18th Century Ceramics

Very nicely painted dish with Cuckoo in the house Period: Kangxi⁠-Yongzheng Country of origin: China⁠ The lower half of the design is well known in Holland as the “cuckoo in the hou...

Maiolica flower pot “a mezzaluna” decorated with tulip Pasquale Rubati Factory Milan, circa 1770. Measures: 4.7 in x 4.7 in x 8.6 in 12 cm x 12...

18th Century Spanish ceramic plate with Costumbrist scene.

This is a late 18th century porcelain Tea Cup and Saucer in pattern 128 by the Derby factory, Circa 1795. This is a rare Derby pattern that we have not come across or seen previou...

This is a good, early hand-painted English coffee can, from the late George-III period, of the late 18th Century, circa 1795, which we attribute to ...

A gorgeous pair of 18th century Chinese Export porcelain plates decorated in stunning famille rose enamels, Yongzheng Period, circa 1730, China. The small plates decorated in bright and bold famille rose enamels, with pink dominating the color palette. The center of the plates featuring large floral sprays featuring magnolia and peony blossoms among other flowering plants. The rims of the plates with alternating half blossoms of pink magnolia and pink lotus against a dense diaper ground. Gilt painted ribbons scroll around the rim and down the cavetto, holding peaches and Daosit emblems, including castanets, a flute, a drum, and a ruyi scepter...

WHY WE LOVE IT: One of our absolute favorites! A pair of 18th-century creamware flower holders complete with stands and covers made in England by Neale & Co. was one of the finest 18th century English potteries. The entire composition is classically elegant. The flower holders are decorated with turquoise swags and delicately painted flowers. The tops are pierced for flower stems. The handles are made in a pair of entwined snakes painted in turquoise with bright red mouths. This flower holder could be used with the tops for individual stems or without the tops for a bouquet. All parts of the set have survived and remained together for the past 200 years. History of Creamware: Creamware is the name given to a type of earthenware pottery made from cream-colored clays from Dorset and Devonshire combined with calcined flint. Creamware was first produced in England sometime before 1740. Foremost of the pioneers of creamware in the Staffordshire Potteries was Thomas Whieldon. He produced a wide variety of creamware. The young Josiah Wedgwood was in partnership with Thomas Whieldon from 1754-1759. When Wedgwood left to set up his own business, he immediately directed his efforts to develop creamware. Many of the Staffordshire Potteries, especially Neale & Co., learned from Whieldon and Wedgwood and developed their own excellent creamware products. Dated: 1795 to 1810 Hanley Staffordshire...

The ship is flying the flag of the last German Emperor of the Holy Roman Empire, Francis II, Circa 1775-1790. The rare Wedgwood creamware plate...

A antique English prattware model of a cockerel or rooster. With mottled decoration in ochres and yellow. The base bears an old partial D. M. ...

English Blue Ground Pottery Mocha Mug Late 18th Century The blue ground slip tankard with a white handle with leaf terminals has two bands of molded checkerboard black and white ba...

Two maiolica pharmacy flasks Milan, Felice Clerici Manufacture, 1770-1780 They each measure 9.44 in (24 cm) in height x 6.10 in (15.5 cm) in diameter l...

A rare, large English pearlware or Staffordshire pottery cradle. Decorated with an overall basketweave pattern and blue highlights, circa 1800. Measures: Length ca. 5 5/8 in...

Two large French Faience dishes and two smaller from the city of Strasbourg in hand painted floral decoration. They are approximately from around...

Very nicely painted dish with Cuckoo in the house Period: Kangxi⁠-Yongzheng Country of origin: China⁠ The lower half of the design is well known in Holland as the “cuckoo in the hou...

Largest collection of Portuguese tiles in the world 18th Century Portuguese " Azulejos " Countryside Scene" Measures: 141cm x 105cm 80 tiles IMPORTANT NOTE: This panel is with the...

Assortment of bottle and glass coolers in Maiolica. Pasquale Rubati manufacture Milan, circa 1770 Maiolica polychrome decorated “a piccolo fuoco” (third fire) a - Bottle cooler 5.91 in x 5.91 in diameter (15 x 15 cm ) Weight: 1.86 lb (845 g) b - Bottle cooler 6.89 x 7.87 in diameter (17,5 x 20 cm) Weight: 2.09 lb (948 g) c - Pair of glass-cooler vases 3.94 x 3.94 in diameter (10 x 10 cm) Weight: 1.43 lb (650 g) Good state of conservation: a - some chipping from use on the edge; a - two fêlures covered on the edge; c - one has deep chippings on the edge and the other a subtle fêlure. Two Majolica factories were active in Milan in the 18th century. The first, starting from 1745, was owned by Felice Clerici; the other one by Pasquale Rubati from 1756. Rubati was in competition with Felice, whose worker he had been prior to opening his own workshop. On his death in 1796, the business was continued for a few more years by his son Carlo. Recent studies have recognized Pasquale Rubati's contribution as the creator of "Strasbourg-style" decorations with their particularly joyful depictions. This style had previously been attributed to the Lodi manufacturers. These works here, however, are a clear example of this production. The Majolica containers have different sizes, a cylindrical shape and rest on a low foot ring. The two largest are completed by handles in the shape of a zoomorphic mask with wide open jaws, while the smaller ones have handles applied with an anthropomorphic mask. All the works are characterized by elegant floral decoration. The two twin glass coolers show bunches of flowers centered around a main corolla, a rose or a peony paired...

