Vases

Gorgeous large, vintage Murano hand blown black over white and gold flecks Italian art glass sculptural flower vase. The piece is signed "Murano" and by the artist, but cannot make o...

A superb example of a German Cow Horn of plenty Cornucopia decorative Vase or Centerpiece, firmly attributed to the World-famous silver manufacturers Württembergische Metallwaren...

Beautiful vintage Murano hand blown gold flecks Italian art glass flower vase. The piece is profusely covered in gold leaf, with ribbed design. Made with very thick glass. Created in...

A wonderful Japanese Meiji period (1868-1912) Bronze overlay vase. Having exquisite and amusing scenes in relief, patinated and overlay of a Dog of Foo, a Frog fishing in a Lotus lea...

Top condition and pure elegance Art Nouveau vase. For the collectors of museum quality and condition Art Nouveau ceramics. This stunning Art Nouveau vase is decorated with the mos...

Beautiful, early antique Venetian hand blown amethyst pink and gold flecks Italian art glass fish stem flower vase. Created in the manner of the Salvi...

A charming vase by the storied English firm of Coalport. This sweetie features 2 handles, and an interesting hand painted scene with river, mountains, flora fauna accented with white...

A large and impressive hand painted vase and cover from the re known studio of Carlton England. This Chinoiserie design features a variation of the Willow on a burnt orange backgroun...

A wonderful French etched crystal with bows and garlands with gilt doré bronze ormolu vase.

This pair of neoclassical rython form garnitures are well detailed and finely cut.

This large cut crystal cornucopia vase terminates in a ram's head form gilt bronze mount, and is set on a black marble base.

21st Century hand carved clear crystal and golden bronze potiche. This potiche is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the...

Fantastic mid-century design vase by ''Edelstein'', Bavaria. Vases with this kind of shape at the rim are commonly known as fish-mouth vases. Minimalistic, balanced shape with an ult...

A remarkable example of minimalist design and natural form, this bronze vessel is both beautiful and functional. This proto-type by designer Raju Peddada is a shift in contemporary ...

Contemporary Bronze Swan neck vase by Rick Owens 2007 Dimensions: L 20 x W 20 x H 71 cm Materials: Bronze Weight: 4.5 kg Available in black finis...

Contemporary bronze vase - Evase by Rick Owens 2007 Dimensions: L 20 x W 20 x H 18 cm Materials: Bronze Weight: 4.2 kg Available in Black, Gold and Nitrate finish. Rick Owe...

A rare and unusual Carl Sorensen collection of desk accessories-stamps, blotters, letter openers, ink blotters. Beautiful bronze patina and verdigris finish.

Impressive signed Baccarat Empire style bronze and crystal vase. Beautifully complements the Classic 1841 Harcourt and Empire patterns, similar to the ...

Beautiful, large and rare Murano hand blown green, controlled bubbles and gold flecks Italian art glass pulled glass sculptural flower vase. Att...

A charming vintage Venetian vase with a nicely blown ruffle edge to its top and extra blown decoration on its collar. Two elegant swan handles and blown 24-karat gold inclusion throu...

Meet our Antique Miniature Bronze Champleve Vases – tiny time travelers from the late 1800s! Crafted by skilled hands, these petite wonders tell tales of a bygone era. Picture them g...

Made by the JINGFA Beijing Cloisonné Factory in China, 1970s. The vase itself is bronze with a rubbed brass finish and the bodies of the pieces are covered in the most exceptional Cl...

A cast bronze vase produced by GAB, Sweden, c. 1930s.

19th Century, Pair of Italian Lacquered Bronze Vases Pair of vases in bronze lacquered with fake porphyry with applications in chiseled and gilded bronze, Rome, late nineteenth cent...

A pair of early 19th century Regency period bronze and ormolu classical vases with well detailed leaf and reeded detail having scroll handles supported on stepped socle ending on oct...

477 Handcrafted stoneware blossoming moon vase by Helen Prior. A delicate handcrafted vase, organic in shape with a torn clay opening in natural speckled stoneware clay. Part of the...

Hand Crafted Promise Golden Stoneware vase with 22kt Gold Detail A delicate hand-crafted vase, organic in shape with a torn clay opening in natural unglazed speckled stoneware clay...

Empire pair of tall gilt bronze ornamental vases, Medicis-shaped model richly decorated with finely chiseled palms, laurels crowns, gadroons and women masks patterns. Early 19th cent...

Chinese bronze vase with 10 figures - Not certain of age, but works well in any setting and water tight. A very heavy (17 lbs) piece. Beautifully mad...

Vase designed and produced by GAB, Guldsmedsaktiebolaget, Sweden, 1930s. Stamped with makers mark. Made in cast bronze.

21st century hand carved amber crystal and golden bronze bowl. This bowl is finely chiseled lost wax castings and hand-grounded crystal. The golden bronze rhinoceros on the base was...

Beautiful pair of Chinese porcelain vases. On a blue background of stylized clouds, two cartouches display a design of pairs of swallows flying among flowering branches. The reverse ...

