Folk Art

Antique Danish mangle board (clothing and bedding press) dated 1803. It is made from oak wood which is hand carved with a rich decoration of geometric blossoms. Painted in the colou...

A Ulo Akha woman's Tribal headdress adorned with framework of bamboo, beads, pompons, seeds and other unique items. Immerse yourself in the rich cul...

Margaret Layton (American, 20th century)"Parker Street" New York City Gouache on board, Iron Sculpture "window washer " circa 1950s Amazing Greenwich Village Building by artist Ma...

Celebrate the whimsical charm of American Folk Art with this hand-carved pine sculpture resembling a baguette, a delightful fusion of creativity and playfulness. Crafted with meticul...

Spruce cabinet with shelves and coat rack. Original hardware of the period complete with opening latch on left sash. Between the 2 doors is a pilaster with floral motifs. Frame and...

Hand carved and hand painted wood Nandi bull statue. Made around the turn of the 20th century in India. It depicts Vahana, the bull of hindu god Shiva. The statue has a small compartment with a lid on its back. This was probably meant to store an artifact of some kind. Nandi Nandi in a zoo-anthropomorphic form Affiliation Mount of Shiva Abode Mount Kailash Consort Suyasha[1] Part of a series on Shaivism show Deities show Scriptures and texts show Philosophy show Practices show Schools show Scholars show Related Hinduism portal vte Nandi (Sanskrit: नन्दि), also known as Nandikeshvara or Nandideva, is the bull vahana (mount) of the Hindu god Shiva. He is also the guardian deity of Kailash, the abode of Shiva. Almost all Shiva temples display stone...

Vintage carnival punk. Unusual goat named "Billie". Knock "Billie" over and win the prize.

Cassapanca decorata con seduta apribile in abete. Piede a mensola. Restaurata in minima parte. Le misure di riferimento sono alla cornice. Altre immagini e informazioni a richiesta ...

Decorated typical South Tyrolean spruce cabinet with several secrets inside where there are 2 small drawers above and 2 below. Disassembled into 2 parts, complete original hardware. ...

Chest of drawers decorated with red and yellow flowers on a green background in larch wood. Decorations also on the sides. Complete hardware. It has 4 drawers of which the first one ...

The photos of Mr. Lego Scrooge McDuck speak for themselves. This figure is unique and would be the focus of any room. All spaces need a bit of laughter and whimsy and this guy would ...

A French hand carved Tramp Art folk wall mirror from the early 20th century, with raised motifs. We currently have two available, priced and sold $1,750 each. Created in France at th...

19th Century English Folk Art Tree Form Painted Heads An unusual pair of late 19th Century English folk art painted natural wooden form figures. We hav...

Antique Original Folk Art Ride On Wooden Horse on Platform with Wheels, c. 1910. A stunningly handsome piece which stands on the original platform with functioning wheels. Painted on...

This fine all wool bars quilt is from Lancaster County, Pennsylvania and has very fine tight quilting & in very good condition. The simple cool colors are also amazing as it goes wit...

Big Swedish horse from the early 19th century. Made of pine wood with the famous red paint. It is worn but in a very nice way. The patina shows the trace of time. There's a whole on ...

A traditional Indian dance mask from the town of Monimbo, adopted by the rebels during the fight against Somoza. These were worn in order to conceal one's identity. It is a very un...

'Drunkard's Path' quilt in Kuba colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

Early 20th century Folk Art French weather-vane plane. For sale in this lot is an early 20th century handmade Folk Art French weather-vane plane. Th...

'Victor' quilt by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen Chislett...

Recycled steel oil drum in folk art style. Meaning, Seresier would find oil drums that would have washed up on the beach in Haiti and pounded flat and then cut out these figures. They feature themes of Haitian Mythology. An incredible piece of artwork. Signature etched on bottom. Can be hung or has ability to stand up on flat surface. Biography The Louisjuste brothers -Seresier, Janvier, and Joseph,- were born in Croix-des-Bouquets, Haiti. They learned the art-form from the originator of Haitian metals...

'Fragments' quilt in Blues colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

'Trianni' quilt in Kuba colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

This most rare and unusual folk art study of a duckling is remarkable in its fine detail. It is constructed of papier mâché which is then been veneered with cut and shaped straw whi...

