Austrian Ceramics

Impressive Goldscheider Vienna Ceramic Figurine of the 1920s: The young lady with artfully pinned up hair and headdress wears only an exotic-looking short skirt in the manner of a ro...

Impressive Goldscheider Vienna Ceramic Figurine of the 1920s: The young lady with artfully pinned hair wears only transparent stockings and high heels, as well as a headdress densel...

Great terra-cotta / ceramic, work for the well known Austrian artist Kitty Rix. Signed impressed mark KR, WW, 2. 312. Plus original paper label. Shows restorations.

A finely potted Austrian Art Nouveau Majolica centrepiece or jardinière by the renowned manufactory of Julius Dressler and dating from around 1900...

Rare Goldscheider Ceramics Figure of the 1920s. Representation of a young dancer in a knee-length dress with a white flounce neckline, elaborate...

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Elegant Goldscheider Art Deco ceramic figure of the 1930's: Dancer with shoulder-length hair in a long, wide, light gray skirt with floral decoration and ...

Very rare Viennese ceramic figure from the late 1920s: Young, fancy dancer in a tight costume with a shoulderless and backless top held by a pearl necklace and short harem pants, bl...

Rare Goldscheider Art Deco Ceramic Figure Of The 1930: Young dancer with chin-length, dark blonde hair in a form-fitting, short, light-blue dress with a long train attached to the back with white-blue floral decoration, holding it up on both sides with outstretched arms and taking a step to the left. On a beige, slightly curved, stepped oval base with light green painting. Designed by Josef Lorenzl (1892 - 1950), was an Austrian sculptor and ceramic modeler. His bronze statuettes often show graceful dancers with long legs and closed eyes. Lorenzl designed numerous ceramics for Friedrich Goldscheider and Keramos and was one of the most popular artists...

Riessner, Stellmacher & Kessel - Imperial Amphora - Art Nouveau buttressed ceramic vase with embossed sunflowers, painted leaves and applied 'jewels' - signed on the base - Austria -...

Rare Large Goldscheider Art Deco Ceramic Figurine of the 1920s: Young lady with short hairstyle in a short, low-cut strap dress with large floral decoration, posing lasciviously and...

An Austrian ceramic serving platter decorated in the center with a transferware trout eating a shrimp. A gilt edge and lime green border are decorated with a gilt repeating motif. The artist's signature on the lower right reads “RK Boek”, marked Austrian Decor...

Three children walking side by side: in the middle a blond boy dressed as Pierrot with a pointed hat, arm in arm with two girls, one in a red tutu dress, th...

Very large and rare Goldscheider Vienna ceramic figurine: Art Déco execution of an Art Nouveau design around 1909: young woman as the personification of beauty, with hair tied at the nape of the neck, head tilted to the side and looking down, covering the nakedness of her shapely body only at the legs with a large cloth...

Ceramic woman with sled sculpture signed Friedrich Goldscheider. Austria, circa 1900.

A delightful Austrian mid-century ceramic figurine portraying a nude African woman wearing a grass skirt made in Vienna by Leopold Anzengruber (1912-1979) ...

Little curly girl in a blue spotted dress, her hands on her hips and looking at a ball in front of her. On a beige, round flat base. Designer: GERMAINE BOURET (1907 - 1953) Dra...

Large bowl on an oval ground plan with flared, wavy and curved walls on four swept-out feet in the shape of leaves, flower and leaf decoration in relief on the bowl base and on the o...

Rare Goldscheider Vienna Figurine of the late 1930s: Representation of an elegant lady in a long, close-fitting, off-the-shoulder dress with a ruffled neckline made of rose-colored ...

Small Dragon Vase, Eduard Stellmacher, Amphora-Werke Riessner Stellmacher & Kessel, ca. 1901, Elfenbeinporzellan, marked Around 1900, the manufacture Amphora rose to the top of European ceramics...

Depiction of a standing lady, proudly looking to the side in oriental garb. She is wrapped in a large beige cloth that extends to the floor, the front is decorated with a stylized, g...

Excellent Goldscheider Vienna Art Déco Ceramic Figurine: Dancer in Spanish costume: long skirt with slit above the knee and embroidered bolero jac...

Rare Goldscheider Art Deco ceramic Figurine of the 1930s: Elegant standing young blond lady in long light brown dress patterned with stylized leaves with low back, puffed sleeves and long gloves, her head with wide-brimmed brown hat tilted to one side and looking down at the bouquet of pink roses she is holding in hands. On a cream-coloured, flat oval base, artist's signature 'CLAIRE WEISS' on the top of the base behind the figure. Manufactory: Goldscheider Vienna / Austria Technique: hand crafted ceramics, finest hand painting, glossy finish Designer: Claire Weiss /= Klára Herczeg (1906-1997) Sculptor, childhood in Vienna, apprenticeship as a sculptor in the Arsenal foundry in Vienna, 1924-1928 at the Budapest Art...

