Japonisme Vases

An important and monumental pair of very fine 19th century French Japonisme/Orientalist ormolu vases designed by Edouard Lièvre and Executed by Ferdinand Barbedienne. Each body with an oval shape, finely sculpted in a floral design, fringed by orientalist style handles with cartouches, the neck surmounted by a circular pierced scrolling dragon frieze. Each vase resting on a group of four orientalist style jeweled elephant...

Attributed to the centuries-old Japanese art of arranging flowers, Ikebana Vase is created with İlayda Ergün, a ceramic artist based in Istanbul, yet one of our studio designers. Gui...

A Very Large 19th Century Japanese Imari Porcelain Vase with Scalloped Top. The body of the vase is complete with two main cartouches and two smaller cartouches which flank the vase...

Vintage Japanese inspired decorative raku vases designed and handmade by Danish ceramic artist in the late 20th century. Shiny coral red, mauve gray and white crackle running glaze c...

Attributed to the centuries-old Japanese art of arranging flowers, Ikebana Vase is created with İlayda Ergün, a ceramic artist based in Istanbul, yet one of our studio designers. Gui...

Japanese Ikebana Iron Vase, Japan, 20th Century.

A large scale and very good quality late 19th century Japanese Imari vase with exotic birds, trees and flowers. Wonderful coloring in vibrant hues of blue, red and rust.

Beautiful pair of blue-tinted crystal “rouleau” vases decorated with Japanese-style enameled decoration representing a gilded full moon reflecting a tree with flowering branches, sur...

This exquisite work of art made during the Late Qing Dynasty (1644-1911/12) which was known for its artistic achievements and craftsmanship. The octagon shaped vase is adorned with i...

A rare and important French "Japonsime" Emile Galle Ormolu-Mounted Double Carp Fish Pink-Glass vase, circa 1879, retailed by L'Escalier De Cristal, Paris ...

Exceptional Dominic & Haff Japonisme Sterling Cabinet Vase—Dragonfly & Cobwebs This exquisite Dominic & Haff sterling silver cabinet vase is a rare and finely detailed example of Ja...

Japanese Large Cloisonné Vase in Midnight Blue w/ Flowers and Birds, Ca. 1900/1910 Late Meiji Period (1868-1912)-Early Taisho Period (1912-1926) Dimensions: 46” high x 51.5” diameter

A piece evokes memories or calms emotions through scent, the Incense Holder is created with İlayda Ergün, a ceramic artist based in Istanbul, yet one of our studio designers. Charact...

1900 Japanese Satsuma porcelain huge vase with Samurai scenes.

Japanese Emperor Shōwa Period, Fine Ceramic Red Vase, Signed, Ca. 1980 Emperor Shōwa Period - from 1926 to 1990 ABOUT In the classic Japanese shape, this exquisite vase has a dram...

A piece evokes memories or calms emotions through scent, the Incense Holder is created with İlayda Ergün, a ceramic artist based in Istanbul, yet one of our studio designers. Charact...

Beautiful pair of blue-tinted crystal “rouleau” vases decorated with Japanese-style enameled decoration representing a gilded full moon reflecting a tree with flowering branches, sur...

Vintage Japanese inspired decorative raku vases designed and handmade by Danish ceramic artist in the late 20th century. Shiny coral red, mauve gray and white crackle running glaze c...

A gorgeous turquoise blue Majolica jardiniere made by the French manufactory Sarreguemines circa 1880-1890. The jardiniere is decorated in the eclectic Japonisme-style with beautifully hand-painted birds among pine branches, faux cloisonne...

ANDO CLOISONNÉ COMPANY - Extraordinary cloisonné vase with roses and transparent green enamel over raised bamboo decoration - green enamel to the interi...

Model n° 1567 Beautiful Japanese inspired baluster-shaped vase in tinted stoneware. The rich polychrome rotating decoration illustrates cranes in the moonlight, near a lake lined wi...

A pair of porcelain vases in classic form, decorated with underglaze blue and copper red painting by Imperial potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu was one of the most established and collected ceramist known to the west from Meiji Period. The vases are in a classic Chinese form called "Bang Chu Ping" (grain-mallet vase...

Antique Awaji ceramic vase - grey crackle glaze - cold painted decoration with red and gilt enamel bird on a branch with flower and leaves - old faint inventory numbers to the base -...

Vintage fine porcelain vase features traditional Sakura decor in yellow, gold, and platinum on red and white background; the rim and the base a...

Pair of Large Oriental Lacquered Wooden Vases, Late 19th Century Dimensions: cm H 142 x W 69 x D 69. Base cm 51 x 51 This monumental pair of vases was made in Europe towards the end...

