European Serveware, Ceramics, Silver and Glass

Rectangular shaped frame for oval photos cm. 7.8 x 10.4 in 925/1000 sterling silver gold plated with very fine fire-enameled floral engraving and hand-painted by the painter Renato D...

The egg holder JULA complements the OKO / Design breakfast set. This small, colorful tableware piece will brighten up any breakfast! Selling in set of two.

Perfect breakfast set; Candy pink plate, Ecru WIT mug and Orange pink egg holder JULA by Malwina Konopacka. A breakfast set is the perfect companion for every morning. The original...

Set of 12 fish cutlery in solid silver and mother-of-pearl handle with very good quality silver tip. The fork and the blade of the knife are delicately carved with leafy arabesques. ...

A Rare Victoria Pottery Company Majolica Sardine Box with five sardines on green glazed lotus pads and other foliage, trimmed in yellow bamboo with green shoots, the body and integra...

Made in Italy, 1970s. This mold is made in glazed porcelain. It was inspired by those ones designed by Gio Ponti for Ginori. This is a vintage piece, therefore it might show slight t...

Cane Dalmata in vetro di MURANO anni 70. Attribuito a VISTOSI. In perfetto stato di conservazione.

Large photo frame in 925/1000 sterling silver gold plated with painted fire enamels like lapis lazuli stone. Shaping taken from the tiles of the North Door of the Baptistery of the F...

Refined Italian tall vase in Murano art glass, 1960s. This vase is characterized by a particular design shape. The vase is of high artistic quality made with the blown glass techniqu...

A Wonderful Daum France Art Glass "Pate De Verre Iris" Crystal Bowl Centerpiece We Have The Matching Bowl / Centerpiece Available Being Sold Separately In Another Listing

This 1970s Ice Bucket is a unique and stylish piece of functional decor that perfectly encapsulates the design sensibilities of the era. This ice bucket combines elements of Mid-Cent...

A fine and impressive antique Edwardian English sterling silver bread dish; an addition to our dining silverware collection. This fine antique sterling sil...

Goldsmith PROST - 18 knife holders in solid silver ART DECO period Suite of 18 knife holders in solid silver ART DECO model Dimensions: length 8 cm – width 3.5 cm – height 2.5 c...

A 20th Century Meissen Blanc de Chine Porcelain Figural Couple, Lady and Man. A finely dressed couple engages in flirtatious courtship in this ...

This set features six exquisite pewter pig knife rests crafted by the renowned Jean Maillard (1901-1993), known for his masterful animal sculptures. Each...

A fabulous tall pair of antique Art Nouveau English silverplated candlesticks, circa 1900. These gorgeous candle holders are a nice large size and heavy, together weighing over 5 1/2...

Refined Italian large vase in Murano art glass, 1980s. This vase is characterized by a particular design shape. The vase is of high artistic quality made blown glass. The color of th...

Rustic Primitive Pastor Handmade Wood Spoon Manufactured in Spain, circa 1930. In original condition with minor wear consistent of age and use, preserving a beautiful patina. Mate...

Finest Bohemian Art Nouveau Glass Vase: Shaped, blown, bulbous body with 12-lobed, slightly ribbed wall on a flush, round base, the wall raised to a spherical oval shape, slightly fl...

This elegant glossy yellow soup tureen from the French company Biot is perfect for serving soup or stews during kitchen suppers. And when it's not in use on the table, it doubles as...

Mid 20th century traditional Spanish ceramic vase. Manufactured in Spain. In original condition with minor wear consistent of age and use, preserving a beautiful patina. Materials...

Early 20th century traditional Spanish ceramic vase, circa 1940 Manufactured in Spain, early 20th century. In original condition with minor wear consistent of age and use, preservi...

Early 20th century traditional Spanish ceramic vase. Manufactured in Spain, early 20th century. In original condition with minor wear consistent of age and use, preserving a beauti...

Very rare and special vintage Gucci bar set consisting of a monumental oval tray, three mugs and an elegant large wine cooler. Everything made of silver and gold plated brass and des...

This refined and sculptural vase was designed in Germany by the esteemed maker Rosenthal circa 1960. It offers a spherical form with an ovoid slit. The exterior of the piece is tawny with umber detailing. The interior of the piece is also painted in umber. With its graphic, organic form and color palate, these piece exemplifies the qualities that discerning collectors adore in first rate Scandinavian Mid Century ceramics...

Large octagonal table frame for round photos diameter cm. 7, in 925/1000 sterling silver gold plated with translucent fired enamel on sunburst guilloche, with Napoleon III French Empire style borders and ornaments. External cm. 17 x 17. Weight gr. 483. Designed by Giorgio Salimbeni in 1978 on the inspiration of previous artefacts from the early 1900s and manufactured in Florence at the headquarters of the Salimbeni company with completely manual execution by artisan artists with a very thick plate and large reinforcements suitable to support numerous high-fire enameling firings at approximately 750 < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

Rectangular photo frame in 925/1000 silver with geometric design and fire-enameled with Chinese influence style. External cm. Internal 11.6 x 14.6 cm. 6 x 9. Weight gr. 194. Created in Art Deco style for Cartier USA in the 1980s, inspired by drawings by Louis Cartier from the early 1900s. Manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with high thickness plate and large reinforcements suitable to support numerous high-fire enamelling firings at approximately 750° < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

Solid silver planter, oval LOUIS XVI style model, mounted on four straight legs, the body openwork with ribbed warheads, staples and oves, engraved with a coat of arms surmounted by ...

