Painted Porcelain

A fine and large Dresden porcelain tray or platter by Richard Klemm. With a ribbed, scalloped border and deep central well. Richly decorated with ...

Meissen Porcelain, Love Series: Cupid Mailing a Love Letter with Love Bird C1870, SUPREME A Meissen porcelain figure from the Love Series: Cupid Mailing...

This teacup and saucer set was made by the renowned Paragon fine bone china factory of England in approximately 1960. The set is done with a robin egg blue ground with a large flowered pattern on the inside of the cup which is replicated on the saucer. The cup is done with a wide square mouth...

Set of two 1960s Royal Crown Derby Imari pattern small plates. Each plate varies slightly. Both plates have Royal Crown Derby brand stamp on the underside.

An antique German pair of candlesticks offer porcelain construction with hand painted floral decoration and gilt highlights throughout, Berlin stamped on bases as photographed, c1900...

This is a beautiful part dessert service made by Royal Crown Derby in 1916. The service consists of one serving dish and ten plates, and is decorated with beautiful scalloped rims in turquoise and gilt, delicate flower garlands and a very find flower spray on each item. The Derby Porcelain factory has its roots in the late 1740s, when André Planché, a Walloon Huguenot refugee, started making simple porcelain toys shaped like animals. Local entrepreneur William Duysbury took an interest in his skills and worked with him to improve the quality of his wonderfully shaped items. Together they laid the foundations of what would become a very refined tradition of figure making at Derby. In 1769 Duysbury bought up the bankrupted Chelsea factory, incorporating their reputation for high quality figures, vases and tableware; this combination of traditions, porcelain making skills, sophisticated clients and available work people created one of the best porcelain factories of the 18th and 19th Centuries. The factory went through many ups and downs in the 19th Century and was completely re-constituted in the late 19th Century; today it is one of the very few factories still operative. This plate is a fine example of the Edwardian style with its grace, fine painting and delicate gilt. The pattern has similarities to the famous "Royal Antoinette...

Antique French Limoges Hand Painted Foliate & Gilt Porcelain Terrine C1900 Measures- 7"H x 12"W x 7.5"D

This pair of Paris porcelain botanical dishes shows a single exquisite plant with purple-pink flowers. The dishes were hand-painted by Feuillet and re...

Set of 4 cups and saucers in the beloved strawflower or Strohblumenmuster. Reliefdecor "Gebrochener Stab" hemispherical cup with standring, handle and fine cobalt blue underglaze pa...

These completely handmade porcelain pastry dish is hands-free painted with a brown and white painted rabbit sitting in the middle of the dish. Rimmed by hand with a green and fine 24...

This is a hand-painted Chinese Export Kraak porcelain blue and white Side Plate or Dish, which we date to the Ming, Wanli period,( 1573-1620 ), datin...

This is a very rare and stunning coffee cup and saucer made by Derby in about 1785. The set has a white ground with graceful gilding, and two stunning little landscapes painted by Za...

This 19th-century service is signed by world-well-known CFH-GDM Charles Field Haviland. His very high-quality porcelain with polychrome and hand-painted decoration "flowers and encha...

Handcrafted in Italy from the finest porcelain, this Apollo Bianco Platter leads us into a magic world. Shades of blue lapis lazuli evoke the magic of oriental novellas. A fairytale ...

Meissen Blue Onion pattern. Three plates. Hand-painted with blue floral motifs. Early 1900s. Perfect condition. Marked. Large plate in first factory quality. The two smaller plates i...