A fine pair of Art Nouveau bronze vases decorated with vines and leaves. In perfect condition with a beautiful patina. Early 20th Century Dimensions: 10" High x 5 1/4" Diameter Thi...

A Meiji period bronze hanging flower vase, in the form of a junk with a high prow and shaped stern, with a central well and three hanging chains.

A pair of antique mid-19th century French gilt bronze vases. The elongated form with figurative handles is often referred to as Alhambra, meaning of Oriental or Moorish taste. The pi...

21st century hand carved clear crystal and golden bronze centrepiece. This Centrepiece has got the porcelain base with pure gold decorations and hand-grounded crystal. On request to...

This magnificent vintage Japanese cloisonné floor vase dates from the late 19th century. It is hand enameled & artistically rendered with mu...

Large lidded vase with a gadrooned wall with acanthus leaves and pine node. Marbre griotte and gilt bronze.

An elegant pair of French turn of the century Louis XVI st. Silvered Bronze and glass vases. The pair of bud vases are raised on circular Silvered Bronze scalloped shaped bases. The ...

A high quality pair of French turn of the century Louis XVI st. patinated Bronze and Baccarat crystal vases. Each vase is raised on a tripod designed base showcasing wonderful banana...

A large and very fine Meiji Period (1868-1912) patinated and mixed metal bronze vase of ovoid form, richly decorated with raised motifs of flying cranes accented with silver-overlay,...

A truly rare and beautiful 1960’s vintage Italian Studio Del Campo Vintage bronze, glass and iridescent purple enamel spherical vase. The four future founders of Studio Del Campo b...

Solid bronze vase by Guldaktiebolaget, most likely designed by Jacob Ängman. Swedish grace / Art Deco, 1920/30s. Normal patina, signs of age and w...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

Immerse yourself in the artistry of 19th-century Japan with this exquisite Meiji period bronze vessel, a captivating embodiment of Japanese decorative arts...

Coppia di Vasi Impero in Bronzo con Anse a Cigno realizzati in Italia, inizio 1800, coppia di eleganti vasi da centro di gusto Impero, di forma circolare, su base squadrata, corpo im...

The vases have a baluster shape and are richly decorated with foliage and acanthus. The foot is multiple and decorated, the shoulder has a band of peripheral foliage with mounted and...

Pair (2) Magnificent French Sevrés floor vases with gilt bronze. Highly decorative French vases in the Sevrés manner. Magnificent and lush flower painting on a bulbous form flanked...

A pair of fine glazed blue porcelain gilt bronze-mounted table lamps, France, early 20th century. Porcelain vase raised on beautifully elaborate bronze base. Both porcelain vases are...

A Large And Rare Pair of ‘Neo-Grec’ Style Multipatinated Bronze Amphora Vases by Ferdinand Levillain and Ferdinand Barbedienne. Signed to the cast ‘F. Levillain Fecit 1880’ and ‘F. Barbedienne’. This large pair of multipatinated vases are of amphora form modelled in the ‘Neo-Grec’ style with trumpet shaped necks and scrolling handles terminating in masks; the vases are raised on circular spreading bases put down on plinths. Each vase is finely ornamented with laurel leaves and garlands to the neck, the main body with a superb banded frieze cast in low relief depicting the Centauromachy. In the Centauromachy, the Lapiths battle with the Centaurs at the wedding feast of Pirithous. An enduring classical theme linked with the idea of culture versus nature, the Centauromachy was widely depicted in ancient Greece from the Southern Metopes of the Parthenon Freieze to the Temple of Apollo Epikourious at Bassai, it also appears as a subject on numerous Attic vases such as the Ilioupersis krater. A popular theme for artists from the Renaissance onwards it was depicted by amongst others, Michelangelo, Piero di Cosimo, Luca Signorelli, Sebastiano Ricci...

21st Century hand carved amber crystal and golden bronze potiche. This potiche is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the...

Cloisonné enameled bud vase delicately trimmed with contrasting blonde enamel scallop pattern on the top & bottom. The aqua in ombre with gradual subtle tones. A very rare piece. Mad...

21st Century hand carved clear crystal and golden bronze potiche. This potiche is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the...

An antique French champlevé enamelled vase with a polished gilt metal body upheld by two putti in gilt bronze on a white marble base, the border decorated with a turquoise champlevé...

An unusual pair of French vases hand painted in bright enamel colours of scenes of putti drinking and having fun . Decorated on a dark background with allegorical emblems on the bac...

Made in Italy, 1946. By Flavio Poli for Seguso, "Corrosi" series, model 12502. It is made in blown glass and features gold fleck inclusion. The external part has corroded texture. Th...

Japanese bronze usabata flower arranging vessel probably late 19th century bronze with a dark brown patina. The top is five and a half inches in diameter and comes off.

The Rolling Vase #2 is the result of the sculptural work made from our Atelier in order to generate a dialogue between two really different and contrasting materials. The Travertine ...