18th Century Ceramics

Rare surviving small piece of early tableware. Suitable for everyday use as a charming piece of history for the dining table. two red bands around the top. the base decorated with...

This is a very good early Chinese Teapot and matching cover from the Qing Dynasty, Kangxi period ( 1662 to 1722) which we date to Circa 1710. The teapot has a globular form on a sho...

18th century Spanish ceramic Plate with Architectural scene.

Azulejo de cerámica vidriada español de triana en color azul y blanco, S XVIII de cabeza de caballo pintado a mano.

Glazed ceramics with lustre-painted decoration This is glazed ware, i.e. it is glazed with a white enamel bath, very pure in the best examples, which is f...

Glazed ceramics with lustre-painted decoration This is glazed ware, i.e. it is glazed with a white enamel bath, very pure in the best examples, which is f...

This is a rare coffee cup and saucer in ‘The Traveller’ or ‘One Legged Duck’ blue transfer printed, hand gilded pattern by John Turner & family, of Lane End, Longton, Staffordshire. ...

Rocking cradle with child. Delft, 1750-1780 Polychrome figure of a child in a rocking cradle with open hood. The child is dressed in a yellow nightgown and sleeping cap with reddish-brown and green dots. It sits upright under a marbled blanket and holds the sides of the yellow cradle with both hands. Dimensions: length 12,5 cm / 4.92 in., width 9 cm / 3.54 in., height 11,5 cm / 4.52 in. Figures of children in a rocking cradle are generally dated to the second half of the eighteenth century. They may have been inspired by plates, made at the birth of Prince William V...

An 18th century Delft ceramic plate, hand-painted in, blue red and green with floral decoration. Several chips to rim.

Rare surviving small piece of early tableware. Suitable for everyday use as a charming piece of history for the dining table. French faience salt. Oval shape with a leafy sprig in...

Beautiful small white porcelain plate decorated with different flowers such as petunias and phlox. Leaves seem to fly. A small plum is hidden on the back of the plate. We discover a work of extreme finesse. The lines are very fine and delicate. The arrival of porcelain in Europe was linked to the development of shipping and international trade. Porcelain was very popular in Europe because of its lightness and durability. The importation from China is linked to the lack of mastery of this technique by the Europeans. The French, Dutch and British East India...

Two maiolica flower pots Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire) The...

Italy, 18th Century Ceramic hanging platter. Measures: Ø 34 x D 5 cm.

Decorated with a chinoiserie scene of a man sitting on rocks within a landscape. Surrounded by a triple-circle center and an interlocking arc and trefoil border. The rim with 27 flut...

Dutch delftware pear. Delft, 1750-1780 The pear with stem is modelled on a base of leaves and is painted in realistic colours. Dimensions: heigh...

Rare surviving small piece of early tableware. Suitable for everyday use as a charming piece of history for the dining table. The oval centre painted with a large berry and leafy ...

Blue and white armorial dish. Harlingen, dated 1744 The dish has a wide raised flange and is painted in blue with a coat of arms and the year 1744. The depiction is framed within ...

A very fine and exceptionally rare pair of circa 1760 Qianlong period Chinese export for the Anglo-Indian market chargers of large size, the molded and scallop-shaped bodies painted with delicately enameled 'bianco-sopra-bianco' floral borders with polychrome lotus flowers and buds surrounding central cusped cartouches painted...

This is a late 18th century porcelain Tea Cup and Saucer in pattern 128 by the Derby factory, Circa 1795. This is a rare Derby pattern that we have not come across or seen previou...

This is a very fine hard paste porcelain Tea Bowl and Saucer by New Hall, dating to the 18th century, George 111rd period, circa 1785. Both pieces have 24 vertical flutes. Both pie...

This is a very good Chinese porcelain large plate, made for the export (Canton) market, during the middle of the 18th century, Qing-Qianl...

This large Chinese Imari porcelain charger dates to the Qianlong period of the Qing dynasty, circa 1760.   Finely potted with a lovely rich, glassy white glaze, the charger is hand-p...

This is a very beautiful porcelain coffee can with a hand painted scene of Notre-Dame Cathedral, made by Paris, France, dating to the late 18th century, circa 1795. The coffee can is broadly cylindrical tapering slightly to the base, with a ring handle having an inner spur. This is a very finely hand painted coffee can with a view of Notre-Dame Cathedral in Paris, all in many different coloured enamels. The view even shows various figures in the foreground, all set in a rectangular thick gilded border, against a lovely lemon yellow ground. with further hand painted gold gilded rims and outer handle. Overall a very distinctive, beautifully decorated coffee can. NOTES Notre-Dame de Paris, often simply referred to as Notre-Dame, is a medieval Catholic cathedral and is the most famous of the Gothic cathedrals from the middle ages, situated on the Île de la Cité, in the 4th arrondissement of Paris. The Roman Catholic cathedral, dedicated to the Virgin Mary, is considered one of the finest examples of French Gothic architecture. Notre-Dame was built on the ruins of two earlier churches, which were themselves predated by a Gallo-Roman temple dedicated to Jupiter. The cathedral was initiated by Maurice de Sully, bishop of Paris, who about 1160 conceived the idea of converting into a single building, on a larger scale, the ruins of the two earlier basilicas. The foundation stone was laid by Pope Alexander III in 1163, and the high altar...

