Frosted Decorative Objects

Blue Bohemian glass perfume bottle. Frosted glass body with cut glass stopper. No makes mark or brand stamp.

A solid bronze parcel brass knight sculpture candelabra later converted to electrified table lamp with large frosted glass torch flame shade. It takes on Edison E27 light bulb. Tot...

An exquisite marble bust from the early 19th Century portraying a female figure. A true testament to the craftsmanship of after Antonio Canova of Italy. This piece stands atop a 2 ti...

Gorgeous frosted crystal sparrow / bird sculpture by Lalique of France, circa 1980s. The bird is in very good vintage condition with no chips or cracks and measure 5"W x 2.25"D x 3.7...

This exquisite perfume bottle is a stunning example of early 20th-century French art glass, created by the renowned artist Daum. The rectangular frosted glass base features a finely ...

A fine figural frosted glass owl paperweight. By Lalique. Entitled Chouette. With a molded owl with frosted wings perched on a clear cylindric...

French Art Deco vase by PIERRE D'AVESN, France, ca.1920. Frosted molded glass with a flower pattern. Brown/green color. Purple reflects under the light. Height: 7.9"(20cm), Diameter:...

A stunning pair of frosted crystal snow dove candlesticks by Igor Carl for The House of Faberge, circa 1980s. The candlesticks are in very good condition with no chips or cracks and ...

A fine French glass car mascot. By Lalique. Designed by René Lalique in 1929. In the form or a perche/perch fish in frosted glass with polished raised details and surfaces and a c...

Vintage frosted studio glass bowl - signed Davidson - acid etched signature on the base - late 20th century. Excellent vintage condition - minor base rim chips - surface scratches ...

French Art Deco clear and frosted glass perfume bottle in the form of two overlapping flower heads and a stopper matching the flower centers (signed LALIQUE)

This is a Lalique Crystal Sculpture Perfume Bottle. It depicts a clear and frosted crystal Samurai sculpture standing over a round crystal bottle tha...

Elevate your decor with this exquisite Lalique Crystal Large Frosted Swan Sculpture, elegantly poised with its head gracefully lowered, resting on a fitted oval mirror base. This sculpture is a true masterpiece of artistry and craftsmanship, bearing the signature of the renowned Lalique brand and its origin in France. The swan, expertly crafted from frosted crystal, exudes an air of elegance and tranquility. Its sleek form and graceful posture make it a captivating focal point for any space. Resting on the fitted oval mirror base, the sculpture gains an added dimension, reflecting and enhancing its beauty. Imagine this Lalique Crystal Swan...

This is the silver overlayed 1900s Bohemian Art-Nouveau vase in uranium glass, not to mix-up with pieces from Loetz. Just to get this straight from the beginning; Loetz did not apply metal or silver to its glass. Loetz only sold blanks and special commissioned glass...

This 20th-century French perfume bottle is a striking example of Daum glass craftsmanship. The bottle features a frosted glass body with delicate, swirling patterns, and is topped wi...

A tall, vintage Mid-Century modern Italian single Rostri vase made of hand blown slightly smoked Murano glass, designed by Ercole Barovier for Barovier & Toso, in good condition. The...

Lalique Crystal powder box, Dahlia model : an elegant frosted model with chic black enameled tips. The box is signed Lalique France under the base and still has the Lalique paper sti...

BACCARAT (Manufacturer) - Julien Viard (Designer) - 'CARON - Le Narcisse Noir' (Perfume Manufacturer / Name) - Art Nouveau crystal perfume bottle designed by Viard in 1911 - featurin...

This good size glass vase was created in 1920 ca by the French artist glass maker André Delatte. (Chatenois/Vosges 1887 - Toulouse/Haute Garonne 1953) - Künstler. Französischer Gla...

A solid bronze and brass knight sculpture candelabra later converted to electrified table lamp with large frosted glass torch flame shade. Europe...

French Art Deco table amp, 1930s. Egyptian woman with snakes in her arms. Spelter, glass and marble. Glass shade by Georges Leleu (Paris). Height : 16"(40.5cm), Diameter : 6.4"(16.2c...