Very nice and richly decorated plate/dish from the Edme Samson factory. Made after example of Yongzheng/Qianlong period⁠ Chinese porcelain. Condition Perfect. Size 23.5x2.8CM Diamet...

Sharing with you this lovely, probably Yongzheng period, dish in Famille Rose palette. A very unusual Pronk Dame au parasol version. Pink with rare overglaze blue and black. I thin...

Maiolica tureen Pasquale Rubati Manufacture Milan, circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 6.69 in x 11,02 x 8.26 (17 x 28 x ...

A Chinese Export Porcelain saucer dish and Cup after the ‘Dame Au Parasol’ design by Cornelis Pronk (1691 – 1759) commissioned by the Dutch East India Company (Verenigde Oost-Indische Compagnie or V.O.C.) in 1737. Cornelis Pronk (1691-1759) was an accomplished painter and draftsman who was commissioned by the VOC in 1714 to provide designs for porcelain manufactured and painted in China. Decorated in underglaze-blue with ‘La Dame au Parasol...

Two small dishes Antonio Maria Coppellotti Manufacture Lodi, Circa 1740 High fire polychrome majolica They measure: diameter 7.08 in(18 cm) Weight: 0.37 lb (170 g) State of conservat...

Coffee pot Antonio Maria Coppellotti Manufacture Lodi, Circa 1740 High fire polychrome maiolica It measures: 7.87 in x 6,49 x 5.11 (20 cm x 16,5 x 13); weight 1.23 lb (561 g) ...

Largest collection of Portuguese tiles in the world 18th century Portuguese " Azulejos " panel "Leisure Scene" Measures: 126cm x 100cm 63 tiles Important Note: This panel is with ...

An assembled pair of Wedgwood cress or strawberry dishes, Two Piece; Footed Pierced Dish with Stand. Late 18th c. This would have been used to serve watercress or strawberries after ...

Chelsea porcelain reticulated circular dishes, Gold anchor period, circa 1760. The Chelsea porcelain dishes with circular lattice rims and a simple gilt band are beautifully paint...

In the past, this pair of very beautiful ceramics carafes, was utilized in a Pharmacy to contain erbs and spices infusions. The carafes show all signs of the time, they remain a pai...

A Chinese Porcelain small Jug, with unusal lid with holes in it. It is called a Sugar Caster. The lid can be attached to the jug by turning it and than you can pour either sugar or s...

Two maiolica flower pots Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire) The...

A milky white dish with slight scalloped rim and decorated with cobalt blue iron red and green enamel over glaze, this delicate piece in Kakiemon Style was dated at least to the earl...

Assortment of 12 elements with polychrome and gold decoration Pasquale Rubati Factory Milan, circa 1770- 1790. Two oval trays 10.62 in x 8.58 in (27 x 21.8 cm) Two dishes with perforated brim diameter 10.43 in (26.5 cm) Eight round dishes 9.37 in (23.8 cm) lb 10.14 (kg 4.6) State of conservation: very good, except for light chips with color drops at the edges, a greater one in a round dish. This rare set of dishes has great decorative impact and confirms the undisputed artistic ability of Pasquale Rubati's productions during the period of his greatest success. It also attests to the taste of the great Milanese commissions of the eighteenth century. Pasquale Rubati, a refined painter, opened his own factory in Milan in 1756, in competition with Felice Clerici...

Mid-18th century pair of Delft polychrome plates, Dutch. Each with a central rose and repetitive entwined motif decorative border. Typical fritted edges. Charming & unusual. 8 7/8" d...

Maiolica flower pot “a mezzaluna” with support feet decorated with little bunches of flowers Pasquale Rubati Factory Milan, circa 1770 5.5 in X ...

Italian, late 18th century watch holder with Father Time. The robed figure of Father Time is standing on a raised plinth with rocks and a koi fish or carp....

18th Century Spanish Glazed ceramic tile from Triana in Blue and White of a Hand-Painted Horse.

Coffee assortment with “barbotine” decoration Manufacture of Pasquale Rubati or Felice Clerici Milan, 1770- 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). ...

Pair of Chinese plates with floral motifs from the Compagnie des Indes dating from the 18th century. It is decorated in the centre with a flower...

Largest collection of Portuguese tiles in the world 18th Century Portuguese " Azulejos " Countryside Scene" Measures: 187cm x 153cm 80 tiles IMPORTANT NOTE: This panel is with the...

A Chinese Export Porcelain saucer dish after the ‘Dame Au Parasol’ design by Cornelis Pronk (1691 – 1759) commissioned by the Dutch East India Company (Verenigde Oost-Indische Compagnie or V.O.C.) in 1737. Cornelis Pronk (1691-1759) was an accomplished painter and draftsman who was commissioned by the VOC in 1714 to provide designs for porcelain manufactured and painted in China. Decorated in underglaze-blue, iron-red and gilt with ‘La Dame au Parasol...

