Folk Art

Vintage hand painted and hand crafted domed chest with an elaborate folk art scene throughout the entire box. Stunning artwork with florals, birds, and a courting scene on wood. This...

Folk Art carved and painted owl decoy, USA 1900's A decorative barn owl carving decoy Original paint with even wear. Mounted over a new iron stand.

Antique Danish mangle board (clothing and bedding press) dated 1803. It is made from oak wood which is hand carved with a rich decoration of geometric blossoms. Painted in the colou...

The photos of Mr. Lego Scrooge McDuck speak for themselves. This figure is unique and would be the focus of any room. All spaces need a bit of laughter and whimsy and this guy would ...

Unusual Tramp Art / Folk Art Wood and Stone (granite) Clock, sculpture. cabinet.. Amazing decorative item.Antique hand crafted,Stone ,granite cylinders,

Antique set of 8 Nesting Dolls, known as Matryoshka, placed in the 1920s to 1950s. The original set contained of 10, the 2 smallest have gone travelling the world! Completely hand cr...

This amazing 19th century pink quarry statue of Archangel was found in Western México, it has minor losses and wear consistent with age.

Early 19th Century Unusual Painted Folk Art Coconut A piece of 19th Century curiosity with a very quirky charm. In the form of a hand painted coconut shell. We guess someone got bo...

Splendid Seven rams Ntomo Mask, Bamana Population, Mali, 1930-1940 Seven Rams Ntomo Mask, Ségou region, Mali, Wood, cowrie shells, reptile skin. Dimensions: 61.5 cm / 24.02 inches. ...

Water Serpent (Palulukang) and Mud Man (Koyemsi) - Kachina Doll Brightly painted, dynamic sculpture by an unknown artist. The figure is dressed as a medicine man, with feather and fur accents. The Mud Man is holding a piece of leather and a drum, about to wrestle with the Horned Water Serpent (Palulukang) that is emerging from a pottery jar , or Mudhead kachina clown...

Large French Toleware Glove Maker’s Shop Trade Sign This is a very rare piece it is in good condition and has a new blacksmith made wall bracket, the bracket is copy of the origina...

Antique 19th century European cleaver. Made from hand-wrought iron with wood handle. Great as a graphic wall decoration. Found at an estate sale in Nuremberg, Germany. Nice to displa...

This Tyrolean marriage dowry wardrobe is most likely crafted by a local cabinet maker and painted by a local painter. These beautiful Armoires were made of local Pine wood and reserved to be given as a generous gift to the newly wed young bride, to keep her dowry linen, this particular piece is date 1829 as painted over the door. The painted Tyrolean furniture...

Early 19th Century Folk Art Hand Painted Games Board A highly decorative example of a late 19th Century hand painted/crafted games board. Double sided with one side being painted by...

Margaret Layton (American, 20th century)"Parker Street" New York City Gouache on board, Iron Sculpture "window washer " circa 1950s Amazing Greenwich Village Building by artist Ma...

19th Century Hand Carved Folk Art Tyrolean Figure A lovely example of a mid-19th Century folk art hand carved Tyrolean (Austrian) figure of a man with moveable arms. A wonderful n...

Splendid Kpélié Mask, Sénoufo population, Ivory Coast 1950 Kpélié Mask, wood covered with copper Dimensions 36.5 x 14.5 cm / 14.17 x 5.51 inches The populations speaking the Sénouf...

Mid century three tiered prison folk art / tramp art model steam boat sculpture. Upcycled cardboard framing structure, matchstick exterior with glossy...

Charming 19th century Romanian hand carved wooden rocking horse. Featuring a colorful polychrome finish on a base decorated with a floral m...

This ceremonial African mask is linked to the Salampasu people of the Bantu ethnic group located primarily in the Democratic Republic of Congo. Salampasu masks...

A small French Tramp Art hand carved wooden Folk mirror from the early 20th century with raised diamond motifs and protruding corners. Created in France during the Turn of the Centur...

This pair of Folk Art carved figures is believed to have been made by a Japanese immigrant to Canada either while or after being interned by the Canadian government during the Second World War. The male carved figure is hand painted in vibrant colors and the base reads: June 11, 1942" and "Ontario" underneath. The nude female carving...

Black Americana Antique Folk Art or Outsider Art Portrait Black American Lawyer, Signed June 10, 1862 This is an original historical and detailed hand incised work of art on wood p...

Spruce cabinet with shelves and coat rack. Original hardware of the period complete with opening latch on left sash. Between the 2 doors is a pilaster with floral motifs. Frame and...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Cassapanca decorata con seduta apribile in abete. Piede a mensola. Restaurata in minima parte. Le misure di riferimento sono alla cornice. Altre immagini e informazioni a richiesta ...

