Expressionist Decorative Objects

Designed by Studio Chora, 2024. Biomorphic: ‘bios' meaning life and 'morphe' meaning form. Sold as a pair. The Biomorphic series of organic light sculptures are one-of-a-kind a...

This head and hand are all that remain of Vally Wieselthier’s masterpiece installed at the Wiener Werkstätte America's Manhattan NYC showroom. For an en situ photo see: Ronald S. Lauder Neue Galerie...

1920s Vienna Secession silvered metal box with wooden interior by Josef Hoffmann and Wiener Werkstätte, Austria By: Wiener Werkstätte, Josef Hoffmann Material: metal, silver plate, ...

Jugendstil Box Set Germany, 1900-1909 Copper and Brass Casket Floral decoration Complete with key Marcho embossed under the base Rare item Excellent state of preservation

A very stylish Austrian brass mounted metal basket attributed to renowned design Josef Hoffmann (Austro-Hungarian, 1870-1956) and believed to have been made in the early establishmen...

This remarkable candelabra, crafted during the Austrian Secession movement in the early 1900s, is a true testament to the elegance and innovation of its era. Signed R.S., the piece i...

Secessionist Porcelain Lidded Box by KARL KLAUS (1889-1925) for SERAPIS WAHLISS, Vienna, c. 1911, hand-painted in gold and black enamels in a stylized geometric diamond and holly mot...

This antique Art Nouveau art glass vase by Michael Powolny for Loetz is an impressive and highly sought-after art piece from the early 20th cen...

Incredible abstract sculpture by Tafadzwa Tandi made out of a solid piece of serpentine stone. A 3rd generation artist of Zimbabwe, Tafadzwa learned the...

Investing in the 20th Century C. Kauba Bronze Sculpture "Peace" is an opportunity to acquire a masterpiece that embodies both artistic excellence and prof...

Secessionist basket, Austria, 1900. Metal & glass. Enameled garlands of roses. Measures: width : 8.1"(20.5cm), depth : 2.4"6cm), height: 3.4" (8.7cm). Just small traces of age on the...

A pair of brass bowl in stepped concentric form designed by Dagobert Peche (Austrian, 1887-1923) and for Wiener Werkstatte circa 1910s-1920s. In the iconic style of Vienna Secession,...

Rare and unique bronze sculpture, on custom lucite base. France, 1940s.

Art Glass vase by Kralik (Bohemia), ca.1900. Eleonorenhain, art glass vase. Colorless glass with ''Eleonorenhain'' decoration in iridescent copper, yellow and violet. Beautiful iride...

Stunning and great condition, brass Secessionist box with amazing inlay and the original key. There are -for good reasons- collectors of the Vienne...

Earthenware pitcher by Pablo Picasso 1950's edition. The pitcher features two different figures on each side of the pitcher, in both a black oxidized and white glaze. Dimensions 6.5...

Rare white tango box and cover by Loetz enameled with black stylized flowers and black feet and lid finial designed by Dagobert Peche c.1915.

Unique low cabinet with intarsia designed by the architect, artist and craftsman Viktor Lurje (1883-1944) and manufactured by Wiener Werkstätte GmbH, circ...

A Wiener Werkstatte silver reticulated flower basket with original glass insert in a very rare model made with silver. Designed by Josef Hoffmann (Austrian, 1870-1956), Vienna, circa...

A fine porcelain covered sugar bowl (that doubles perfectly as a table box). In the Melone (pattern) designed by Josef Hoffmann in 1929. In white porcelain with gold highlights. B...

This is a wonderful antique box from the Vienna Secession period. Adorned with elegant carved details and a wood veneer interior.

France, early 20th century. Pair of two lifesize sculptures, brother and sister, the boy sitting cross-legged and the girl on a stump holding a pla...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Beautiful bronze sculpture of 2 nude males embracing titled LOVE by Norma Goldberg, dated 1977 The piece can really communicate the love this couple ...

Vienna secession jewelry box atr. Dagobert Peche for Wiener Werkstätte in excellent original condition.

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

A rare rectangular shaped box with a hinge cover; tinplate, gilt and with beautiful colourful abstract floral motifs. The bottom is embossed with ‘H. Bahlsens Keks-Fabrik Hannover Königl-Preuss-Staatsmedaille Weltausstellungen - 1904 1910 Grosser Preis 1911 1913 Baltische Ausstellung Malmö 1914 Die Königl. Medaille’ Bahlsen's new designs for ornamental giftware packaging were shown at the exhibition held by the Deutsche Werkbund...

This large and unusual floral hand-decorated double-handled ceramic vase by Ampora Turn-Teplitz showcases the characteristic artistic sensibilities of the Art Nouveau Vienna Secessio...

An octagonal green and blue earthenware vase with blue glazed squares, marked Austria and numbered 7143. These type of vases were made in the Vienna School of Applied Arts (Wiener Ku...

Loetz Bohemian vase crafted by Michael Powolny during the 1920s. This piece from the early 20th century showcases an exceptional size uncommon for Powolny. Adorned in a cream hue, ac...

