Japonisme Sculptures and Carvings

Early 20th Century Characterfully stout, anatomically enigmatic Rabbit. Oak. European, Circa 1920.

A beautiful, wonderfully crafted, alluring mask made for Japanese Noh theatre. The mask is handcrafted and hand-carved from natural wood and is signed by the maker. This mask is of the immortal character Doji who symbolizes perpetual and eternal youth ("doji" literally translates as "child") in the Noh theater world. He is portrayed as a handsome male...

This pair of Folk Art carved figures is believed to have been made by a Japanese immigrant to Canada either while or after being interned by the Canadian government during the Second World War. The male carved figure is hand painted in vibrant colors and the base reads: June 11, 1942" and "Ontario" underneath. The nude female carving...

A visibly old mask from the Javanese masks theatre ‘wayang topeng’: carved from hard wood, and painted on the front side. The mask shows clear traces of ...

This pair of antique toleware bouquet sculptures are branded on the bases by an unknown maker, and date to approximately 1880 and originate from France. The bases are done in pine wi...

Rare Modern creative Kokeshi doll by Hideo Ishihara, Japan This rare whimsical sosaku kokeshi was created and signed by the award winning master, Hid...

This “Wayang Golek” is a visibly old shadow puppet carved using soft wood and cloth. It features an articulated head and arms connected to rods, the dress...

Pair of very decorative Antique French Carved Pine Panels featuring center medallions with musical instruments, sheet music and floral/foliate motifs. Framed with raised moldings and carved leafy scrolls. Likely door insets from an Armoire...

Classic and well-modelled sculpture of a dancing faun.

A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age. Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

This is a plaster bust reproducing the Torso Gaddi, the famous fragmentary sculpture displayed in the Uffizi Museums in Florence, which inspired many great artists of the Renaissance, including Michelangelo. The piece, handcrafted by the skilled artists of Galleria Romanelli...

Pair of late 20th century African Judicial Fang carved masks. Offered for sale is a pair of elongated carved Judicial Fang mask from Gabon. The long thin nose and white mineral pi...