Tyrolean wedding chest Measurements: H.80 – L.156 – P.55 Period: early 18th century Origin: Tyrol Essence: Fir Large Tyrolean chest, in fir wood, with shaped lowering. The front is...

A large vintage Spanish Colonial style Mexican religious folk art carved wood santo figure - bulto carving. Mid-20th century, Mexico, primitive hand-crafted construction, one-of-a-kind, likely depicting San Miguel Arcángel (Saint Michael the Archangel), hand carved gessoed polychromed solid wood figural sculpture, standing on integral plinth base, affixed with metal wings, right hand raised holding a sword. Provenance / Acquisition: From the estate of Margaret "Candy" Becker (Austin, Texas 1942-2022). She was an artist in all areas of her life who created art in many different media, including needlework, quilting, watercolor, acrylics, mosaic, and clay. Candy was a consummate traveler who spent time in Mexico, Guatemala, Japan, Iran, Turkey, Uzbekistan, Spain, England, and Ireland. Acquired from the highly reputable auction house Austin Auction Gallery, est.1983, Austin, Texas. Important Western & Religious Art catalog Dimensions: (approx) 16" High, 10" Wide, 6.5" Deep Condition: Great original antique / vintage condition with nicely aged patina. Includes the original sword, which is very rare. Wear consistent with age and use, including scattered chippy paint losses and worn paint, nothing that detracts from the display but only adds to the overall authenticity, character and old world rustic charm Interesting, colorful, with a unique sculptural form and rich history, this large wooden statue would make for a wonderful decorative object - curiosity in your authentic Mexican hacienda, Santa Fe New Mexico adobe...

Hand carved and hand painted wood Nandi bull statue. Made around the turn of the 20th century in India. It depicts Vahana, the bull of hindu god Shiva. The statue has a small compartment with a lid on its back. This was probably meant to store an artifact of some kind. Nandi Nandi in a zoo-anthropomorphic form Affiliation Mount of Shiva Abode Mount Kailash Consort Suyasha[1] Part of a series on Shaivism show Deities show Scriptures and texts show Philosophy show Practices show Schools show Scholars show Related Hinduism portal vte Nandi (Sanskrit: नन्दि), also known as Nandikeshvara or Nandideva, is the bull vahana (mount) of the Hindu god Shiva. He is also the guardian deity of Kailash, the abode of Shiva. Almost all Shiva temples display stone...

Nicely detailed diminutive metal owl sculpture for desktop or collection. Weighty - possibly pewter. Signed Clarence.

Amazing ! Oversized Carved wood and painted Sheaffer Fountain Pen Store Display , Selling two pens. One 5" high 6 " in diameter.. other 50" h , 4" in diameter. Very well made, Qualit...

Celebrate the whimsical charm of American Folk Art with this hand-carved pine sculpture resembling a baguette, a delightful fusion of creativity and playfulness. Crafted with meticul...

A well crafted wooden Folk Art Mortar and Pestle. The piece is used for crushing everything from herbs and spices, to medicines. While the piece is practical, the wooden craftsmans...

A highly whimsical & amusing wall mounted diorama, featuring a mixed media three-dimensional interior depicting figures in a forested landscape who have happened upon a cache of lost parts belonging to the famous Canadian military aircraft ‘The Avro Arrow’. The scene is described by the artists hand in script, as observed on the outer front edge of the case which reads....“While deep in the woods on a fishing trip, Dave & Sydney stumble upon the lost cache of Avro Arrow parts”. Signed & dated 1992, and signed & dated again on the reverse. The multi-tiered case measuring 16” wide x 11.75” high x 7” deep. Terry Pfliger (1947-2016) was an American born and highly accomplished professional artist & educator. He taught visual arts at Loyalist College & Vocational Institute in Kingston, Ontario, Canada, before accepting the position as head of the art department at St. Lawrence College also in Kingston Ontario, which he held from 1973-95. Afterwards he moved to Michigan where he taught art at Southwestern Michigan College and was elected Professor Emeritus. He exhibited for several years in both solo & group exhibitions in Ontario Canada, and in Michigan, USA. Similar examples of the artists work are represented in the permanent collection of the Agnes Etherington Art Centre located at Queen’s University, Kingston Ontario. Terry Pfliger was part of a group of artists including Tobey Anderson, David...

Charming Iron Wire Haired Fox Terrier Door Stop with intact original paint attributed to Hubley circa 1910. Hard to find with original patinaed cold ...

Decorated typical South Tyrolean spruce cabinet with several secrets inside where there are 2 small drawers above and 2 below. Disassembled into 2 parts, complete original hardware. ...

A set of 6 Hungarian Folk Art Red Ware tea cups and saucers by Imre Szűcs. A black/brown based glaze decorated with white dots. The undersides are signed by Imre Albert Szucs and mar...

A Ulo Akha woman's Tribal headdress adorned with framework of bamboo, beads, pompons, seeds and other unique items. Immerse yourself in the rich cul...

