Grand Tour Sculptures and Carvings

Great Wooden Carved Plaque with Stag Family, Brienz 1900s A great walnut wall panel with an artistically carved scene showing a family of stags in t...

A beautiful pair of 18th century Austrian carved gilt wood angel cherubs with their original hooks to the back .

Unique sculptured wooden Skull from Innsbruck, Austria, from around the 1920 ties, extremely fine sculptured piece of Artisanal work, looks like a real skull...

19th century carved wooden deer’s head We are proud to offer a delightful example of a 19th century hand carved German deer’s head. This ite...

This pair of Folk Art carved figures is believed to have been made by a Japanese immigrant to Canada either while or after being interned by the Canadian government during the Second World War. The male carved figure is hand painted in vibrant colors and the base reads: June 11, 1942" and "Ontario" underneath. The nude female carving...

18th century French or Italian Santo Nativity Figure, a hand carved and painted fruitwood figure for a Christmas Crèche or Krippe. Excellent and delicate details to the head and hands. The half figure stands on a dowel set into platform base, dressed in original fine linen robe...

A beautiful Austrian 19th to 20th century, carved wood bird nest, for hanging on a wall as wall decoration. The tradition of these in Austria called "Viechtauer" birds goes back to t...

Impressive wood carved angel with amazing detail. Certainly the work of a master carver. Found among the entire contents of a Catholic Church in the Midwest which was said to have cl...

A handmade wooden Artist mannequin hand model - all joints move as they should. Found on an Estate sale in Vienna, Austria. Shows some minor wear - but looks beautiful on display! So...

A great looking hand carved original wooden Folk Art wall decoration. A great piece for a suitable ambiance in a trophy room or the office of a Hunter or Woodsman. More than likely o...

Wooden cross Guanajuato, Mexico Wood, paint 22 x 13 inches, (56 cm x 33 cm) 18th century A wonderful old wooden cross with a painted crucified Christ figure, an angel, possibly Mary Magdelene...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...