Art Deco Figurative Sculptures

Young dancer in an oriental costume with a tight bustier, a long, softly falling green skirt and a diadem on her hair tied at the nape of her neck, posing with her upper body stretch...

Stunning early 20th century bronze " Woman with cane" signed. very unusual ! Un-even finish / patina,, adds to the charm,,

Genuine French Art Deco sculpture by Robert Bousquet, France, late 1910s. "Tambourine woman dancing", A jester's rattle on the base. Genuine bronze and marble. Bronze, not spelter. O...

Art Deco Heinrich Karl Scholz Declaration of Love Patinated Bronze Sculpture Austria, 1919 DIMENSIONS Height: 13.75 inches Width: 6.75 inches Depth: 4.75 inches ABOUT This Art Deco brown-patinated bronze sculpture, stunning with its grace and fine lines, was created by the famous Austrian sculpture...

Hans Muller (Austria, 1873-1937) bronze sculpture of a nude male figure, depicted with his hands to his chest and running, mounted on a Sienna marble base. This is a nice present for...

This beautiful, warm and loving bronze depicts 2 women embracing. One is dressed very formal and dashing while her partner is nude. The style and especially the faces are pure art d...

A German Expressionist bronze sculpture "Polospielers" (Polo Players). Signed and marked 'Fred Voelckerling, 1919' on the base. In very good condition, normal wear and patina. Dimen...

Large unglazed terracotta sculpture depicting a young woman with a sheep. Signed at the plinth. The sculpture is in good good condition and has a nice old, vivid patina. Louis RICHÉ, France, 1877-1949 His first exhibit at the Salon in Paris was in 1896 at the age of nineteen. Riché sculpted many animals subjects but his favorite models were German Shepherd dogs. He continued exhibiting at the Salon and except for the interruptions of both World Wars he continued to create his artistic subjects. He worked mostly with the Thiébault Frères foundry, for the casting of his models but it is noted that some of his sculptures of lions were cast in silver by Risler and Carré...

Sword Dancer an Art Deco bronze figure of a nude lady with arms outstretched, delicately stepping over a circular bronze base with three protruding spear ...

Magnificent Early Art Deco white marble female figure of a snake charmer "Charmeuse de Serpent" by Guglielmo Pugi, made circa 1910. The nude snake charmer k...

A superb and stylish German Rosenthal Art Deco porcelain figure of Enrico Caruso by renowned designer Thekla Harth-Altmann (1887-1998) and designed in 19...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Statuette of a naked woman sitting in patinated plaster of Paris; plaster of Paris, is a very resistant material, used since ancient times, it was used by the ancient Egyptians as a binder in the construction of the pyramids and is used in sculpture for its strength, the name is linked to the ancient quarries of Montmartre in Paris; the statue is a work of the famous Belgian sculptor and bronze artist Joseph Zomers which he executed between 1915 and 1920 and whose signature is on the pedestal. The woman is represented posing with ill-concealed malice and shows without reticence her body with a thin erotic veil, the artist has not executed the face precisely to accentuate a mysterious charm; it is a figure of harmonic proportions that takes into greater consideration the erotic connotations, however, a refined and elegant eroticism that presents itself in a courteous manner, subtle and suggestive but at the same time provocative and irreverent; the woman, in her most intimate dimension, as a naked presence, defenseless but seductive, becomes the embodiment of the poetic essence of the artist, the emblematic figure of his aesthetics. It is an object in perfect Art Nouveau style (Jugendstil), in fact, many artists of this current used eroticism as their work, portraying women as ethereal and fatal beings, letting themselves be inspired by "le beau sexe" thanks to their naked forms, soft and seductive. Joseph Zomers was born in Liege in Belgium in 1895 and died in 1928; he studied art in Maredsous (Belgium), many of his works are permanently exhibited at the Musèe de Liège; Zomers is well known for his public monument "Tchantchès" in Liege. This great work in stone and bronze is located in the Otremeuse district in Rue Pont-Saint-Nicolas; designed by Joseph Zomers, the statue represents a "hiercheuse", the name was given to the women who pulled the carts in the mine, a tribute to those valiant young people vilified and victims of the exploitation of women's labor, the woman holds aloft the puppet of Tchantchès. Tchantchès is the name given to a puppet that appeared in Liège in the 19th century. The popular character, Tchantchès became over time the archetype of the goodman of Liege, witty and good-natured, wise and subtle, quick to find resolutions and fertile in resources, when he is depressed, he recovers with a joke that reveals the popular Walloon citizen, mocking and sentimental. It was therefore fitting to erect a monument to these two popular and significant symbols of the proud city...

