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Ashworth Blue Flambé Vase, English Art Pottery 1909-1914

$1,770
£1,337.90
€1,537.49
CA$2,464.71
A$2,741.89
CHF 1,437.33
MX$33,505.27
NOK 18,302.67
SEK 17,229.43
DKK 11,476.75
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About the Item

Rare, important antique urn shaped vase is decorated with flambé transmutation glaze in shades of blue and off-white, with considerable variegated tonal depth. The vase was created by Ashworth Art Pottery; it is marked with impressed ASHWORTH and model number on the bottom. Ashworth Art Pottery operated from 1909 to 1914; it was a part of Ashworth GL & Bros Ltd, the makers of Mason's Ironstone, but it was separated from mass production, operating as a studio pottery and concentrating on developing new glaze formulations and firing techniques. Ashworth produced the flambé transmutation glazes in Lustrosa and Estrella series; it appears that production consisted of mostly experimental pieces, intended for the large exhibitions. Reportedly, some of the pieces were sold at those venues, but very little is known about the company, and only few of their pieces still exist. The creative force behind the Ashworth pottery were John Vivian Goddard, son of John Shaw Goddard, who had purchased Ashworth's, the makers of Mason's Ironstone, in 1884, and Austrian chemist Dr L. Basch. The new Ashworth ranges were presented in 1909 at an exhibition in the Imperial Hotel, Russell Square, London, at the International exhibitions in Brussels in 1910 and Turin in 1911, and at the Louvre, Paris, in 1914; they were reported to have been well received. John Vivian Goddard was a trained ceramics artist, renowned for his experimental glazes. His art and studio work received considerable praise in trade press. In 1907 he received silver first prize medal of the London City and Guilds in Pottery and Porcelain. His Lustrosa ware was described as Kaleidoscopic with quaint shapes, and Estrella ware was described as having an " infinite variety of colour effects, some of the pieces bear a striking resemblance to the much prized Chinese vases in rouge flambe, sang de boeuf and peach bloom" by the Pottery Gazette. Unfortunately, there are no catalogues available for either Lustrosa or Estrella. The Journal of the Royal Society of Arts praised the expérimental ‘Staffordshire lustre’ shown by Goddard in London, stating that "the copper oxide has developed, as it were accidentally, with both turquoise blue and a deep ruby red, the contrast subtly harmonized by the sheen of lustre." The Connoisseur compared Lustrosa Ware to Chinese transmutation glazes, praising Ashworth’s recreated "mottled color, delicate plum blossom, red and orange flambé, green and white, which are jewel-like in their brilliance and lustre.” However, at the start of WWI the studio pottery work and production of Estrella and Lustrosa ranges stopped; Goddard became a director of Geo. L. Ashworth and Brothers after it was incorporated, and Dr Basch moved back to Austria. There is a connection between Ashworth Art pottery and Coldrum pottery, founded by Reginald Fairfax Wells in Chelsea in 1910. Wells, trained as an architect and ceramist, was employed as a ceramic artist at the Chelsea Manufactory in London and worked as a designer at Messrs Coldrum & Sons Pottery. In 1910 he set up Coldrum Chelsea pottery studio, that was reportedly operating until 1924, producing experimental slip-decorated pottery; however, after WWI he established another pottery, SOON, around 1918 at King's Road, London. There are examples of Ashworth pottery marked "Ashworht for Coldrum", dating to 1910, that are decorated with one of Ashworth's streaked blue and turquoise glaze with speckles; same glaze can be found on both Ashworth and Coldrum pieces that are not marked as a collaboration, suggesting that either Wells participated in developing that particular glaze formulation, or it was initially produced by Ashworth and somehow made available for Wells by Goddard after Coldrum was fully established. From around the mid-19th century, Western ceramists had been interested in recreating the glazes seen on 18th century Chinese ceramics, especially the peach-bloom and sang-de-boeuf. In France the Sèvres artisans and independent ceramic artists Ernest Chaplet and Dammous brothers had experimented with high-fired transmutation glazes from the late 1880s. In England, most notable ceramists who were working on new flambé glazes from 1890s included Cuthbert Bailey and Charles J. Noke at Royal Doulton, Bernard Moore, William Burton at the Royal Lancastrian Pottery, Hugh Allan at Allander Pottery, and William Howson-Taylor at Ruskin Pottery. Independent experimentation resulted in both commercial and studio versions of the new glazes. Ashworth pottery is a great example of the latter, and an important piece of experimental British studio art pottery history; considering how scarce the Ashworth pottery is today, we are excited to locate such a great example of it. Provenance: from the estate of a prominent antique and art collector in Western New York, with an extensive collection of British porcelain and pottery. Publications: Encyclopaedia of British Pottery and Porcelain Marks, Geoffrey A. Godden ‘Arts & Crafts - New Lustre Pottery’, Journal o f the RSA, Vol. LVH, Friday, July 2, 1909, p.692. The Connoisseur: ‘Porcelain & Pottery - Historic English Potteries’, Vol. 35, April, 1913, p. 258. The Reception and Adaptation of Oriental Ceramics in Britain, with particular reference to Imperial Chinese Copper-Red Wares, Mandy Jill Maxwell
  • Similar to:
    Bernard Moore (Designer)Ruskin Pottery (Manufacturer)
  • Dimensions:
    Height: 6.3 in (16.01 cm)Diameter: 6.25 in (15.88 cm)
  • Style:
    Arts and Crafts (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1909-1914
  • Condition:
    Wear consistent with age and use. 2mm fleabite on the base. Please see the last image.
  • Seller Location:
    Clifton Springs, NY
  • Reference Number:
    1stDibs: LU4421145980522

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