Neoclassical Decorative Objects

A mid 19th century plaster portrait bust of 3rd century BC Roman general and politician, Marcus Claudius Marcellus (270-208 BC), ex. Holkham Hall, Norfolk. Inscribed to the front of ...

Delft blue and white "Rappe" urn-shape tobacco jar with lid, Netherlands, circa 1800. Inscribed “Rappe” within a floral leafy bordered cartouche. Rappe was a coarse kind of snuff mad...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Pair of Russian cut blue glass and gilt bronze vases Russian, 20th century Measures: Height 38cm, width 20cm, depth 13cm Each vase in this pair of Russian neoclassical vases has...

18th-19th century, each urn formed from a solid block of reddish, grey and black stone and of typical lidded form, granite, 24 in., generally good condition, scattered minor base chi...

Made of solid silver, both silver pieces are fully marked, 800 silver with the maker's mark. This substantial and beautifully-crafted neoclassical centrepiece was made in the 1920s and will look perfect on a hall/lobby table or in the dining room. The large silver tray is mounted on a wooden base and secured with brackets. The outside rail has a tube border with scallop shells. The polished surface of the silver tray is in very fine condition for its age and gives a good mirror to the light. The design motif is continued on the silver collar which slips over a copper liner. The copper liner-basket is cut to an exact outline and fit so that a floral arrangement can be executed elsewhere and then dropped into position. For convenience, this item comes with a cut crystal vase saint Louis of suitable height and shape which sits inside the copper lining. The crystal vase may be 'associated', it cannot be verified that it was originally supplied with the rest of the set, but it is of the right period and style. The Brussels firm of Wolfers Freres...

Hallmarked in Sheffield in 1786 by John Parsons & Co., this handsome set of 4 George III period, Antique Sterling Silver Candlesticks, are round in shape, and feature panelled sides,...

A lovely and very manly neoclassic styled clock, in working order. The case is mahogany with ebony details, alabaster columns with bronze fittings, all in front of a three panel age...

Exceptional bust of a woman, probably made in 19th century Italy, in patinated bronze, and following a neoclassical style. The head of "Flora" appears resting on a quadrangular base ...

Great Thorwaldsen bust. Marble figure of the sculptor Thorwaldsen Extremely expressive characterization, which, in an extraordinary detail, also reflects the facial expressions of hi...

Large 10" D rustic and elegant at the same time, add a neoclassical country touch to your bedroom, bathroom or office. The gold gilt edging gives it a Classic vintage/antique feel. S...

A very decorative neoclassical silver urn stamped by the Italian silversmith Emanuele Caber, dating from around 1825. It has the Milan warranty stamp, and stamp of the silver finenes...

Patinated pair of English cast iron jardinaire garden planters featuring a rare demi-lune form. The planters are decorated with floral motif swag on each side centered by a Greco-Rom...

Large antique figurative sculptural lamp by Grégoire French, Late 19th Century Lamp: Height 129cm, width 42cm, depth 40cm Base: Height 76cm, width 43cm, depth 43cm Overall: Height 20...

Candlestick crafted from iron, inspired by a Schinkel design, featuring a fur-clad herm resembling Dionysus and a square foot. Two gracefully wavy candlesticks adorned with leaf deco...

We are very pleased to offer a gorgeous majolica jardiniere or centerpiece bowl by Sarreguemines France, circa the 1920s. The Sarreguemines pottery was founded around 1784 by brother...

A most attractive and very high quality Italian 19th century Neo-Classical st. malachite and ormolu mounted obelisks. Each obelisk is raised by a square malachite...

A beautiful 'as is' late 18th or early 19th century example of 'Marqueterie de Paille', or straw marquetry, work box. The top inlaid with a wonderful cityscape, with early architectu...

Beautifully carved Italian alabaster marble handled urn table lamp, early 20th century. Classic urn form features decorative bronze fittings, sculptural curved side handles, and a fluted column plinth...

19th Century polychromed terracotta pair of Angels. The pedestals shown in the photos are not included. Measurements: Angels figure: 69 cm (23,6...

English, 19th century. Composite bath stone garden sculpture of a standing young Hercules with lion head cape. Unmarked. Approx. h. 55", w. 16", d. 14".

Two maiolica pharmacy flasks Milan, Felice Clerici Manufacture, 1770-1780 They each measure 9.44 in (24 cm) in height x 6.10 in (15.5 cm) in diameter l...

A sensational and large scale pair of Baltic 19th century Neo-Classical st. Glass, Ormolu and Marble candelabras. This exquisite pair of cobalt blue glass candelabras is raised by a ...

A young woman standing with the remains of a staff in her left hand, and in apparent apprehension as her future and fortune is being read by an exotic, enigmatic, bearded figure, app...

A large alabaster campagna-shaped vase Continental, 20th century Measures: Height 34.5cm, diameter 24cm In a distilled neoclassical style in the so-called campagna shape, this fine vase is made from alabaster, a fine-grained, white, and lightly tinted type of gypsum. It was made as mineral specimen vase...

19th Century, Pair of Italian Lacquered Bronze Vases Pair of vases in bronze lacquered with fake porphyry with applications in chiseled and gilded bronze, Rome, late nineteenth cent...

Circa 1900 Neoclassical wooden frame with repoussé silvered metal front plate By: unknown Material: glass, silver, wood, metal, leather Technique: repoussé, polished, metalwork, sil...

