Vases

A very fine late 19th Century French cameo glass vase decorated with raised deep burgundy flowers against a warm orange field. Exhibiting excellent detail and colour, signed Galle in...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1909, this vase is from the classic Sgrafitto-serie. The vase is 25 cm (10") high and in excellent conditio...

A vase, Johann Lötz Witwe, Klostermühle, c. 1900 Decoration: Candia mimoza; clear glass with opaque silver-yellow powder melts, craquellé; iridescent...

Amphora Austria "Campina" Owl Pottery Vase circa 1910 An Austrian Pottery vase adorned with an owl-inspired design motif stands out for its intri...

Alexandre Bigot French Vintage Art Nouveau Pottery Brown And Gray Ceramic Vase Rare and stunning Alexandre Bigot French art nouveau vase with a stunning flowing iridescent luster gla...

Moorcroft Pottery 'Blue Heaven' vase, TRIAL VASE, dated 04.11.09 This beautiful vase is decorated with the Blue Heaven design by Nicola Slaney. Blue Heaven is an Art Nouveau-inspired...

This antique vase is unsigned, but made by the Loetz glass factory of the Czech Replublic in approximately 1900 in the period Art Nouveau style. The vase is done in the gold irridesc...

A Moorcroft Pottery Phoenix pattern vase, designed by Rachel Bishop, circa 1997, of squat form with slender neck, painted and impressed factory marks, and gilt inscribed signature to...

Vintage blue and white lotus flower porcelain vase with metal plinth base and lion's head holding ring handles. Attributed to Theodore Alexander. Dimensions: 7.5" x 5.75" x 12.25" ...

A contemporary Moorcroft Green Iris pattern slender tapering cylindrical vase, 2013 Centennial Relaunch of William Moorcroft's 1913 design. From the Legacy collection. Dated 2013, nu...

Superb in both size and artistry, this big, measuring 38 cm in height, Canton famille porcelain vase hails from the 19th-century era of Napoleon III. Adorned with a plethora of capti...

A lovely turn-of-the-century Austrian Art Nouveau vase with an iridescent glaze and naturalistic form. Vase is unsigned, but have several nu...

Mauser sterling silver bud vase in Art Nouveau style from the late 19th or early 20th century, beautifully adorned with pierced and floral motifs. It measures 9'' in height by 3 1/3'...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1920, this vase is from the classic Sgrafitto-serie. The vase is 23.5 cm (9.4") high and in excellent condi...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1915, this vase is from the classic Sgrafitto-serie. The vase is 28 cm (11.2") high and in excellent condit...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1920, this vase is from the classic Sgrafitto-serie. The vase is 28 cm (11.2") high and in excellent condit...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1918, this vase is from the classic Sgrafitto-serie. The vase is 30.5 cm (12.2") high and in excellent cond...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1919, this vase is from the classic Sgrafitto-serie. The vase is 27.5 cm (11") high and in excellent condit...

Art Nouveau Baccarat crystal vase with ormolu base French, c. 1905 Height 32cm, diameter 14cm This stunning Baccarat glass vase is accompanied by an intriguing ormolu base. The crys...