A Monumental Meissen Porcelain Figural Group of Apollo and the Nine Muses on Mount Parnassus. Comprised of sixteen interlocking parts. Apollo standing holding a lyre and with Pegasus besides a tree, atop a rocky outcrop detailed with foliage and waterfalls above nine goddesses: Calliope, seated and shown writing, representing eloquence and epic poetry. Clio, seated with an open book and blowing a trumpet, representing history. Erato, seated and holding a kithara, representing science and the arts Euterpe, seated and holding a flute, representing music. Melpomene, seated holding a knife and with one hand to her head, representing tragedy. Thalia, seated and holding aloft mask, representing comedy and idyllic poetry. Urania, seated with telescope and globe, representing astronomy and astrology, Polyhymnia, standing with one hand raised and holding a book, representing sacred poetry. Terpsichore, standing, representing dance. Each piece exceptionally finely detailed and painted. The base portions with rocaille edges. On a later black polished wooden base. Multiple blue crossed swords marks. Each piece titled to underside. German, Circa 1880. Mount Parnassus, is a spur of the Pindus Mountains in central Greece and was sacred to the ancient Greeks and in mythology to Apollo, the god of music and poetry and of the Sun and light. Mount Parnassus the mythical centre of poetry, music, and learning in ancient Greece was a popular theme in Barqoue and Rococo art, often substitutable with Athena’s arrival at Mount Helicon from the fifth book of Ovid’s “Metamorphoses”, where she asks the Muses to show her the new spring which gushed forth from the spot where Pegasus “with his hoof of horn opened the earth” (V, 250-260). Here, the mountain, formed from rugged rock cliffs, culminates in a plateau on which the youthful Apollo stands and plays the lyre. The Castalian spring flows from beneath Pegasus’ hoof, representing the source of inspiration and attracting the nine muses, who embody the arts and inspire creation through song, music, and dance. Mount Parnassus was created at the Meissen porcelain manufactory as a table centrepiece and an earlier version, apparently with only five muses, is listed in the inventory of the pastry shop of the Meissen manufactory manager and cabinet minister Heinrich Graf Brühl in 1753. The storage in the pastry shop of approximately 3,000 objects and dishes, including many individual parts for centrepieces, is related to their function as table decorations, replacing decorations previously made by the confectioner from perishable materials such as sugar or wax. The purpose of this table decoration was as a feast for the eyes to accompany the feast of the banquet. The sculptural figurines often depicted a particular theme, with characters drawn from theatre and opera, from classical mythology or pastoral idylls. Allegories and mythological themes, such as the glorification of fine arts, were also popular. Stylistically, Mount Parnassus fits Kändler’s style of the 1740s, and was sold by Brühl in 1762 to Frederick the Great of Prussia who used mythology as a means of self-expression and had already ordered individual figures of Apollo and the Muses as table decorations in 1744. Today it is in the Museum of Applied Arts, Frankfurt (inv. no. M.L. 41). There is another version of Mount Parnassus, from the collection of Prince Alexander Dolgorukoff, in the Hermitage in Saint Petersburg. The present version dates to the second half of the nineteenth century when there was a great revival of Kändler rococo figurines which were reissued and a “Second Rococo”. Another nineteenth century example is in the collection of the Museo Francesco Borgogna, Italy (inv. 1906, XIII, 19-20). These nineteenth century versions were made by the Meissen factory using Kändler's period models. It is recorded that a new version of Mount Parnassus, dating to the 1880s, was part of the Royal Porcelain collection in Dresden: 'In the porcelain collection there is a new version from the 1880s based on the old models, the largest group of this genre, the Parnassus, which shows the named muses all around on the lower part of the rock, each practising their own art, while on the top there is Apollo with the lyre and next to it the Castalian spring rises from the hoofbeat of Pegasus. Each figure is executed individually with its rocky background, and all the pieces are then fitted together, as we have already seen in his earlier, larger compositions. The rock pieces are finished off like a pedestal at the bottom with Rococo ornaments.' (Jean Louis Sponsel, Kabinettstücke der Meissner Porzellan-manufaktur von Johann Joachim Kändler, Leipzig, 1900, pp. 203-204). Kunst und kunsthandwerk; monatsschrift herausgegeben vom Österreichischen museum fuer kunst und industrie, Vienna, 1894, v.7 pt.1, p.133. Kari Berling, Das Meißner Porzellan und seine Geschichte. Leipzig 1900, S. 99, 187-200. Helmuth Gröger, Johann Joachim Kaendler. Dresden, 1956. Peter W Meister, Franz Adrian Dreier, Figürliche Keramik aus zwei Jahrtausenden. Kat Museum für Kunsthandwerk, Frankfurt. Frankfurt 1964, Nr. 90. Rainer Rückert, Meißener Porzellan, 1710-1810. Kat. Ausst. Bayerisches Nationalmuseum München. München 1966. Stefan Bursche, Tafelzier des Barock. München 1974, Abb. 300. "Tafelaufsatz, Der Parnass", Auswahlkatalog, Museum für Kunsthandwerk (Frankfurt am Main, Germany), 1987, pp. 86-87. Alfred Ziffer, ‘Meissener Porzellanplastik für fürstliches Interieur und Zeremoniell’, Keramos, Issue 241/242, pp. 29–52. MEISSEN The production of Meissen porcelain began in 1710 at the manufactory at Meissen...