A good looking Clock. Mfg. in New York by Ansonia clock co. Shows label on back. 8 Day striker . Movement is marked as well and date 1878 ! Clock has an American Brass Eagle...

Set of six decorative Ionic and Corinthian columns made of carved wood that has been accentuated with bronze colored leaf. These were used as merchandising display props at Boston’s ...

American oil on board landscape of young lady standing by rabbit in foreground with the original molded pine frame and wood backing. Early 19th century.

Very unusual Italian sconces. Can easily be electrified. Overall excellent condition, but there are some minor losses of sequins and metal thread.

Decorate a mantel or buffet with this elegant pair of classical Roman antique urns. Crafted in France circa 1870, each vase stands on an integral platform square base, over a gadroon...

Victor Demanet Bronze Sculpture Working technique in (lost wax bronze) Signed and sealed at the top Paris b-L ON ITS BASE Origin France Circa 1930 Excellent condition The color of it...

A fine quality late 19th century French marble statue of a classical female nude reclining on a tigers skin and bronze daybed. Signed: G Gomlags.

Vintage Jay Strongwater polychrome enamel photo frame with frogs and water lilies. Rare collectible.

Elevate your decor with this Vintage Boho Monumental Glazed Ceramic Bowl, a striking piece that embodies the mystique of ancient artistry. Adorned with a hand-painted dragon motif in...

Large Apollo Torso Sourced from Paris, France, by Martyn Lawrence Bullard Fitted with Mount and original hand-painting

This exquisite mid-nineteenth century sculpture features a nude woman in silvered bronze with parcel gilt accents. The female figure embodies grace and allure, reminiscent of the god...

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock: Height 69cm, width 81cm, depth 23cm Candelabra: Height 80cm, width 34cm, depth 34cm This elegant clock set was created by Raingo Frères and Jean Jules Salmson (French, 1823–1902). Raingo Frères, founded in 1832, was famous for its astronomical clocks, one of which is now in the Windsor Castle collection. The set is complemented by bronzes from the renowned sculptor Salmson, a regular exhibitor at the Paris Salon. The garniture includes a central mantel clock and two matching eight-light candelabra, all expertly crafted from ormolu and white marble. The clock features a central column topped with a finely detailed sculptural group of bacchantes holding grapevine garlands, with cherubs draping them over large vases. The white enamel dial is framed by an acanthus ormolu mount and rests on a base with twin ormolu lion feet. The candelabra mirrors...

Luscious bronze urn on marble base having classical decoration and warm patina.

Royal Vienna Blue Ground Porcelain Two Handled Covered Vase on Stand, late 19th century, the body painted with a continual scene of Zeus, Aphrodite, and Ares, signed "C. Forster", ov...

This exceptional Swiss silver-gilt musical snuff box was crafted by the famed François Nicole. At first glance, the diminutive piece appears to simpl...

This Circa 1900 French Black Slate and Marble Mantel Clock is a formidable and visually stunning timepiece that commands attention. Atop the clock sits a large, patinated bronze lion...

A Pair of Large and Palatial Antique Italian Neoclassical hand carved Alabaster urns of superb craftsmanship and great detail. The main body of each large hand carved alabaster...

Whimsical and full of character, this rare pair of Italian carved wood candlestick stands was crafted circa 1850 and features finely detailed parrots perched in lively poses atop tal...

Set of two large green glass gilt bronze mounted vases French, 20th Century Height 153cm, width 50cm, depth 53cm Pairing gilt bronze with s...

Early 20th Century Italian Head. Made of concrete. Packaging is included.

A Pair of Circa 1850 Pompeian Neoclassical Patinated Bronze Urns. These beautiful urns have boar's head handles surmounted by double-sided classical male and female mask busts, cast ...

An antique neoclassical style patinated bronze trident sculpture, mounted on a limestone base. Originally a sculptural fountain, this mid 19th century English piece now stands as a ...

Vintage polychrome enamel cloisonné on brass Valentines Heart ornament. Great decorative pieces or memorable gift.

Framework. Carved and gilded wood, 18th century. Rectangular frame with a semicircular finish in the center of the upper part, crowned by a composition with leaves and elements of ...

This beautiful majolica figurine would elevate any living room, kitchen, or entry way. Created in Italy circa 1950 and done in the Capodimonte style, the barbotine statue portrays a ...

Italian Neo-classic style cast bronze Poseidon bust with black metal stand (19th Cent).  

Pair of Continental German (19th/20th Cent) alabaster busts of Fredrick the Great and Napoleon raised on green marble column bases (by Fritz Kochendorfer...

Simple elegance defines this beautifully crafted footed bowl. Translucent turquoise color Murano pulegoso glass stands in striking contrast to the shimmering gold inclusions within t...

A bright blue circular wicker basket. A great great basket for use as a planter, or as a waste bin. This piece features a woven wicker body and a woven floral knot pattern top. Di...

A handsome hand-carved alabaster style sculpture of an Olympian athlete preparing to hurl a disc, probably 20th century. Possibly soapstone or resin, but resembles alabaster. This st...

Fine pair of signed Elkington & Co gilt bronze Neoclassical Jardinière/Champagne ice buckets or wine coolers. Depicting new classical Roman figures and subjects with lions and leopar...

A fine quality mid-19th century silver electroplate sculpture of a nude male figure after the antique, on original malachite base. A classica...

A beautiful versatile pair of sterling silver candlestick holders by Towle Silversmiths, circa mid to late-20th century, America. An elegant set for any dining table, mantle, sideboa...