An Italian mid-century modern organic Murano glass vase, attributed to Seguso, with Florentine neoclassical style, adorned with 3 brown glass escutcheons in relief with the typical s...

Secessionist Art Nouveau porcelain vase. Tall highly decorated porcelain vase, created in Czechoslovakia, circa 1920. This beautiful pieces has been crafted in white porcelain hav...

An urn glass bowl with handles, Art Deco period, circa early-20th century. Bowl is white frosted glass with art deco deign details, finished in black trim on lip and around exterior....

Beautiful French Art Deco style blown art glass bud vase is very unique. Designed and produced in the manner of Erte Elte Vase. Signed by the artist. This very well hand-crafted, ornate French Art Deco style bud vase, with spiral details is perfect for a single bloom, it is as beautiful filled as it is empty. Signed on the base. Stunning decorative French Art Deco style art...

Early 20th century Modernist footed trumpet frosted glass broad vase by french decorator and designer André Groult By: André Groult Material: glass Technique: glazed, cast, unglazed...

French Art Deco frosted molded glass vase by Daum, Nancy, France, 1920s. Height: 7.7"(19.5)cm, Diameter: 6.9"(17.5cm). Molded signature "Lorrain Nancy France" (see photo). In this pe...

A gorgeous early design by René Lalique for the perfume maker L.T.Piver in Paris. The Scarabée series was featuring scarabs on Piver's perfume bottles of different sizes and also inc...

A stylish pair art deco column shaped glass candlesticks with patterned and frosted elements dating from around 1930. The molded candlesticks stand on a round raised and skirted base...

A wonderful Lalique France "Ingrid" vase designed by Marc Lalique, circa 1964. Crafted in a mix of satin / frosted and clear crystal heavy glass, this piece features petal / leaf li...

French Art Deco Silver Paperweight Origin France Circa 1920 Materials glass and solid silver Frosted artistic glass Artist: Jean Henri Orliac has an artist's punch with the letter H ...

Antique gilt brass and frosted glass mystery clock by Robert-Houdin French, c. 1850 Height 35cm, width 12cm, depth 11cm This intriguing mantel clock from the mid-19th century is by ...

Decorate a console or buffet with this elegant glass vase. Crafted in France, circa 1970 and round in shape with a ridged and scalloped rim, the large luxurious cut glass vessel is d...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

2 American Art Deco frosted glass perfume bottles with black linier trim. (PRICED EACH)

This pair of French Art Deco marbled cased glass vases, crafted circa 1930s, showcases the refined artistry of the period. Moulded into a smooth, undulating baluster form, each vase ...

French Art Deco frosted molded glass fruit bowl by Pierre D'Avesn at DAUM's (Croismare), France, 1920s. Centerpiece. Diameter : 11"(27.9cm), Height : 3.9"(10cm). Molded glass signatu...

Lovely vintage French handled crystal bowl with frosted details attributed to Lalique. The frosted and heavily decorated edge offers a great contrast. Use this bowl for anything from candies to floating candles...

Decorate a console or buffet with this elegant crystal vase. Crafted in France, circa 1960 and round in shape with ridged rim, the large luxurious cut glass vessel is decorated throu...

Delightful French frosted glass clock surmounted with two perched lovebirds, the dial with black enamel numerals, signed Lalique France ADDITIONAL INFORMATION Height: 15 cm Width: 10 cm Condition: Excellent Condition Circa: 1980 Materials: Frosted Glass SKU: 6367 ABOUT Lalique Glass René Lalique (1860-1945) began his career as a jewellery apprentice at the age of 16, and by 1881 he was a freelance designer for many of the best-known Parisian jewellers. In 1885, he opened his own workshop on Place Gaillon in Paris, the former workshop of Jules Destape. In 1887, Lalique opened a business on Rue du Quatre-Septembre, and registered the "RL" mark the following year. In 1890, he opened a shop in the Opera District of Paris. Within a decade, Lalique was amongst the best-known Parisian jewellers. In 1905, Lalique opened a new shop at Place Vendôme which exhibited not only jewellery, but glass works as well. It was close to the shop of renowned perfumer François Coty; in 1907, Lalique began producing ornate perfume bottles for Coty. The production of glass objects began at his country villa in 1902, and continued there until at least 1912. The first Lalique glassworks opened in 1909 in a rented facility in Combs-la-Ville, which Lalique later purchased in 1913. In December 1912, Lalique hosted an exhibition of Lalique Glass—as his glass would come to be known—at the Place Vendôme shop. During the First World War, the glassworks produced mundane items in support of the war effort. In 1919, work began on a new production facility in Wingen-sur-Moder, which opened in 1921. From 1925-1931, Lalique produced 29 models of hood ornaments; a mermaid statuette first produced in 1920 was also later sold as a hood ornament. During the 1920s and 1930s, Lalique was amongst the world's most renowned glassmakers. René Lalique died in 1945. His son Marc Lalique took over the business, operating initially as "M.Lalique" and later as "Cristal Lalique...