1920 head by Erik Cohort bronze sculpture a marble base (lost wax casting by Meroni and Radice foundry France). Erik Cohrt (Denmark, 1902-70) studied at the Academy Reale in Rome, l...

This exquisite KPM Porcelain Mythological Group of feasting Bacchus depicts Dionysus (also called Bacchus - a nature god of fruitfulness and vegetation, especially known as a god of ...

This wonderful porcelain sculptural group depicting children playing in an 'adult wedding’ conveys with surprising accuracy the emotional component of the moment, conveyed in the expression of children's faces. Dimensions: Height: 7.13 inches (17.82cm) With: 11.75 inches (29.37) Depth: 4.5 inches (11.25cm) Royal Vienna Porcelain. The Royal Vienna Porcelain Manufactory (German: Kaiserlich privilegierte Porcellain Fabrique) was a porcelain manufacturer in Alsergrund in Vienna, Austria. It was founded in 1718 and continued until 1864. The firm was Europe's second-oldest porcelain factory after Meissen porcelain, and for 25 years the two remained the only European...

A fine French early 20th century patinated bronze group of "The Forbidden Fruits, after Jean Verschneider (French, 28 August 1872 - 20 December 1943)...

Rare female articulated mannequin from an artist’s studio in Paris, circa 1910-1920. The charming figure is carved from lime tree and signed on the back: Marquette Artistique C.M.B –...

A fine Johannes C. Bjerg gilded bronze sculpture, circa 1917. "Sejrherren" (The Victorious) A prancing horse carrying a victorious man, mounted...

An Antique large size bronze figurine of a girl with birds. Multi-patinas and signed and title by the Artist ( Champagne Sr.) Heavy piece. Total height is 30" and base is 12" wide. ...

A marvelous combination of whimsy and sensuosity, Ferdinand Liebermann's depiction of a nude youth holding forth with a stork, symbol of wisdom, was first c...

Despite being designed in 1913 this blanc de chine mother and child figurine by the Danish sculptor Kai Nielsen has and striking clean and mo...

- Wood, cast-iron - circa 80 kilogramme - circa 1910.

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

A very fine bronze sculpture modelled as the beautiful goddess standing with her bow and quiver and gently holding the collar of her hunting hound. The bronze with warm brown patina ...

A rare and large pate de verre molded sculpture of the mythological God Pan. Very thick and heavy; this glass piece is primarily bluish green with yellow, reds and orange. The likeness is uncanny with perfectly modeled facial features and traces of his goat horns. This piece was said to exhibit at the Brooklyn Museum in 1971 but there is no documentation. The mask is stamped Decorchemont on his right cheek. For serious collectors of Art Deco - Art Nouveau rare and beautiful glass, circa 1915. Measures: Height: 7.75 inches (19.75 cm) Width: 5 inches (12.8 cm) AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont...

B&G, Kai Nielsen, 1882-1924. Figurine in the form of a lying woman with a bunch of grapes, from the series 'Grape Harvesting.' Signed Kai Nielsen, 1919. Model number 4...

At first glance an upright Egyptian sarcophagus, which opens to both sides when pressure is applied to a small lever on the front of the base, revealing an upright nude young woman w...

The graceful, bare dancer with short, curly hair combed back, leads, with her upper body turned to the right, her arms stretched out horizontally from the body, a dance step forward ...

An Austrian Art Deco patinated and polychromed bronze sculpture "The Feather" by, Bruno Zack of a Native American Indian with a feather headdress riding a top a running horse. The sc...

A dignified and poignant bronze by America's greatest sculptor of the 1910s, 1920s and 1930s, this unique piece by Paul Manship depicts young David in ancient Israel...