Boy with red cap, red jumper and checked harem pants standing, facing right, right hand in trouser pocket, carrying golf bag full of clubs and clasping it with his left hand. Designer: Claire/Klára Herczeg/Weiss (1906 - 1997) Sculptor, childhood in Vienna, apprenticeship as a sculptor at the Vienna Arsenal Foundry, studies at the Budapest Art Academy, designs for several manufactories from 1940 mainly active in Budapest, state and municipal commissions, important representative of socialist Hungarian sculpture. Model 7191 was created circa 1935 made circa 1935 Manufactory: Goldscheider Vienna / Austria Material & Technique: hand-crafted ceramics, white earthenware, hand-painted, glossy finish Size: height: 23.0 cm / 9.05 in width: 10.0 cm / 3.93 in depth: 9.0 cm / 3.54 in Marks: model number 7191 / 72 / 3 Goldscheider Wien...

Very Rare Art Déco Goldscheider Ceramics Figurine around 1930: Young dancer in a sleeveless top reminiscent of a bathing suit and wide trousers, a sailor hat on the short black curls, looking to the right and taking a step forward with her right leg, leaning her upper body slightly backwards, her hands relaxed in her trouser pockets. The figure is supported on the left leg, below the featured leg, by a model sailing ship...

A stylish Austrian Art Deco pair terracotta glazed bookends modelled as the head of a young girl attributed to the Wiener Werkstätte and dating from around 1920. The bookends are hea...

Very rare Goldscheider Vienna Ceramic Figurine of the 1930s: Representation of a young lady in a brown, Japanese silk coat over light, baggy trousers, hai...

Very rare goldscheider Art Déco ceramic figurine of the 1930s: Little blond, curly-haired girl in a green-red checkered dress, bending over with both hands and using her body weight...

Rare Goldscheider Vienna Art Déco Art Ceramic Group of the late 1930s: Little blond girl with curly hair in a white and blue checked summer dress with red edges holding a fox terrie...

Rare Art Ceramics Model by Goldscheider from the 1920s: Portrayal of the dancer Lucie Kieselhausen in an exotic costume consisting of a jacket and knee-length skirt with star decoration in brown, blue and yellow, sleeves and skirt part with tiered flounces with a wavy hem, the waisted jacket on the side and on the back with three peaks similar to a bellflower, jagged headgear with long colored feathers curved upwards, floral decorative element on the side of the posing figure at her feet. The figure is based on a black, round base with the artist's signature 'Kostial' on the top next to the figure. The dancer and actress Lucy Kieselhausen (1897 - 1926) was a student of Grete Wiesenthal and was a successful German dancer at the beginning of the 20th century. Lucy Kieselhausen appeared in three silent films: 'Thousand and one Woman' (18), 'The Seventh Great Power' and 'Earth Spirit'. In addition to her dancing activities, Lucy Kieselhausen also wrote the dance drama 'Salambo', which was set to music by Heinz Tiessen. In 1926, Lucy Kieselhausen died in a tragic accident caused by a petrol explosion with a burning jet of flame in her bathroom. Source: Cyranos ch Designed by Josef KOSTIAL...

Very Rare Goldscheider Vienna ceramic figure of the 1930s: Standing, elegant lady with a dark feather hat, in a long, dark skirt and a red, tailored jacket with a high, light-grey c...

Very Rare Goldscheider Ceramic Art Figure from around 1930: Standing young lady with a brunette bobbed haircut in elegant sportswear: comfortable, short-sleeved waistcoat with a low...

Excellent art ceramic figurine from the 1930s: Striding young lady with a cropped, delicate top and a large hat, holding up the long, wide skirt with a stylized floral pattern with both hands. On a black oval base, artist's signature 'Dakon' on the bottom. Based on the film 'The Blonde Dream', starring Lilian Harvey. Lilian Harvey (1906 - 1968) was a British-German actress, singer and dancer. From 1923 she attended the ballet school of the German State Opera and received first paid appearances as a dancer in Hungary and Austria. She made a total of 12 films with Willy Fritsch, and in 1930 came the decisive breakthrough with the romantic comedy film 'Liebeswalzer'. 1931 the film 'The Congress Dances' appeared, in which she appeared in a scene 'Christels Song', better known as 'Das gibt's nur einmal' that today still exists as an Evergreen. During the Nazi era in Germany Lilian Harvey's career stopped because of her opposition to the regime and she emigrated first to southern France and then to the United States. After the war she returned to Europe and took turns living in Germany and France, where she died in 1968. Designed by STEPHAN DAKON...

Very Rare And Exceptional Goldscheider Art Ceramic Figure from the late 1930s: Striding girl in blue coat over beige dress and matching blue cap with beige border with red embroider...

Excellent art ceramic figurine from the 1930s: Young lady with bob hairstyle standing upright, torso turned to the left and supporting both arms on the hips, in a short blue kimono with a floral pattern and high heels. Behind her between the legs is seated a harlequin doll...