These are a good set of SIX glazed ceramic wall tiles, hand enamelled with individual flowers and dating to the early 20th century, circa 1920. The tiles were made by The Campbell T...

An exceptional, fine and impressive, collectible set of four antique George IV English sterling silver wine bottle labels / tickets made by Robert Garrard II; part of our wine related silverware collection. These exceptional and collectible George IV cast sterling silver wine labels have an oval shaped form. Each bottle label is ornamented with exceptional fruiting vine ornamentation, accented with grape clusters and spiraling tendrils. This decoration incorporates a central banner shaped cartouche, each engraved with the desirable inscriptions: 'Claret', 'Champagne', 'Hock', and 'Sauterne'. These antique silver bottle labels...

Rectangular table frame for oval photos cm. 3 x 4 in 925/1000 sterling silver gold plated with translucent fired enamel, plum purple, on guilloche, with French Empire Louis XVI style...

Large multi-lobed fruit basket in solid silver decorated with foliage and clasps. The body is openwork and pierced with canework decorated with a seedling of flowers, flanked on each...

Teghini Firenze designed this lovely modernist silver plate ice bucket in the 1980s. The piece features a rounded shape with an oversized stylized tomato design with a lid and a stra...

A vintage Bohemian hand blown art glass flower vase having a lovely ribbed design and ruffled top in shades of brown and tints of blue. Ready for your colorful display of fresh flowe...

Sconces Palm Wall Lamp by Olivia Cognet Dimensions: W 20 x D 20 x H 50 cm Materials: Ceramic. Each of Olivia’s handmade creations is a unique work of art, the snapshot of a precious...

19th century small porcelain scent perfume bottle in case Porcelain bottle with white and blue painted union pattern The gold mounting on the bottle is marked with the Dutch gold...

Ceramic hand painted plate artwork by Catalan artist Diaz COSTA, circa 1960. Signed. Manufactured in Spain. Materials: Ceramic Dimensions: Diam 25,5 cm x H 5 cm The artwork is i...

This very large antique serving tray is hallmarked by an unknown maker and originated from England and dates to approximately 1920 and done in a Victorian style. The tray is composed...

Rare and delicate Goldscheider Art Déco ceramic figurine of the 1930s: Elegant young lady in a red off-the-shoulder trouser costume with red polka dots and a large hat on her blond c...

Mid 20th century set of two traditional Spanish ceramic vases. Manufactured in Spain. In original condition with minor wear consistent of age and use, preserving a beautiful patina...

A blue-glazed ceramic pitcher designed and produced by Nittsjö, Sweden, 1930s.

Rare "Mobile" sculpture by Swedish ceramic artist Carl Harry Stålhane. Handmade at Rörstrand workshop in Sweden in 1953. Made in only 25 examples. Made from porcelain with hand paint...

Discontinued Vietri large turkey tureen with ladle. The turkey is made up of vegetables - cabbage and cantaloupe, peppers, etc. This is such an interesting piece of ceramic art, wh...

Introducing this stunning 19th-century Wedgwood terrine, a timeless piece of elegance. Crafted in earthenware with captivating hues of ochre, blue, brown, and green, this oval terrin...

This is a beautiful Vintage Solingen German 123 piece 12 place settings canteen of 24kt gold plated cutlery, late 20th century in date. The s...

Wonderful glazed ceramic platter/ bowl depicting two fish. Great piece of folk art. France circa 1850-1900. Weathered

A 19th century French earthenware confit pot with traditional green glaze and pale yellow interior. Nice old patina. Chips and losses to glaze. These ordinary earthenware vessels wer...

An Early Minton Majolica 'Tavern' Ale Jug, formed as a tapering medieval flagon, the figures molded in high relief and applied, depicting a man and woman dancing, a seated figure wit...

This lovely 1930s Art Deco modernist tableware serving set designed by Quist, Germany, features a geometric base built in silver plate metal with a tall handle finished by a metal ba...

Amazing folded rim hand blown Murano glass ashtray / bowl with gold flecks and controlled air bubbles. Attributed to Barovier e Toso. Italy, 1950s. Pink and grey glass spots and clea...

Midcentury amazing rectangular serving tray in wood and brass in the style of Tommaso Barbi. Made in Italy in the 1960s.

Herend Hungary porcelain "Chinese Bouquet Apponyi Green" egg cups and plates Set of 12 egg cups and 12 small plates The plates has number 512/AV, (...

Set of 2 Sconces Bridge Wall Lamps by Olivia Cognet Dimensions: W 50 x D 25 x H 35 cm Materials: Ceramic. Non electrified. Each of Olivia’s handmade creations is a unique work of ar...

Dutch Delft blue and white plate with a 'Chinoiserie' decoration of a landscape with a fence, flowering peony and willows. Good condition: light chipping and some usual wear to the...

This cocktail set is a stylish barware accessory created by Empoli, Italy, for the Christian Dior Home Collection during the 1960s. A tall Martini or Lemonade pitcher and a geometric...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Wine Coolers which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of Wine coolers only, the pair of Pitcher jugs and pair of Champagne buckets are listed under my other items and not include in this sale Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. The wine coolers come complete with four cooler bottles which can be frozen Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 19.5cm Width and depth@- 13.8cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

English blue & white Serving Platter signed Johnson Brothers Old Britain Castles circa 1960. Canterbury 1794.

French Majolica daisy plate Orchies unsigned, circa 1890.