Napoleon III Decorative Objects

Ernestine Sirine-Real (1899-1994) "Bust of a man". Signed and dated 44, plaster.

Ernestine Sirine-Real (1899-1994) "Bust of a woman". Unsigned plaster. Measures: H. 61cm.

Pair of Gueridon Tripods in mahogany wood Napoleon III 19th century with marble top and finely chiseled and gilded bronze finishes. Napoleon III period....

Pair of small Etruscan-shaped vases. Austro-Hungarian craftsmanship from the 19th century in silver-gilt and cabochons. They are carved with fluting and vegetal patterns and adorned ...

This brown and gold patinated bronze figure was crafted by the French sculptor Paul Duboy. It features a little girl, psyche, standing on a naturalistic base. The bronze sculpture is set upon a round marble plinth...

Pair French Ormolu Candle Holders "Grape Pickers". Beautiful set, must see photos.

Regulate pocket tray supported by pierrot, harlequin and polichinelle. Good condition. Dimensions Height 15cm Width 24cm Depth 12cm

A Palatial and Extremely Rare Napoleon III French Ormolu and Patinated Bronze Regulateur de Parquet Clock by Louis-Constantin Detouche, Paris, Circa 1850 An exceptional testament to the grandeur and technical mastery of 19th-century French horology, this palatial and extraordinarily rare Napoleon III ormolu and patinated bronze Regulateur de Parquet clock stands as a crowning achievement of the renowned Parisian horologist Louis-Constantin Detouche. Created circa 1850, this monumental timepiece exemplifies the perfect synthesis of artistic opulence and mechanical precision, distinguishing itself as one of the most impressive works from Detouche’s illustrious oeuvre. At over six feet tall, this clock’s imposing scale and decorative grandeur make it an object of immense historical and aesthetic significance. The case, crafted from the finest French ormolu, features two majestic patinated bronze seated putti, serving as allegorical figures and underscoring the artistic sophistication characteristic of the Second Empire style. The white enamel dial, elegantly signed "C. Detouche/Paris," affirms its prestigious maker, while the movement, meticulously numbered 7064 and bearing the stamps "C. Detouche RUE St. MARTIN" and "C. DETOUCHE 158 R. St MARTIN 160," speaks to the highest standards of 19th-century horological craftsmanship. Further distinguishing this piece is the medaille d’argent stamp, a testament to the numerous accolades and awards bestowed upon Detouche for his innovations in timekeeping. A Masterpiece of Horological Artistry: Louis-Constantin Detouche was not merely a clockmaker; he was a visionary whose contributions to horology redefined precision and complexity. This particular regulator clock...