A vibrant set of 12 hand painted gold gilt fish plates with matching large platter and gravy or sauce boat. Each plate is beautifully shaped and accented wit...

A fine pair of 18th century Sèvres soft paste porcelain Bottle Coolers (Seaux à bouteille). The Etruscan shaped coolers, each with two loop handles, finely decorated with a turquoise...

A fine old or antique Chinese export porcelain plate In the Famille Rose style. Decorated throughout with enamel floral decoration in primarily pink against a white ground. ...

French Faience Oyster Plate, late 19th Century. Hand-painted porcelain, with six shell shaped oyster wells. Beautifully painted with a lavender center well.

1851 Great Exhibition 'Wisdom and Providence' Pitcher by Samuel Alcock England, 1851, unmarked This 1851 Great Exhibition 'Wisdom and Providence' Pitcher by Samuel Alcock is a true ...

A teapot with cover in the “rustic bean” shape, cobalt blue ground with gilt acanthus motif and finely painted flower posies on the belly of the teapot Pattern 5782 Year: ca 1837 Si...

Pair of Meissen Porcelain coffee cups with saucers richly decorated with gold. 2nd quality.

This is a beautiful hand painted blue and white Chinese porcelain large diameter deep plate or charger, dating to the first half of the 18th century, circa 1720, Qing dynasty, either...

This is a small cup for drinking sake. It is called Ochoko in Japanese. It was made in showa era around 1970s. It is made with porcelain and all hand painted. This is Kutani ware. ...

We are offering you this lovely Meissen purple Indian serving bowl. It has detailed paintings of pink flowers with some purple and gold accents ...

A funny Royal Copenhagen porcelain basket bowl, dish or ashtray with a highly decorative crab figurine, Denmark, circa 1923. This piece is in excellent...

CARL THIEME (Factory / Manufacturer) - Potschappel (Village / Location) - Empire style Dresden floral decorated and gilded porcelain urn with cover - ...

A rare and stunning pair German porcelain figures holding birds attributed to Johann Joachim Kändler (German 1706 – 1775) for world renowned makers Meissen and dating from the 19th c...

Hands-free painted porcelain dish with platinum rim. Painted in a classic black forest Christmas decor with green fir and pine cone garland. Completely handmade in Bavaria/Germany.

19th Century Meissen Birdcage Grouping Germany Circa 1880 This enchanting 19th-century Meissen birdcage grouping, made in Germany circa 1880, is a re...

A fine antique English Georgian hand painted porcelain cup & saucer. By Spode. Pattern no. 1803. Both cup and saucer with wide cobalt blue bands on a white ground, hand painted scenes with ducks in round cartouches, and gilt embellishments throughout. The cup with a 'Diver' duck in a stream and the saucer with a 'Red Headed Merganser' on a bank. The reverses marked for Spode, 1803, 'Diver', and 'Red Headed Merganser'. Simply a wonderful antique Spode cup...

With porcelain figures from the original period of origin around 1775: Two electrified bronze lamps with gilding: a profiled pedestal in a triangular shape with beveled corners as a ...

A gorgeous antique French porcelain oyster plate attributed to Limoges, circa 1900. This fine quality oyster plate has six wells and is hand painted in a beautiful blue green teal / ...

A fine antique French matched hand painted porcelain cabinet cup and saucer painted with various scenes by Sevres and dating from the latter 19th century. ...

A superb & rare Flight & Barr, Worcester Porcelain Inkstand c.1800 - 05. Two flared pockets flanking the dolphin-form handle accommodating a removable candle sconce, a pair of quill-...

A very fine Aesthetic Movement porcelain cabinet plate decorated in the Japanesque style attributed to Christopher Dresser and dated 1877. The plate, possibly Minton, is finely made ...

This is a rather rare pair of porcelain figures made by Derby around 1770. The pair was called the "Boy and Girl in Turkish Costumes", numbered 63 in Derby's factory list. They depic...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...

Goebel produced this dramatic porcelain figurine depicting a Cat, circa 1960. The piece is in excellent condition and a real beauty. Measures: height: 10.63 in (27 cm)? diameter...

A solitaire tea set consisting of a teapot with cover on a stand and a trio consisting of a teacup, a coffee cup and a saucer, in “half orange” shape with deep cobalt blue and yellow...