Enamel Ceramic vase signed Amphora. Austria, circa 1920.

Very Rare Goldscheider Vienna ceramic Figurine of the 1930s: Standing blond lady with cap and coat, showing great resemblance to Marlene Dietrich, with setter. On a cream-colored r...

Beautiful Goldscheider Dancer Sculpture Very detailed glazed ceramic sculpture in great condition! Original Art Deco, Vienna (Austria) 1930s Di...

An unusual Austrian art pottery sculptural figure of St Christopher carrying the Christ child across a river attributed to renowned Austrian sculptor, Ceramist, designer and teacher Michael Powolny (Austrian, 1871-1954) and probably dating between 1920 and 1930. The hand-crafted figure shows St Christopher with the Christ child on his shoulder and a wooden staff...

Very large and rare Goldscheider ceramic figurine of the 1920's: Striding graceful young lady in oriental clothing, balancing an amphora on her head...

Very rare Goldscheider Art Deco ceramic figure of the 1920's: Representation of a young variety dancer in pose. She wears a short, low-cut, blue ruffled dress, the skirt ends of whi...

Very rare Goldscheider Vienna Ceramic Figurine of the 1930s: Standing young lady with blond hair in beige-green-red checkered dress over blouse with large mesh and wide red hemmed s...

Rare Art Déco Goldscheider Figure Group Of The 1930s: Gallant couple: dancer in a fan-like flared dress with flounces and floral decoration with her upper body and crossed legs lean...

This antique cast bronze and ceramic pedestal bowl or centerpiece is unsigned, but presumed to originate from Austria and dating to approximately 1900 and done in the period Art Nouv...

Extremely Rare Goldscheider Ceramic Figurine of the 1930s: Pale young lady with a well-formed, slender figure and parted, curly, shoulder-length hair, balancing on tiptoe, arms rais...

Julius Dressler's factory opened in Biela, Bohemia in 1883 and closed in 1944. His work was influenced by the Art Nouveau and Vienna Secessionist movements. Style-looks, simply s...

Exceptional Art Deco Goldscheider figurine by Josef Lorenzl. Designed by Josef Lorenzl (1892-1950), one of the most important designers having been active for Goldscheider manufactory in the period of 1920-1940. Model 5193 was created 1923-1924. Made circa 1925-1930 Specifications: The young man dressed as a jester with a fool's cap sits on a black base. An owl sits on his left outstretched hand. With the right index finger raised, the fool seems to regulate the bird. Referring to his name, 'Eulenspiegel', which literally translated means: 'owl mirror...

Very rare Goldscheider Art Déco ceramic figurine. Girl with blond, tied up hair and a blue headscarf tied at the back, in a sleeveless blue blouse with a sailor collar and wide, lig...

A dancer in a butterfly costume is shown, standing, arms raised and head tilted sideways, making a slight twisting motion. The fabric falling from the sleeves is reminiscent of butte...

Rare Goldscheider ceramics of the 1930s The standing young variety dancer is only dressed in high heels. Looking to the left over her shoulder...

Very rare Goldscheider ceramic figurine of the 1930s: Standing young pretty lady with a broad-brimmed hat on her curly, chin-length hair, wearing only heels and covering her nakedne...

Rare Goldscheider Figurine of the 1930s The dancer has her hair covered with a headscarf and is wearing a bustier and a long, wide skirt with blue flowers and colorful butterflies...

Remarkable Art Deco Goldscheider ceramics figurine of the 1930s: Young dancer with short hair, bowing in front of her audience, so that the plea...

Rare Goldscheider Art Deco ceramic figure of the 1920's: Representation of a dancer in pose. She wears a headdress that tapers to a point at the front and frames her face, and a sh...

Slender jug, which widens in the upper part and narrows at the top again, with spout and opposite handle, surface decorated in relief with three antique-style heads and stylized, sla...

Exceptional goldscheider figurine with lamp of the 1920s: A harlequin lost in thought is depicted in a costume elaborately decorated with a fine floral pattern in shades of blue and yellow. His cap, the ruff and the strap shoes are kept in dark brown. Under his left arm he holds a gray umbrella to which an electrified metal lantern is attached. The figure is positioned on a snow-covered earth base. Particularly loving and delicate execution of the painting. Designed by B. Haniroff (XIX - XX) around 1905 for Goldscheider Vienna / Austria Material: ceramics, painted, glossy finish; metal sheet, electrification made circa 1920 Marks: Model number 3131 / 137 / 19 Goldscheider Vienne manufactory stamp Hand-decorated painter's and former's signs existing French dealer...

Pair of polychromed ceramic vase by Julius Dressler, Austria, early 20th century.  

Finest Viennese ceramic art from the 1920s: The standing young lady holds a black mask in front of her in her folded hands and looks dreamily to the side. She wears a blue and rose two-piece suit with a slouchy top and ruff...