Original hand-painted canvas sideshow banner for carnival midway sideshow entrance. Not signed but most likely out of Chicago Tent and Awning's banner ...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Enchanting self taught art from Kentucky of a country rooster with the words Fresh Eggs scrawled boldly, all on distressed tin mounted on board. Was probably used as a roadside sign.

'Victor' quilt by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen Chislett...

Chest of drawers decorated with red and yellow flowers on a green background in larch wood. Decorations also on the sides. Complete hardware. It has 4 drawers of which the first one ...

This most rare and unusual folk art study of a duckling is remarkable in its fine detail. It is constructed of papier mâché which is then been veneered with cut and shaped straw whi...

Antique Original Folk Art Ride On Wooden Horse on Platform with Wheels, c. 1910. A stunningly handsome piece which stands on the original platform with functioning wheels. Painted on...

Fabulous folk art freestanding animal sculpture made from found carnival art shooting gallery iron ram. Rich with authentic character, the brown patinated surface is pocked with bul...

A petite German late 19th century Tramp Folk Art Secret Chamber Cabinet Box. This petite Folk Art piece, circa 1890 comes from Germany and features a finel...

19th Century English Folk Art Tree Form Painted Heads An unusual pair of late 19th Century English folk art painted natural wooden form figures. We hav...

'Drunkard's Path' quilt in Kuba colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 07, 2021 found industrial objects 3.25h x 8.25w x 8.25d in 8.26h x 20.95w x 20.95d cm JR0301 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Antique Ethnic Artifact Sepik River Cassowary Bone from Papua New Guinea For many groups in Papua New Guinea, bone was an important medium for making tools of all types. This artifact is made from leg bone of a cassowary, a large, flightless, and extremely dangerous, bird. Cassowaries also play an important role in the mythology of groups in the Sepik River area. Though no longer used these bone artifacts are still used ceremonially. They often play important roles in male initiation and other rituals. They are also worn as personal adornment by tucking them into a band of braided fibers worn around the upper arm. Antique Ethnic Bone Cassowary Artifact with minimal carving and incised design confined to the joint end. A small hole has been drilled through from both sides of the top and presumably for the threading of a cord. The bone has been partially divided near the top and to form two prongs that project down the back of the dagger possibly allowing the user to wear is tuck into a waist band or belt. Origin Papua New Guinea Maprik Dist Area From the Art Collection of Marian and John Scott, acquired in 1962. Similar items are in display in the Timothy S. Y. Lam Museum of Anthropology. Purchased from the amazing private collection of Mark Lissauer who spent his life collecting niche ethnographic pieces. About Mark Lissauer: Mark Lissauer spent forty years travelling abroad for months at a time collecting ethnographic artefacts primarily from New Guinea and the islands of the West Pacific, and from Asia and Himalayan countries. Fluent in five languages and having in the course of business travelled to more than forty countries, Mark is well-known to museums and art-collectors around the world for his long career and his interesting and diverse collection of rare ethnographic material. Mark knows the origin and symbolism of each piece. Through extensive research and more than ninety trips around the globe, Mark familiarised himself with the traditions of the various cultures he visited in order to understand the meaning of each object to its region and tribe. His home has a specialist library and several rooms are filled with tribal carvings, textiles and ethnographica. He acquired his first tribal piece in 1948 during a business trip to Milne Bay, New Guinea, and has since documented the acquisition of some 35,000 items. Several thousands of these have been sold to important private collections and museums worldwide, including the Rockefeller Museum, the British Museum and the Musée National des Arts d’Afrique et d’Océanie, now incorporated into the Louvre Museum. Estimator certificate of authenticity by Wayne Heathcote Tribal Art Dealer and Expert. Heathcote has a flash gallery in Brussels, where much of the tribal art business is centred, and is an expert at Sotheby's tribal art sale...

Big Swedish horse from the early 19th century. Made of pine wood with the famous red paint. It is worn but in a very nice way. The patina shows the trace of time. There's a whole on ...

'Fragments' quilt in Blues colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

Tyrolean painted chest H. 81 – W. 147 – P. 69 Ancient Tyrolean chest, entirely built in fir wood. The surface has been decorated with a dark brown background color, semi-covering, ...

19th Century Sailor's Woolie of the Ship-Sloop "Coquette," circa 1880, a handcrafted sailor's woolwork picture depicting a larboard side view of a steam-sailor at anchor, fully dress...

Early 20th century English Folk Art jigger doll A wonderful example of a unique Folk Art handcrafted jigger doll we have lovingly ...

Fabulous grain painted solid wood paneled door. Painted in the Trompe loi style to imitate rosewood or another exotic wood. Door is grain painted on one side only. Other side is ol...

'Meander' quilt by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year. Helen Chislett...