BOHEMIAN FLUX: A VASE, kuk Fachschule für Keramik und Verwandte Kunstgewerbe, Turn-Teplitz, c. 1905; the ceramic vase with a dark underglaze ground has a matte orange peel overglaze in ochre, apricot, lapis and celadon; the shape of the vase resembles a Japanese Saki bottle with the addition of four long and slender handles at the top third; incised before firing on the base in script lettering,“P.W.”, stamped before firing with the Fachschule mark and 73, and marked “G2.” in black ink; the vase measures: 13” high. Flux- continuous moving, a glazing method, fusion- the artist who produced this remarkable vase has presented a profoundly poetic and technical meditation on this subject. Moving way beyond the pursuit of creating only functional objects, the student ceramists at Fachschule Teplitz had ingrained in them the Europeans’ fascination for Japanese objects “from the floating world” and the design aesthetic known as Japonisme. Truly modern interpretations of Japonisme had begun to evolve into an internalizing of the aesthetic principles and a shift away from imitation of Japanese style applied to a Western format. This vase is noteworthy in that it illustrates this important Modernist shift in European ceramics. The elements of the saki bottle can be divided into three key components which taken as a whole create a rather feminine line. In keeping with this approach, the Fachschule student presents a slender bare neck, like décolletage, which flares ever slightly and then narrows to a high waist before voluptuously widening down and terminating gracefully to a round base. The ceramist gives special emphasis to pleasing proportions and the complementary relationship to the number 3; the measurement at the widest section of the vase equals the same distance from that point up to where the bottoms of the handles join to the body of the vase as well as the full arms’ length. Instead of inscribing the vase with Japanese calligraphy denoting a saki shop, the student takes a radically modern approach by attaching the vase with four handles. And yet, this act is every bit a form of written identification. The arms are the embodiment of the idea of flux in that they are a substance applied to a surface by the welding together to promote their union. The handles serve a new and surprising function. They are carriers of a concept. Fluidity- flux -can be created when an artist joins disparate elements into a harmonious whole. Flux is also a substance used to promote the fusion of minerals and metals and a term describing ceramic glazing. The presence of silica in glazes creates a glassy finish when fired at high temperatures. Matte glazes result from the presence of crystals under the surface and the balance between silica, flux and alumina in the glaze materials. By deliberately under-firing this vase and playing with a combination of additives forming the flux glaze, the end result appears matte and textured. The orange peel quality and alluring color palette are transformative. The effect evokes a waterfall or another continuous moving flow of water like a stream - in flux. So not only does this artist take a Meiji Period saki bottle and the aesthetic tenets of Japonisme as the formal and theoretical points of departure, the artist infuses the work with the symbolism of skill itself where artistic mastery as the embodiment of flux becomes the subject to ponder. As a fully realized and beautifully rendered piece, the vase attests to the artistic prowess of its creator. No longer a mere student working in the shadows of the teacher and no longer simply imitating or replicating past styles, this emerging artist shows the complete fluid transfer from student to master ceramist. Seen in this light, the vase represents a significant and pivotal achievement in Modern European ceramic ware. Fachschule für Keramik und Verwandte Kunstgewerbe (the Imperial School for Ceramics and Associated Applied Arts, 1875-1917) was a powerhouse of the ceramics industry. Located in the Turn-Teplitz region of Bohemia near the German border of what is today The Czech Republic, this was Europe’s largest pottery center in the first part of the 20th century. The school played an integral role in the center’s internationally regarded success as it provided the foundation of sourcing and training new talent for noted local manufacturers such as Amphora. It was at the Fachschule that master artists from these local ceramics houses enjoyed teaching and lecturing posts, and in true synergistic spirit, the big ceramics...

Vase in the shape of a beaker with a straight wall and flush stand, colourless glass with reddish-yellow coloured powder fusions, overlay in moss green and violet on the outside, hyd...

Top condition and pure elegance Art Nouveau vase. For the collectors of museum quality and condition Art Nouveau ceramics. This stunning Art Nouveau vase is decorated with the mos...

Gorham sterling silver vase with red glass insert, beautifully crafted with dimensional floral and natural motifs in relief and in Art Nouveau style from the early 20th century. It m...

Art Nouveau Pewter Vase, Early 20th Century, France. This beautiful Art Nouveau period conical vase on 4 leaf-like feet features tall, flowering plant-shaped elongated handles and en...

Loetz Iridescent and oil spot Flared Neck Art glass Floriform Goose neck vase. Candia Papillon vase Austria Iridescent glass Unsigned Circa 1898 A...

Theodore Deck (1823-1891) A deep green enameled faience miniature pair of vases molded in the Chinese Archaistic Taste. Coves in the shape of elepha...

This exquisite piece of art is a signed Emile Galle cameo glass windowpane floral Art Nouveau vase that looks like it has been transformed to a table lamp, although we are unclear wh...

Meet our Antique Miniature Bronze Champleve Vases – tiny time travelers from the late 1800s! Crafted by skilled hands, these petite wonders tell tales of a bygone era. Picture them g...

Vase in upright drum shape on an oval, flush stand, short neck piece raised at the top centre with slightly flared, raised rim, two handles fused onto the sides of the outer rim and ...