18th century Japanese Kakiemon foliate rimmed bowl, Edo period (1603-1867). This charming bowl's decor shows a guardian lion ("shi shi") and a floral...

Hand-Painted ceramic jug with lead lid, dated from 1762, initials G. and R. and signed at the bottom, with scenes of windmills and a house.

18th Century Spanish Ceramic Plate with Architectural Scene

A rare large Chinese export porcelain 'Table Bay' dish Qianlong period, circa 1735-1750 Diam. 27.5 cm This version of the ‘Table Bay’ porcelain docu...

This is a hard paste porcelain coffee can & saucer duo by New Hall, hand decorated with their Chinese figure pattern number 421, dating to the English George 3rd...

18th century Indigo blue glazed ceramic jar.

A Rouen Faience in the shape of a young bacchus seated on a blue barrel holding a bottle in his right hand and a glass in his left hand. Polychrome decoration of vine branches and gr...

This is a good Chinese porcelain circular Platter or large plate, made for the export (Canton) market, during the middle of the 18th century, Qing-Qianlong period. The plate is we...

An exceptionally rare pair of Triton candlesticks, in black basalt with gold lustre. The design is copied from Wedgwood, who took it from Sir Willi...

18th century Chinese Export Famille rose tureen with lid & underplate.

Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, 1770 circa It measures: 4.7 in (cm 12) X 5 in (...

Blue and white charger with a bird on a branch. Harlingen, 1775-1800 Raamstraat pottery. painter: Pieter Ruurds The charger has a slightly raised flange and is painted in blue ...

This is a good porcelain TRIO of a Tea Cup, Coffee Cup and saucer by the Derby factory, made during the George 111rd period, circa 1795. The pieces are well potted in the Hamilton...

This is a hard paste porcelain Tea Bowl and Saucer by New Hall, dating to the turn of the 18th century, George 111rd period, circa 1800. Both pieces are decorated over-glaze with ...

The mainly square-shaped stands have indented corners and a raised center section with rim and four small flowers. The stands are painted in polychrome with a combination of flowers,...

The dish has a wide, slightly raised rim and is painted in blue in the centre with a Dutch water landscape within a polygonal yellow band. The well and border are painted in polychro...

Blue and white landscape dish. Makkum, 1775-1800 Tichelaar pottery. painter: Douwe Klases Hofstra [attributed to] The dish has a wide and raised flange and is painted in blue wi...

This is a rare porcelain desert dish or chestnut basket made by the Chelsea-Derby factory during the 18th Century, circa 1770. This pierced, reticulated Desert Dish or Chestnut Ba...

Large & Very Fine Chinese Export Punch Bowl, with Painted & Gilt decoration in the Mandarin palette. Jingdezhen region, China ca. 1780.

An extremely rare pair of Chinese export porcelain ‘Table Bay’ or 'Cape of Good Hope' dishes Qianlong period, mid-18th century Measure: Diameter. 23.8 ...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Blue and white landscape dish. Makkum, 1775-1800 Tichelaar pottery. painter: Douwe Klases Hofstra [attributed to] The dish has a wide and raised flange and is painted in blue w...

Pair of Chinese plates with floral motifs from the Compagnie des Indes dating from the 18th century. It is decorated in the centre with a flower...

Set of 4 18th Century Chinese Export Imari Porcelain Chargers in 2 sizes. (smaller pair has some repairs) 15? Diameter / 12.5? Diameter.  

Sick cup Pasquale Rubati Manufacture Milan, Circa 1770 - 1780 Maiolica decorated in polychrome “a piccolo fuoco” (third fire) It measures: h 2.36 x 7.4 x 7.87 (h 6 x 19 x 20 cm) ...

This exquisite Wedgwood sauceboat is crafted of tricolor jasperware, one of the firm's rarest creations. The sauceboat's classic form displays a be...

Large Chinese ceramic plate. Swatow, Ming Dynasty.

A set of two peacock design Delft plates, and two larger Delft dishes. All hand-painted with "peacock" pattern. 2 plates marked "De Porceleyne Claeuw" Dimensions: diameter of 9" / 23cm each plate. 2 dishes are also marked, one for "De Porceleyne Claeuw" (Porcelain Claw) and the other one marked 'De drie...

A large Chinese Export Famille Rose charger with pink lotus and other flowers. Painted in bright vivid colors of blues, reds and yellow accents.

Composition of 16 tiles with angel Portugal 18th century. Composition made in the late 20th century.

Coffee assortment with “barbotine” decoration Manufacture of Pasquale Rubati or Felice Clerici Milan, 1770- 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). ...

A rare and stunning example of neo-classical decoration on an ordinary househuld object: a teapot. The decoration is restrained yet lively, and makes excellent use of classical figur...

Polychrome dish with a village view The Netherlands, 1675-1725. The dish has a spreading, slightly raised flange and is painted in blue, purple and yellow with a simplified villag...

Blue and white dish with windmill. Delft, 1700-1750 The dish has a raised flange and is painted in blue with a windmill between two sponged tr...

An Italian Baroque Castelli albarllo, also known as a pharmacy or drug jar. It held 'Benedict Laxat' listed as far back as Aristotle as a medication used in by midwives. Beautifully decorated with buildings in landscapes in the free, almost impressionistic style typical of Castelli Maiolica...