19th-Century Japanese Imari porcelain vase. This fine vase have a lovely shape and hand painted floral designs in the traditional Imari colors.

19th-Century Japanese Imari porcelain vase/brush pot. This fine vase have a lovely shape and hand painted floral designs in the traditional Imari colors.

A stunning pair of ceramic vases with gilt, paint and high-relief decoration by imperial artist Makuzu Kozan (1842-1916, also known as Miyagawa Kozan) circa 1876-81 (late Meiji period). These vases belong to early period (1876-1881) of Kozan's repertoire, during which time the high relief sculpturing (known as Takauki ware) was used as a distinguished technique on top of the traditional gilt and paint ornaments of satsuma ware. Due to the relatively limited production and the fragile nature of these wares, not a large quantity of the examples remained in the first place, not mentioning a fine matching signed pair in such impressive sizes. Not only a rarity, this pair of vases is also superb in workmanship, thus the fine example of the work from that short and unique period of the artist's career before he switched to the underglaze period. In a conceptually mirrored fashion, the surface is richly decorated with flying cranes among large lotus leaves and flower, like an idyllic aqua scenery of pure poetry on a circular scroll. The high-relief appliques were rendered and composed in realistic fashion but with a dramatic touch. They are literally about to break the surface free, alive and in motion. The dark colors of the glaze were used to set a moody tone. The approach to create this type of ornamentations is more akin to sculpturing an ink painting in three-dimension than ceramic making. It is not hard to imagine the demand of both the artistry and the technique. Both vases were signed as "Makuzu Kozan Kiln" and each further with another name and seal, which are most likely the individual artist involved in the making process. Similar signatures can be seen in the reference book below. For similarly Takauki vases, see Miyagawa Kozan Makuzu...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Model n° 1567 Beautiful Japanese inspired baluster-shaped vase in tinted stoneware. The rich polychrome rotating decoration illustrates cranes in the moonlight, near a lake lined wi...

Beautiful fired handmade Raku vase by Michael Gwinup, signed with name and date. Diameter 21 cm, height 14 cm. Unique piece with pearl coloured copper b...

A very fine pair of Japanese style vases attributed to Susse Frères and made in two patina bronze. Each vase in form of a patinated bronze ovoid body...

A wonderful Japanese Meiji period (1868-1912) Bronze overlay vase. Having exquisite and amusing scenes in relief, patinated and overlay of a Dog of Foo, a Frog fishing in a Lotus lea...

Collection of ten Japanese bronze vases, Japan, 20th century. They all exhibit sculptural forms and have a wide range of patinas from deep browns to warty verdigris greens. The large...

A Very Large 19th Century Japanese Imari Porcelain Vase with Scalloped Top. The body of the vase is complete with two main cartouches and two smaller cartouches which flank the vase...

Art Deco pottery vase signed Auguste Delaherche Circa 1930. Number 028.

Mid century Signed Japanese Kakiemon Arita Imari Vase with Flowers.Signed Japanese Kakiemon vase by Sakaida Kakiemon XIII (1906-1982). A beautif...

Japanese style English porcelain ewer by Royal Worcester English, c. 1880 Measures: Height 31cm, diameter 17cm This beautiful ewer is by the celebrated English porcelain makers ...

Early 20th century Japanese Bronze Champleve Flower Vase or Urn. Features a colorful champleve design of Pegasus's and butterflies between engraved bronze motifs. Marked Made in Japa...

A Highly Important Pair of French Japonisme Ormolu, Patinated Bronze & Cloisonné Vases, by Christofle & Cie. Christofle & Cie is a renowned French silver and metalwork manufacturer f...

A mid-20th century Japanese Satsuma vase with figures. Satsuma ware is a style of Japanese earthenware originally from the Satsuma region of what is today southern Kyushu. There are two distinct categories of this ware: The original plain dark clay early Satsuma...

Bernard Moore, signed to the base. A small red Flambe vase decorated with a dragon in the Japanese style.

Large and unusual Japanese Satsuma vase with Samurai figures to front and back Purple ground with gilt and traditional colors throughout. Carved and molded ring & bow shoulders with ...

Japanese Emperor Shōwa Period Kiyomizu-Ware Vase, 18th Century Emperor Shōwa Period - from 1926 to 1989/1990 DIMENSIONS Height: 9 inches diame...

Japanese Emperor Shōwa Mashiko-Ware White Glazed Porcelain Vase, Ca. 1980 Emperor Shōwa Period - from 1926 to 1989 Signed box DIMENSIONS Height: 10 inches Width: 5.5 inches ABO...