'Shoeman's Puzzle' quilt in Carnival colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

'Curllusion' quilt in Blanc de Vert colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

'Meander' quilt by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year. Helen Chislett...

Covered with an extraordinary black crusted patina, this wooden Liberian mask was hand-crafted in the style of the Bassa ethnic group. Bassa communities have a number of rich masking...

This ceremonial African mask is linked to the Salampasu people of the Bantu ethnic group located primarily in the Democratic Republic of Congo. Salampasu masks...

A most charming pair of two rare and whimsical indigenous Nahua peoples pottery animal folk art candleholders. Handmade in the village of Chililico, Hidalgo, Central Mexico, primiti...

Three vintage 1980's hand carved wooden duck decoys with stained feather details and amber glass eyes. Two by Craig Fellows of Big Sky C...

Antique Ethnic Artifact Sepik River Cassowary Bone from Papua New Guinea For many groups in Papua New Guinea, bone was an important medium for making tools of all types. This artifact is made from leg bone of a cassowary, a large, flightless, and extremely dangerous, bird. Cassowaries also play an important role in the mythology of groups in the Sepik River area. Though no longer used these bone artifacts are still used ceremonially. They often play important roles in male initiation and other rituals. They are also worn as personal adornment by tucking them into a band of braided fibers worn around the upper arm. Antique Ethnic Bone Cassowary Artifact with minimal carving and incised design confined to the joint end. A small hole has been drilled through from both sides of the top and presumably for the threading of a cord. The bone has been partially divided near the top and to form two prongs that project down the back of the dagger possibly allowing the user to wear is tuck into a waist band or belt. Origin Papua New Guinea Maprik Dist Area From the Art Collection of Marian and John Scott, acquired in 1962. Similar items are in display in the Timothy S. Y. Lam Museum of Anthropology. Purchased from the amazing private collection of Mark Lissauer who spent his life collecting niche ethnographic pieces. About Mark Lissauer: Mark Lissauer spent forty years travelling abroad for months at a time collecting ethnographic artefacts primarily from New Guinea and the islands of the West Pacific, and from Asia and Himalayan countries. Fluent in five languages and having in the course of business travelled to more than forty countries, Mark is well-known to museums and art-collectors around the world for his long career and his interesting and diverse collection of rare ethnographic material. Mark knows the origin and symbolism of each piece. Through extensive research and more than ninety trips around the globe, Mark familiarised himself with the traditions of the various cultures he visited in order to understand the meaning of each object to its region and tribe. His home has a specialist library and several rooms are filled with tribal carvings, textiles and ethnographica. He acquired his first tribal piece in 1948 during a business trip to Milne Bay, New Guinea, and has since documented the acquisition of some 35,000 items. Several thousands of these have been sold to important private collections and museums worldwide, including the Rockefeller Museum, the British Museum and the Musée National des Arts d’Afrique et d’Océanie, now incorporated into the Louvre Museum. Estimator certificate of authenticity by Wayne Heathcote Tribal Art Dealer and Expert. Heathcote has a flash gallery in Brussels, where much of the tribal art business is centred, and is an expert at Sotheby's tribal art sale...

'Vortex' quilt in Red colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

Enchanting self taught art from Kentucky of a country rooster with the words Fresh Eggs scrawled boldly, all on distressed tin mounted on board. Was probably used as a roadside sign.

Brazilian Wei Wei Casava Graters Two graters constructed of wood and sharpened rock used by the Wai Wai Indigenous tribe of Northern Brazil to process raw Cas...

One of only eight made !! Cardboard Chaise Lounge designed and created by Joel Stearns, similar to one in the Lois Lambert Gallery..Amazing modernist sculpture.. ,Joel Stearns, wh...

This folky school house quilt in red ,white & blue is in fine condition.We believe its from a mid west collection.

19Thc Wreath of roses applique quilt from Pennsylvania in pristine condition.This quilt is finely appliqued & nice quilting.

A beautiful example of a wedding chest from the hungarian tribes of the kalota, the illustrations are traditional with images of flowers and tulips. The chest was part of a dowry pa...

José María de Servin was born in La Piedad, Michoacán in central Mexico in 1917. As a small child, he moved with his family to Guadalajara, Jalisco State, Mexico. He studied paintin...