Maiolica pitcher Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 8.66 x 8.66 x 4.33 in (22 x 22 x 11 ...

18th century Portuguese " The Boy and the Dog " Sculpture " Measures: 144cm x 173cm 120 tiles Important note: This panel is with the tiles restored 18th century. The panel is deliv...

Beautiful German faience jug from one of the Northern German factories.

Assortment of dishes Lombard manufacture 1770 – 1780 Circa Maiolica polychrome decorated “a piccolo fuoco” (third fire). Two large dishes: diameter 14.76 in (37.5 cm); weight 4.5...

Assortment of 4 dishes with braided rim Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: 14 x 10 in (35.5 x 25.5 cm); 12.2 x 8.39 in (31 x 21.3 cm); 10.4 x 9.65 in (26.5 x 24.5 cm); 10.8 x 9.61 in (27.5 x 24.4 cm). Weight: 4.4 lb (1.998 kg) State of conservation: some chips due to use on the edges and on the parts in relief. The four different dishes have a foot with a low lip from which extends a wide, flat, slanted rim resembling a basket weave. The small handles are painted green: they resemble wickerwork in the two oval dishes and take the form of a sinuous branch in the round ones. The third fire decoration is inspired by the naturalistic floral botanical patterns on the ceramics produced by the Hannong family in Strasbourg. Here the pattern is defined by the rapidity and subtlety of the brushstrokes and the result is particularly tasteful, characterized by compositional intelligence and pictorial expertise. A main corolla, either a wild or garden rose, is set slightly off center in each well. From this extends a thin stem holding a small secondary bud and there are small field florets dotting the composition to lend volume to the delicate bunch of flowers. On the brim, small polychrome flowers add color to the weave, accompanied by lanceolate leaves of a very intense green. There exist few and very rare examples for comparison with this morphology: a round plate - entirely consistent with those in question - has been dated to around 1775 (S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, tav. 200). Two other dishes with a basket rim, but with parallel striped brim decoration, were exhibited in the 1995 exhibition on Lodi ceramics; the attribution to the Lombard town near Milan is therefore almost exclusively derived from the decoration called "alla rosa contornata" or "alla vecchia Lodi" and constitutes one of the most popular decorations during the eighteenth century. (M. L. Gelmini, in Maioliche lodigiane del '700 (cat. mostra Lodi), Milano 1995, pp. 31 p. 162-163 nn. 181-182). This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their Maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the Maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

A very nice set of polychrome dishes with green and red overglaze colors. Interesting brown circle in the centre. Early Edo period.   Condition No real damages, just crackl...

Simply painted European charger / plate / platter from the 18th century, likely Spanish. The tin-glazed, hand painted plate is decorated with blue and orange flowers surrounded by gr...

Sick cup Pasquale Rubati Manufacture Milan, Circa 1770 - 1780 Maiolica decorated in polychrome “a piccolo fuoco” (third fire) It measures: h 2.36 x 7.4 x 7.87 (h 6 x 19 x 20 cm) ...

Set of five 19th century Hand painted delft vases including 3 Lidded Urns, also known as a garniture, elevate the blue & white art form to a special place, all having been hand-paint...

Small oval tray Felice Clerici Manufactory 1745-1780 Milan, Circa 1770-1780 Maiolica polychrome. Dimensions: 10.82 x 8.66 in (27.5 x 22 cm); weight 0.4...

Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, circa 1770 Measures: each 4.7 in (cm 12) x 5 in (c...

Centerpiece white maiolica shell Ferniani factory, early period: 1693-1776 Faenza, circa 1700 Measures: 5.6 in x 14.72 in x 13.46 in (14.3 cm x 37.4...

Pharmacy albarello made of majolica, with a particular spool shape. The predominant glaze of the ceramic is white, on which there are decorations in blue and yellow. These decoration...

Maiolica flower pot “a mezzaluna” decorated with garlands of flowers Pasquale Rubati Factory Milan, circa 1770 Measures: 4.7 in x 5 in x 8.8 in ...

Centerpiece light blue maiolica shell Ferniani factory, early period: 1693-1776 Faenza, 1700 circa 5.5 in x 14.72 in x 13.77 in (14 cm x 37.4 cm X cm 35) lb 4.40 (kg 2) State of con...

Set of 4 18th Century Chinese Export Imari Porcelain Chargers in 2 sizes. (smaller pair has some repairs) 15? Diameter / 12.5? Diameter.  

Largest collection of Portuguese tiles in the world 18th century Portuguese " Azulejos " Panel "Battle Scene" 462cm x 140cm 330 tiles Important note: This panel is with the tiles ...

Circa 1780 Chinese export "elephant & mahout" oval vegetable dish. Qing dynasty, Qianlong period. Retailed by Sarah potter conover, early label. One of ...

Largest collection of Portuguese tiles in the world 18th century Portuguese " Azulejos " Sculpture" Measures: 128cm x 143cm 90 tiles Important note: This panel is with the tiles re...

Antique set of two 19th century Spanish hand painted glazed ceramic patterned tiles with white frame Dimension do not include frame.