Coalport Porcelain (English, 1795-1926 then part of the Wedgwood company), circa 1885. An Exhibition quality porcelain moon flask style vase featuring a cobalt ground and grouping of highly detailed enamel cranes to one side grazing around a pond with 24kt gold calla lilies in the background. The verso with a similar scene of two cranes likely a mating pair. Each side is surrounded by masterfully detailed sunflowers and furthermore by Rococo motifs and enameled scrollwork of polychrome enamel embellishments. Please note, unfortunately at one point this vase was made into a lamp and the base has been replaced with a gilt metal foot. Measuring: 19" h, 13.5" w, 7.5" d. Provenance: An important Cape Cod...

An important and monumental pair of very fine 19th century French Japonisme/Orientalist ormolu vases designed by Edouard Lièvre and Executed by Ferdinand Barbedienne. Each body with an oval shape, finely sculpted in a floral design, fringed by orientalist style handles with cartouches, the neck surmounted by a circular pierced scrolling dragon frieze. Each vase resting on a group of four orientalist style jeweled elephant...

Aritaware porcelain vase, Fukagawa, Japan, 20th century. Octagonal shaped vase. Graphic wrapped tassel design in gold and deep red on white ground.

A very good and large-scale, early 20th century Royal Copenhagen porcelain vase. With decoration that includes two very large Chrysanthemum flowers painted in muted blues and a ex...

This series of ceramics are unique work by Norihiko Terayama. This is one of series of practicing relationships with function and decoration. Artis...

Beautiful fired handmade Raku vase by Michael Gwinup, signed with name and date. Diameter 21 cm, height 14 cm. Unique piece with pearl coloured copper b...

This a Lladro soft glow porcelain flower gourd vase. It is hand painted white in the background with a repousse of long light green branches with light blue leaves and flowers plus r...

Japanese porcelain vase delicately hand painted on an craquelure oatmeal colored ground. The brightly colored design is of prunus blossoms, chrysanthemums and several roosters all ou...

Huge Imari vase with email painted with birds and kiku flowers.

A very fine miniature ceramic vase in satsuma ware by Taizan Yohei IX (1864-1922) circa 1880-1890s of late Meiji period. The vase with a broad flat should...

Japanese Emperor Shōwa Period Tamba-Ware Textured Glazed Vase, Ca. 1970 Emperor Shōwa Period - from 1926 to 1989/1990 Signed. DIMENSIONS Width: 8 inches Height: 5.5 inches ABOUT ...

Japanese Emperor Shōwa Period Classic Oval-Shaped Vase, Ca. 1960 Emperor Shōwa Period - from 1926 to 1989/1990) Featuring bamboo handles. Signed on the bottom. DIMENSIONS Height:...

A wonderful Japanese Meiji period (1868-1912) Bronze overlay vase. Having exquisite and amusing scenes in relief, patinated and overlay of a Dog of Foo, a Frog fishing in a Lotus lea...

A Royal Worcester porcelain “variety” vase, made in 1876 in the japonisme style. The forced opening of Japan to trade in 1854 led to a craze for E...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A beautifully decorated cloisonné vase with silver rims by Ando Jubei (1876-1956), the celebrated Japanese Shippo studio. The piece is dated to late Meiji to early Showa period circa...

Dated 1875, French rare centerpiece / bowl in majolica by Gien renowned for its exquisite Faience fine. This piece of unusual fan shape is decorated with ...

A Pair of French Japanism Signed CP & Co Pate Sur Pate and Gilt Porcelain Vases. This elegant pair of vases, crafted by CP & Co, exemplifies the aesthetic influences of Japanism in ...

Yasumi Nakajima II (1906-1988) Ikebana vase, circa 1960, Japan. Trumpet form, Tomoe model, with nice patinated brown-red (seido) bronze. Signed underneath. Dimensions: 26 cm H, 9 ...

This series of ceramics are unique work by Norihiko Terayama. He broke ceramic at first, and make it into a lot of fragment. He rasp some of fragmen...

This stoneware vase of a jar form was finely decorated with low relief carving and delicate colored glazes depicting bundles of peony flowers. It was made by Ito Tozan I (1846-1920) circa 1890-1900s in the late Meiji Period. The color pallet was both bold and subtle, with dark green and rusty leaves with golden outlines and white and light yellow peony petals covering much of the surface. Impressed with potter's mark on the base. Examples of two pieces by Ito Tozan I were in the collection of MNAAG (Guimet) Paris. Inventory no. MG 13790 an 13792. A vase with similar shape and decoration techniques is featured as Lot 1340 Fine Japanese Art, 13 Sep 2017 Bonhams New York Tozan Ito I established his ceramic business in Kyoto 1867. His studio made both porcelain and stoneware in a style some considered Satsuma while they retained a sophistication of Kyoto ware...