Fabulous folk art freestanding animal sculpture made from found carnival art shooting gallery iron ram. Rich with authentic character, the brown patinated surface is pocked with bul...

A rectangular sea shell-encrusted photo frame with protective glass and a black easel at the back. Perfect for a side table or nightstand. Dimensions: The overall size of the frame...

Antique Mason Premier Grade Bluebill Drake Decoy, circa 1920, having head with glass eyes and carved mandible, nares and nail on bill, attached to hollow carved two part body (seam i...

Early 20Thc Hand carved head of Lincoln.This folky head has a black painted shirt.

An 18th century Swedish original painted Folk Art small door. The front side is all in original condition with working lock and original key (Request video). With faux marble paintin...

Antique Mexican retablo made in 1890 which includes a woman praying to the Virgin Mary and Jesus Christ. Framed in wooden frame ornately carve...

A beautiful example of a wedding chest from the hungarian tribes of the kalota, the illustrations are traditional with images of flowers and tulips. The chest was part of a dowry pa...

A fine antique American candle box. In pine or fir with its original red paint. A rectangular candle or table box having a slide lid with carved sides & a thumb slot. Round nail...

We are proud to offer an early 20th century Folk Art wooden hand painted red bi-plane from a windjammer. A wonderful self-taught engineering example demonstrating great proportions a...

Early 20th Century English Fairground Carousel Boards A matched pair of early 20th century hand crafted pine English fairground carousel boards, that would have been part of a larg...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 06, 2021 found industrial objects 4.25h x 9.50w x 9.50d in 10.79h x 24.13w x 24.13d cm JR0300 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

A scarce early Duluth Fish Decoy American folk art sculpture, depicting a Orca killer whale, hand-carved by the late David Earl Perkins (Duluth, Minnesota, 1934-2018), featuring the realistic original hand-painted black finish with cream white accents, glass eyes and metal fins, signed at the underside "DFD", on a lead weight. circa 1960s/1970s Originally based on lures used for winter spear fishing, see below for the Duluth Fish Decoy story. - Dimensions: (approx) 8" Wide, 3.25" High, 4.75" Deep - Provenance / Acquisition: Property from a prominent Dallas, Texas estate Acquired from highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas - Very good original vintage condition with beautifully aged patina and typical wear, character and charm - The Duluth Fish Decoys Story: (From the DFD website and in the words of Dave & Jim Perkins) "I guess it all started when I speared my first northern pike – what a thrill.  The only thing better was to spear one lured in with a decoy I made myself. I made more decoys to spear more fish and found out I liked making decoys as much as spearing northerns.  Well, soon enough, my decoy/lunch box had more decoys than lunch. So I laid off the making and stepped up the spearing. Then when the fish tore them up and they scraped up against each other in the lunch box and they rolled around on the floor of the dark-house they weathered with an aged, charactered, antique patina.  It wasn't long before friends paid more mind to my spearing decoys than my fish stories.  Said they’d like to have some to set on the mantle – said they were folky.  So I laid off the spearing and stepped up the carving. Now I've been making DFD (Duluth Fish Decoys) spearing  decoys for longer than I want to admit – they say you’re only as old as you think you are. Being on the north side of seventy, I been making them for… let’s just say a long time.   I don’t know a web site from a stick of fire wood but the kids and grand-kids have been pestering me to get one for years. In fact, I told Jim, you make the web thing and I'll make the decoys that go on it.  But with the demand being more than I can keep up with, he's been making them right alongside of me - just like when he was a kid. Great to keep it in the family - two generations of DFD. Who'd of thunk it.   What a hoot it’s been to create something so enjoyed by others. Along the way our DFD decoys have ended up in The American Museum of Folk Art, on a limited edition print, in a governor’s mansion, in Hollywood actors' homes, in fishing decoy books, with interior designers, in art galleries, on a DVD, and now in a coffee table book devoted entirely to DFD.  What a hobby it’s been – what a blessing of God.   I hope to continue as long as my health holds out.   Lo, these many years later our DFD spearing decoys are still hand-crafted with that aged, weathered, antique patina.  As with all folk art there’s no two alike.  The pictures give the length of the decoy but it may vary by a half an inch.  They all have glass eyes and are hand painted with a brush – no air brush for us. The lead belly...

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