The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Austrian Belgian black marble dish with a wonderful copper repousse band with decoration typical of the Vienna Secession, that evokes the background ...

A nice shaped box with a hinged cover; tinplate, gilt and with beautiful colourful motifs. The bottom is embossed with ‘H. Bahlsens Keks-Fabrik Hannover Königl-Preuss-Staatsmedaille ...

CLAUDE FAVIER Sculpture in Bronze. Similar to Zuniga - A deeply moving figurative piece. Numbered 18/50 A compliment to many spaces, a wonderful decorative piece or sculpture on ...

Cast Bronze 20th century expressionist bust, similar in style to The Scream. This looks like an artist's casting vs a foundry done casting. Looks as if it was once attached to a ...

Antique Austrian Ormolu Jewelry Box Circa 1900. A beautifully decorated jewelry box in an ormolu case and lined with an aubergine velvet interior....

A powerful abstract expressionist caved elm wood sculpture by Japanese artist Takao Kimura, circa 1970s. Carved in two parts, the swooping, concave body plays dramatically with the o...

A fine creamware pottery vase. By Frances Palmer. Inspired by the work of Wiener Werkstätte Designer and Artist - Dagobert Peche. Originally produced...

Designed by Studio Chora, 2024. Biomorphic: ‘bios' meaning life and 'morphe' meaning form. Sold as a pair. The Biomorphic series of organic light sculptures are one-of-a-kind a...

Beautiful bowl in Secessionist style /Deco marked A Bachruch SUCC with Diane's Austrian silver mark . Has ebony wood ends and also marked ( 1) in bottom .

MAGNIFICENT HORSE HEAD PLASTER SCULPTURE! BOLD! BOLD! BOLD! SUPERB DETAILS! In the Manner of Charles Marion Russell (DIMENSIONS: Approx. 13" x 5" x 16" ) CIRCA 1960s This m...

Antique Vienna Bronze Bear with Blanket Item e7280 A beautiful bronze statue of a wandering bear spreading out his blanket to rest. A hat and wal...

Created by a delicate hand, a sampling of our pure white or mixed warm toned porcelain and ceramic sea forms for your table. Each piece and intricate part is created by hand one at a...

Austrian Secessionist Hand-Forged Copper Leaf Motif Bowl/Vide-Poche Austria, Circa 1920s Of good size, this hand forged and engraved copper organic mod...

The "Untitled" abstract sculpture by Robert Sestok has a very deliberate aura of strength in its columnar shape. Upon closer inspection details emerge su...

Secessionist sterling silver cigarette / match holder, desk accessory, attributed to Josef Hoffmann, Stunning design, superior quality, hand executed, stamped sterling, also retains ...

Vienna secession desk set in original condition. Black glass and brass (the watch was restored).

This pair of antique vases were made by the well known WMF company of Germany in approximately 1900 and done in a Seccessionist style. The vases ...

A hammered silver plate metal vase attributed to Josef Hoffmann and made by Wiener Werkstatte, circa 1920s. The vase is in the typical style of the Vienna secession, it features a ve...

Contemporary modern Murano Art glass sculpture, a decorative panel displayed on a dark grey iron base, realized as a colorful Mosaic, grey, yellow, burgundy, white and black murrine, aqua blue, amethyst purple glass...

A large and rare ceramic monochromatic putto holding grapes (Autumn from "The Four Seasons") by Austrian designer Michael Powolny for Gmundner Keramische Werkstatte. First designed b...

A bronze statue of a blacksmith on a marble base by Adolph Joseph Pohl. Made in Austria, circa 1920s.

Plaster bust of a man in the style of Swedish designer Nils Sjogren. The sculpture features a man with a moustache and curly hair mounted on a freeform wood base. Dimensions 5" widt...

Antique Vienna Bronze Parrot Bird Sculpture Inkwell

Early 20th century Expressionist glazed ceramic sculpture based on "The Cat Butler" by Diego Giacometti By: Diego Giacometti (in the style of) ...

Ceramic vase signed Turn-Teplitz. Attributed to Paul Dachsel, Austria, circa 1900.

A very fine Italian 19th century carved carrara marble sculpture Group Titled "LA GIOIA NELL'INNOCENZA DOPO IL LAVORO" (The Joy of Innocence After Labour) by Professor Raffaele Belliazzi (Italian, 1835-1917). The slender figure of the young boy, seated and resting on a rock with his hanging legs crossed and joyfully eating a cluster of grapes picked from his hat that is resting on his lap. The intricate carving of his shirt, jacket, pants, hat and boots with fine attention details such at the stitching, buttons, the hem on his pants, the wear on the soles of his boots and the features on his face makes this one of Belliazzi's finest known works. The sculpure rests on a dark green serpentine marble pedestal with a rotating top. Signed: Profor. Belliazzi, Carrara. Florence, circa 1870-1880. It may be possible to identify the present marble sculpture of a boy eating grapes...

Early 20th century patinated bronze sculpture of carrying man by belgian sculptor Victor Demanet and BL Paris By: Victor Demanet, BL Paris Material: bronze, copper, metal Technique:...