Meissen Coffee & Dessert Set for 6 Persons: Decor number 363610 - Diadem, Indian border No. 129 - light, colourful with copper tones, gold edge 23 parts: 1 Coffee pot with lid - H ...

Antique Royal Copenhagen Blue Fluted butter dish. Rare butter dish from around 1820. Marked with three blue waves. Model number 7. In very good condition with a minor insignificant c...

A highly-decorative pair of yellow porcelain vases, hand-painted with detailed central romantic scene, and having snake-form handles (Me...

A Monumental Japanese Kutani porcelain vase, Meiji/Taisho Period, Signed Akiyama sei. The main body is all hand-painted with wonderful ...

This is a beautifully hand painted Chinese Export porcelain Plate or Bowl from the Qing, Kangxi period, 1662-1722, fully marked to the base with the Kang...

Meissen, a set of six "Pink Rose" porcelain plates hand-painted with pink roses. Approximately from the 1930s/1940s. In perfect condition. Third factory quality. Marked. Dimensions: ...

This is a very good antique porcelain platter or dish, made by the Derby factory, hand painted and gilded in the beautiful Partridge Pattern,...

There is something about blue and white which goes with breakfast. This small assembled service will lighten your morning. It comprises: Eight tea cups and saucers (2 sizes) Four ...

Beautiful big bucket vase with two steel handles, Famille verte. Excellent decorated with women and young boys in a walled garden and princess on horseback...

A gorgeous antique French porcelain oyster plate attributed to Limoges, circa 1900. This fine quality oyster plate has six wells and is hand painted in a beautiful blue green teal / ...

A lovely Mid-Century Modern white and green glass vase from the 1960s. Original vintage good condition. Only one unique piece.

14-piece Kutani Japanese gilt and painted tea and dessert serving set with Peacock. Hand painted gilt and painted Peacock tea and serving set. Features floral and peacock design. Lidded tea and coffee pots, lidded creamer, sugar bowl, and five snack sets...

Offered here for your consideration is, A fine antique topographical porcelain cup & saucer. By Doccia porcelain manufactory circa 1820. ...

This set of antique Flight Barr Barr Worcester dessert dishes are marked with an impressed crown over "FBB," showing that Flight Barr Barr was a purveyor to their Royal Majesties, the King and Queen of England. Made in England circa 1820, they are decorated in Worcester's "Strawberry" pattern. The dishes are painted in rich gold with strawberries on the palest peach ground. The color is subtle, and the design is elegant. The combination is superb. In the Regency period, the "Strawberry" pattern was the height of fashion for the table. Dimensions: 8.25" diameter Condition: Excellent Price: $1200 for the dozen dishes Background Flight Barr Barr Worcester were manufacturers to their Majesties. According to the Worcester Porcelain Museum, "During the late 18th and early 19th centuries, Chinese porcelain was a great status symbol. Worcester produced a great alternative, whiter with brighter colors and more readily available, becoming the height of fashion in the early 19th century. The customer accounts of this period would read like a 'who's who' of the day. Luxurious personalized services were made for the wealthiest customers, including Tzar Alexander I...

A fine pair of antique Meissen Dulong Variant plates. By the Royal Meissen Porcelain Manufactory. Decorated with Deutsche Blumen floral sprays to the center and sides including ros...

This is a hard paste porcelain tea pot and lid by New Hall dating to very early 19th century, George 111rd period, circa 1800 / 1805. The Teapot is well potted with an oval shape and high loop handle. The decoration is hand-painted in bold enamels in a chinoiserie pattern called "Boy or Lady in the Window" and is pattern number 425, with an upper rim dot and line border. This is a recorded New Hall pattern. A similar Teapot in the same shape with a different pattern is illustrated on page 112 of the book: An Anthology of British Teapots by Philip Miller & Michael Berthoud published by Micawber Publications. The base has the pattern number 425 hand painted in burnt orange, on the inner foot rim. Please Note : This piece has damage which is not obvious when displayed and it displays very well. - please see item condition for details. Overall a beautifully decorated example of an early English, Georgian Teapot...

Royal Copenhagen Blue Fluted Plain. Five coffee cups with saucers in porcelain. Model number 1/2162. Dated: 1966. Marked. First factory quality. Cup: D 7.7 cm without handle x H 6.0 ...