Louis Philippe Centerpieces

Hallmarked in London in 1931 by William Bruford & Son, this very handsome, Sterling Silver Trophy, is in the Art Deco taste, with striking handles, and a...

'Alfa Romeo' glass coupe Flavio Poli for Seguso Vetri d'Arte, circa 1950s Wonderful blue cup Alfa Romeo by Flavio Poli for Seguso. Hand blown Murano glass. Fantastic Piece of Automob...

An exceptional, fine and impressive, antique Victorian English sterling silver trophy cup with rowing interest; an addition to our Victorian silverware collection. This exceptional antique Victorian sterling silver presentation cup has a bell-shaped form to a circular domed foot. Either side of the body of this silver trophy cup is embellished with an impressive applied oval belted garter bordered cartouche encompassed with a paralleling embossed floral and foliate decorated wreath design; the cartouche to one side remains vacant. The cartouche to the opposing side incorporates the elucidating presentation title 'Ambrose Challenge Rowing Cup', in addition to a scene of two row boats in competition with a riverbed in the background. The upper rim of the cup is encompassed with an applied moulded decorated border. This impressive Victorian trophy cup is fitted with an exceptional pair of embossed sterling silver scrolling handles, accented with leaf decorated thumbpieces. The cup is supported by a waisted pedestal and circular domed foot accented with further embossed foliate ornamentation. Condition: This antique silver rowing trophy...

Large serving tray in metal. Golden hand-painted chinoserie details on black colored metal. Backside black colored. Painted with flowers, birds all around and a chinese family in th...

Antique late-19th century Chinese very unusual solid silver eperne, the central trumpet shaped vase and twin baskets are highly decorated with pierced bamboo leaves, cherry blossom a...

An elegant old Paris porcelain reticulated compote, or fruit basket, crafted in the Louis XV style, and raised on an ornately decorated pedestal and square base. This oval basket, wi...

Ver large and impressive antique silver plate trophy cup, "Liberty Cartridge Company's Trophy Longest Straight Run, 1913, Western Connecticut T...

A Rare and Historic 1859 Elkington Silvered Bronze Victorian Centerpiece with Cut-Glass Bowl. Presenting a magnificent Victorian silvered bronze centerpiece of unmatched rarity and importance, crafted by the renowned Elkington Mason & Co., Birmingham, in 1859. This exceptional work, complete with its original cut-glass bowl, epitomizes 19th-century British craftsmanship and artistry. Hallmarked to the base, this centerpiece showcases intricate sculptural details, embodying a high level of technical prowess and aesthetic refinement characteristic of Elkington's celebrated works. The centerpiece's striking design features three meticulously rendered figures—a young hunter, a friar, and a fishmonger—each embodying elements of Victorian life and industry. At their feet, a loyal spaniel and various game highlight the naturalistic approach to the composition, enhanced by the masterful chasing and dynamic form. This sculptural ensemble rests on an elaborately decorated base, exuding both grandeur and narrative depth. Adding profound historical value are two engraved plaques. The first, dated “January 28, 1859,” reads: “Presented to William Johnson Esq. as a token of respect & esteem by the workpeople in the employ of Messrs Richard Johnson & Brother, Manchester.” The second, an inscription from 1941, states: “Worshipful Company of Tin Plate Workers, Alias Wire Workers of the City of London, Presented by Arthur Laurence Johnson M.A., Grandson of William Johnson, both Wire Workers, with his Daughter Eleanor Morton Johnson, a Freeman of the Company, to commemorate his Mastership 1941-42.” These inscriptions chart a rich lineage, connecting the Johnson family to pivotal moments in industrial history. William Johnson, alongside his brother Richard, assumed leadership of a wire-drawing firm in 1838, which would later become Richard Johnson & Nephew Ltd. Their contributions included providing galvanized armored wire for the historic 1857 transatlantic telegraph cable...

Pair of 19th century Meissen Porcelain compote centerpieces with cupids running after each other around a tree with filigree baskets on top with raised...

French ceramic fish or Shellfish Tureen "Bouillabaisse" by Paulette Bailet at Saint-Jean-du-Desert (Marseille), France, late 1940s. Can be used for various preparations of fish or sh...

Exceptional centerpiece in silvered and gilded bronze, composed of a naiad riding a dolphin, supporting a chiseled shell decorated with reeds, adorned with the head of a river god on its bow and on which a winged love blows in a conch. The whole rests on a pedestal decorated with dolphin heads and cut-out leathers, ending with a porphyry base with molded steps. Historical and artistic context Centers and naves of tables are attested in France from the Middle Ages in order to present spices and other condiments brought from distant lands around the Mediterranean or from the trade of the Silk Roads. The importance of their presence on prestigious tables will be confirmed throughout the decorative arts, evolving during the 19th century in centerpieces, becoming a central element of decoration. Here we find a true virtuosity in the composition and representation of the human figure which is reminiscent of the greatest artists of the Italian Renaissance. Indeed, the fluidity of the lines of the naiad can be compared to the nymph of Fontainebleau by Benvenuto Cellini preserved at the Louvre museum and dated 1545, while the naturalist representation of the marine setting refers to the work of Wenzel Jamnitzer...

Elegant centerpiece in finely chiseled vermeil. Composed of a Baccarat cut-crystal cup from which emerge four sinuous light-arms. The whole rests on a scalloped mirrored tray adorned with foliage, with a molded contour of wrapped rushes and ending with four openwork feet. The two French goldsmiths George Boin and his son-in-law Emile Taburet created circa 1875 in Paris the company Boin-Taburet. They made many silver pieces inspired by the beautiful services of the eighteenth century. At the Paris Universal Exhibition of 1878, Georges Boin presented a “service de toilette” inspired by the work of François-Thomas Germain (1726-1791), and then at the Universal Exhibition of 1889, several epergnes, including one of them executed after drawings by the famous artist Juste-Aurèle Meissonier (1695-1750), as well as tea sets of Louis XIV, Louis XV and Louis XVI styles. Boin-Taburet firm also exhibited a tureen and platter after Pierre Germain...