square black marble base.  

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

A striking and high quality true pair of French 19th century Louis XVI st. Belle Époque period patinated bronze, ormolu, Rouge Griotte, and black Belgian marble busts attributed to F...

An impressive and most decorative set of French 19th century Louis XVI st. Grand Tour period Walnut, marble, faux painted marble, and ormolu busts and pedestals...

A charming and most decorative French 19th century Louis XVI style terracotta bust of a young boy signed Houdon. The terra cotta bust is raised by an attractive Rosso Levanto circula...

An exceptional true pair of French 19th century Louis XVI st. patinated bronze, ormolu and Black Belgian marble statuettes of Apollo and Daphne. Each ...

A fine pair of French 19th century Louis XVI st. patinated bronze, ormolu and Gris St. Anne marble statuettes of Nicolas Catinat and the Count of Tour...

This important antique bust of Marie Antoinette was sculpted in Paris, France, circa 1780. Built of white Carrara marble, and crafted in the style of Lecomte (French sculptor 1737-1817), the original inspiration of the bust was located in the Queen's bedroom in the chateau of Versailles. In the likeness, Marie Antoinette is represented with her elaborate, well-known coiffure, numerous Fleur de Lys on her dress and a Louis XVI portrait...

Carved marble miniature of King Louis XVI, early 19th century. Appears to be in the original frame. N.P. Trent has been a respected name in antiques for over 30 years with a large co...

French terracotta bust of young man resting on circular marble plinth. Signed Houdon, Late 18th century.

Bust of 'Marie Antoinette' After the original by Felix Lecomte Constructed in Carrara statuary marble, the bust of the Queen is set on a truncated ...

Beautiful 18th century marble bust of Marie-Antoinette, wear and losses consistent with age and use.