Designed by René Lalique in 1921, this Ronces pattern vase features a bold array of winding blackberry vines. The vessel highlights the master's love of the striking forms and natura...

Frosted glass vase titled “Roseaux”, designed by André Hunebelle in France, circa 1930. Its stylized relief pattern reflects the sculptural precision and light play that defined Hune...

Daum Nancy bonbonnière "Pansies" circa 1898 A "Pansies" Opalescent glass bonbonniere with a hand-painted polychromatic enameled decor gold highlighted on an acid frosted background D...

Sterling silver vase in Art Nouveau - Liberty style made entirely by hand. The preparation of the structure of the vase required several processing times. The vase was made in differ...

This listing features a pair of frosted glass candelabras with a grape vine decoration and brass feet. Art Deco style of decoration, these are smaller sized but are still eye-catchin...

Art Nouveau figural woman table lamp. This beautiful petite lamp is a classic piece of Art Nouveau design. The nude woman graces with elegant the fron...

Karim Rashid for Leonardo Germany Limited Edition New Move Silver Glass Vase, ca 1999. Measures 8” high, base 3-1/2” wide, and mouth 2-1/4” wide. There is a small scratch of silver finish/coating on glass (we've posted an image of the interior and exterior at the area of the scratch). There is also a faint area of small blemishes at the base See images for more detail. If there’s one thing karim rashid hates, it’s trophies. The 40-year-old designer has more than 40 of them, from big international ones like the 1999 George Nelson Award (given for breakthrough furniture design), to quaint little Canadian ones like Designer of the Year 2001. “It came with a little pin,” says Rashid, “and a … a … very nice …” He tries to describe the shape of the award with his hands but gives up. “It’s time that whole trophy thing changes. It’s kitsch. They’re functionless things.” Rashid was asked to design one for the DaimlerChrysler Design Awards (he’s a past recipient). “I was going to make it electro-luminescent. When the lights go out, it has a sensor so it turns on,” he says. But the trophy-as-night-light, a reminder of one’s worth in the darkest hours, didn’t impress Chrysler’s people. He never heard back. They may well be gnawing their knuckles over that decision right now because Rashid’s conquest of the realm of product design is all but complete. A lush and suitably worshipful retrospective of his work, Karim Rashid: I Want to Change the World (Thames & Hudson; 249 pages), hits Australasian bookstores this month. There was a crowd around anything with his stamp on it-including stools, chess sets and storage units-at the recent International Contemporary Furniture Fair in New York City. More than 2 million North Americans are throwing their rubbish into a receptacle he designed, while 750,000 or so park their rears on one of his cheapo plastic chairs. It’s not just in North America. He has been dubbed Der Poet des Plastiks by a retailer in Germany and the prolifico progettista Americano by Interni magazine in Italy. Trophies he may despise, but accolades Rashid can handle. The problem with being the Most Famous Industrial Designer in All the Americas is that you’re still less famous than someone who got kicked off Survivor the first week. Most people cannot name the designer of one nonclothing item in their homes. Rashid, who was born in Egypt, raised in Canada and is living in New York City, is more than happy to bring an end to this anonymity. Not just because he wants to be famous, although there seems to be that, but because he believes design should be a bigger part of the social discourse. “I have been almost alone in this country, trying to make design become a public subject,” he says. His chief method of persuasion is to make the banal better so that people notice design more. He likes creating expensive furniture and perfume bottles just fine, but what really gets his juices going is the everyday: manhole covers, a cremation urn, disposable cigarette lighters, garbage bins, salt and pepper shakers, plastic pens. “I want American Standard to come to me to do the toilets for Home Depot,” he says. In many ways Rashid is more like an itinerant industrial evangelist than a designer. He traveled 200 days last year. He claims to have been to every major mall in America, where he signs his products in high-end design stores and trolls about observing humans interacting with the objects around them. He has taught at design schools for more than a decade, and his work has been in 11 art shows in the past eight months. But mostly he has proselytized the corporate barbarians. And like any good missionary, he has learned to speak the language of his converts. One of the first things he does when he gets new clients is tour their factories to understand their manufacturing capacity. He also visits the retail outlets to see how the product might be displayed. And he really knows how to sell, especially himself. “I work with a guy in L.A.,” says Rashid, declining to name him. “He made a lot of really bad furniture. His business was hand-to-mouth. I proposed seven or eight projects. The pieces I’ve done for him have already become iconic.” The subtitle of his monograph, I Want to Change the World, is not ironic, just characteristically immodest. “Most industrial-design studios try to interpret a client’s needs and come up with a style,” says Paul Rowan, co-founder of housewares manufacturer Umbra. “Karim has his own personal vision.” It helps that Rashid’s vision incorporates things that Rowan needs, like a design that will stack and ship easily and that creates little waste in the making. Rashid’s father was a set designer for Canadian TV who rearranged the family furniture every Sunday. So perhaps it was ordained that Karim would grow up to become one of the pioneers in non-cheesy plastic, making objects that have energy and personality but aren’t wacky. He, like many of his generation, has championed the could-only-be-designed-with-computers blob. But his is not just a blob for its own sake. His Oh Chair...