This venerable piece is from the collection of Linda Ronstadt. Purchased sometime in the 1970s. This highly prized Sauterelles pattern vase is adorned with frolicking grasshoppers a...

A magnificent early 20th Century Art Nouveau cameo glass vase etched and enamelled with flowering Datura in a vibrant landscape. The design heightened with gilded design on the surfa...

Great condition

Beautiful bamboo vase by Emilio Robba for the Daum Maison, France 2000s. Signed by the artist and manufacture. In very good condition, in its original box, the box has some wear. D...

Small baluster vase, flush round stand, bulbous body with attached funnel-shaped neck, colorless glass with flaky color powder enamels in white and yellow, in lower part in red, over...

A fine English porcelain vase. Made in 1900 by George Grainger & Company, a subsidiary of Royal Worcester from 1889 - 1902. With painted floral decor...

A highly attractive early 20th Century Art Nouveau cameo glass vase etched and enamelled with flowering poppies against a warm yellow to orange field. The design heightened with gild...

Serving Tray Sakai, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Sakai was design to uplift layback moments. An organic-sha...

Lovely, early 20th century glass vase with frilly edge coming from the famous Art Nouveau period in Austria around 1900. The mouthblown light pink flashed...

Gustavsberg, Art Nouveau Iridescent vase, artist signed, 1904 Sweden, 1904 An exquisite Gustavsberg Art Nouveau iridescent vase from 1904,...

Hand-crafted Danish Art Nouveau flower decorated vase by P. Ipsens Enke The hand-crafted art nouveau vase was designed by Axel Sørensen in 1927 and feature flowers, leafs, berries ...

Art Nouveau Cookie jar iridescent glass by Loetz' with Lid Subtle, hand blown glass vase in the Art Art Nouveau style. Special color and technique for any collector. Looks simply ...

Ipsens, Denmark. Ceramic vase in Art Nouveau style. Design depicting plant growth. Glaze in orange and green tones. Model number 710. From the 1930s/40s. In excellent condition with ...

The firm, JOHANN LOETZ WITWE, was a producer of decorative glass located in a Southern Bohemian town which is today known as Kláštersky Milyn in the Czech Republic. Under various own...

Theodor Hermann Schmuz-Baudiss for Konigliche Porzellan-Manufaktur. This monumental vase features a winter landscape at the edge of a forest. A stunning example of this artist's work.

Multilayered glass vase, in cameo technique. Cylindrical form in mottled orange, red, and brown, circa 1910. The decor of flowers and leaves is engraved in reserve and taken up on th...

Offering this scare, decorated Louis Comfort Tiffany favrile gold & lime opal art glass footed vase with gold hooked feather decoration. This vase features a bulbous, tapered body wi...

Designed by Palena Furniture.

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

100-year old Swedish Art Nouveau vase handmade by artist Edgar Böckman in the 1920s. Warm grey, rose, magenta colored lustre glaze covering the slender shape with large organic decor...

Listed is a stunning, pair of 1960's Italian marble vases. The pair are primarily black with white veining and a bamboo motif etched along one side of each. Heavy, weighing 4.7lbs/pair.

Designed by Palena Furniture.

Art Nouveau ceramic fruit bowl stamped with a crown by, AUSTRIA AMPHORA 390042. Austria, CIRCA 1900.

Large Baluster Vase by the Artist André Delatte, Art Nouveau. Glass vase by André Delatte, Art Nouveau period, circa 1900. H: 48cm , D: 13cm

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

4.5 inch iridescent gold vase with hand painted Art Nouveau style leaves, in gilt and etched blue, slight flared rim. Beautiful color Locat...

Émile Gallé (1846-1904) Impressive Gallé French Cameo Glass Vase Large vase cone shape on pedestal Cased glass, opalescent, colorless, yellow and blue, acid-etched design with "Big...

Theodor Hermann Schmuz-Baudiss for Konigliche Porzellan-Manufaktur. This vase features a geometric thistle at the neck and variations of animals at the shoulders, a hawk and a lion/...

4-piece set consisting of two vases and a centerpiece for flowers, made of silver-plated bronze with cut glass, manufactured by WMF-Württembergische Metallwarenfabrik (1853 to the pr...