French Art Deco vase by Etling (Paris), France, ca.1920. Thick frosted molded glass showing a young lady with antelopes. Height: 11"(28cm), Diameter: 9.45"(24cm). Molded signature "Etling France" under the base (see photo). Rare model. Edmond Etling is an editor of decorative arts in Paris, who has excelled in 1920-1930 in France. His company was founded in 1909. He had two basic principles: first always be in the style of the day and the other, engaging the artists in fashion. Thus Etling brand covers an impressive list of artists : Lucille Sevin, (author of vases and statuettes of female nudes), Geneviève Granger (vases and female nudes wearing boyish), Géza Hiecz (animals and birds), George Beal...

Awesome vintage Modern frosted Lucite kudu sculpture by David Fisher for Austin Sculptures. Beautiful condition, keeping in mind that this is vintage an...

French Art Deco round, tall-bodied frosted glass perfume bottle (INDISCRET by LUCIEN LELONG) with a molded design of hanging drapery and a bow-shaped stopper (by Vierreries Brosse)

1900s Art Nouveau bulbous frosted soufflé glass vase with trees and birds by Muller Frères Lunéville, France By: Muller Frères Lunéville, Emile Gallé (i...

French Art Deco round frosted glass perfume bottle (PENSEES D'ELLE by JAYTHO) with molded tulips design around the exterior and a matching tulip-shaped stopper (signed LALIQUE)

LALIQUE, NEMOURS cup in molded-pressed Crystal 2.1 Kg Enamelled with 240 points of hand-applied black enamel in reference to the poppy flower. Very good condition   

A fine antique art glass bowl. By Lalique. In the "Caille" pattern Each exterior face of the faceted bowl has a molded partridge surrou...

French Art Deco round frosted glass perfume bottle (PENSEES D'ELLE by JAYTHO) with molded tulips design around the exterior and a matching tulip-shaped stopper (signed LALIQUE)

The Yakisugi Block is a piece designed to offer both beauty and versatility. It’s meant to be the perfect accent piece, and can be used as a side table, stool, or accent piece as ne...

Rene Lalique art deco vase Circa 1915 Origin France Art deco style Excellent condition with no chips or restorations Forested glass technique Signed on the...

A decorative 20th century vintage modernist lamp realized by French artist MarCo de Gueltzl circa 1980s made out of sculpted sandblasted glass and patinated steel in its original vin...