Folk Art

Late 19th century nantucket basket, by Mitchy Ray (1877 - 1956), circa 1920s, a large open oval basket with heavy rattan staves, cane weave, sol...

This fine all wool bars quilt is from Lancaster County, Pennsylvania and has very fine tight quilting & in very good condition. The simple cool colors are also amazing as it goes wit...

This ceremonial African mask is linked to the Salampasu people of the Bantu ethnic group located primarily in the Democratic Republic of Congo. Salampasu masks...

Brazilian Wei Wei Casava Graters Two graters constructed of wood and sharpened rock used by the Wai Wai Indigenous tribe of Northern Brazil to process raw Cas...

Carved and painted wooden soldier whirligig. Early 20th century American. Soldier has a leather hat with wooden brim. Presented on simple custom museum...

A rectangular sea shell-encrusted photo frame with protective glass and a black easel at the back. Perfect for a side table or nightstand. Dimensions: The overall size of the frame...

Mid-19th century Benchmade child’s grain painted Miniature chest of drawers. A country piece in the American Empire style, with a step-back drawer and backsplash, above the case with...

Fabulous folk art freestanding animal sculpture made from found carnival art shooting gallery iron ram. Rich with authentic character, the brown patinated surface is pocked with bul...

Antique Ethnic Artifact Sepik River Cassowary Bone from Papua New Guinea For many groups in Papua New Guinea, bone was an important medium for making tools of all types. This artifact is made from leg bone of a cassowary, a large, flightless, and extremely dangerous, bird. Cassowaries also play an important role in the mythology of groups in the Sepik River area. Though no longer used these bone artifacts are still used ceremonially. They often play important roles in male initiation and other rituals. They are also worn as personal adornment by tucking them into a band of braided fibers worn around the upper arm. Antique Ethnic Bone Cassowary Artifact with minimal carving and incised design confined to the joint end. A small hole has been drilled through from both sides of the top and presumably for the threading of a cord. The bone has been partially divided near the top and to form two prongs that project down the back of the dagger possibly allowing the user to wear is tuck into a waist band or belt. Origin Papua New Guinea Maprik Dist Area From the Art Collection of Marian and John Scott, acquired in 1962. Similar items are in display in the Timothy S. Y. Lam Museum of Anthropology. Purchased from the amazing private collection of Mark Lissauer who spent his life collecting niche ethnographic pieces. About Mark Lissauer: Mark Lissauer spent forty years travelling abroad for months at a time collecting ethnographic artefacts primarily from New Guinea and the islands of the West Pacific, and from Asia and Himalayan countries. Fluent in five languages and having in the course of business travelled to more than forty countries, Mark is well-known to museums and art-collectors around the world for his long career and his interesting and diverse collection of rare ethnographic material. Mark knows the origin and symbolism of each piece. Through extensive research and more than ninety trips around the globe, Mark familiarised himself with the traditions of the various cultures he visited in order to understand the meaning of each object to its region and tribe. His home has a specialist library and several rooms are filled with tribal carvings, textiles and ethnographica. He acquired his first tribal piece in 1948 during a business trip to Milne Bay, New Guinea, and has since documented the acquisition of some 35,000 items. Several thousands of these have been sold to important private collections and museums worldwide, including the Rockefeller Museum, the British Museum and the Musée National des Arts d’Afrique et d’Océanie, now incorporated into the Louvre Museum. Estimator certificate of authenticity by Wayne Heathcote Tribal Art Dealer and Expert. Heathcote has a flash gallery in Brussels, where much of the tribal art business is centred, and is an expert at Sotheby's tribal art sale...

One of only eight made !! Cardboard Chaise Lounge designed and created by Joel Stearns, similar to one in the Lois Lambert Gallery..Amazing modernist sculpture.. ,Joel Stearns, wh...

Enchanting self taught art from Kentucky of a country rooster with the words Fresh Eggs scrawled boldly, all on distressed tin mounted on board. Was probably used as a roadside sign.

A most charming pair of two rare and whimsical indigenous Nahua peoples pottery animal folk art candleholders. Handmade in the village of Chililico, Hidalgo, Central Mexico, primiti...

Elena Basilevsky (XX) painted stone sculpture of a musician, signed to side and mounted to ebonized base. Overall: 11" H x 7.75" W x 4.25" D.

This folky school house quilt in red ,white & blue is in fine condition.We believe its from a mid west collection.

Collection of Handmade Mexican Folk Art Tin Masks, Mexican, circa 1950s. Each mask is unique and extremely detailed. The largest mask measures 21"...

19Thc Wreath of roses applique quilt from Pennsylvania in pristine condition.This quilt is finely appliqued & nice quilting.

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

A fine antique American candle box. In pine or fir with its original red paint. A rectangular candle or table box having a slide lid with carved sides & a thumb slot. Round nail...

Early 20Thc Hand carved head of Lincoln.This folky head has a black painted shirt.

Antique Mexican retablo made in 1890 which includes a woman praying to the Virgin Mary and Jesus Christ. Framed in wooden frame ornately carve...

This fine 19thc decorated stone ware cake crock is signed by Evan R. Jones and made in Pittston,Pennsylvania.It has two hand applied handles on each side.This crock is in mint condit...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 06, 2021 found industrial objects 4.25h x 9.50w x 9.50d in 10.79h x 24.13w x 24.13d cm JR0300 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

18th century French or Italian Santo Nativity Figure, a hand carved and painted fruitwood figure for a Christmas Crèche or Krippe. Excellent and delicate details to the head and hands. The half figure stands on a dowel set into platform base, dressed in original fine linen robe...

This hand carved 20th century wooden staff, was crafted in the style of the Tabwa people located along the southwestern shores of Lake Tanganyika. The handle is finely decorated with...

A large vintage Spanish Colonial style Mexican religious folk art carved wood santo figure - bulto carving. Mid-20th century, Mexico, primitive hand-crafted construction, one-of-a-kind, likely depicting San Miguel Arcángel (Saint Michael the Archangel), hand carved gessoed polychromed solid wood figural sculpture, standing on integral plinth base, affixed with metal wings, right hand raised holding a sword. Provenance / Acquisition: From the estate of Margaret "Candy" Becker (Austin, Texas 1942-2022). She was an artist in all areas of her life who created art in many different media, including needlework, quilting, watercolor, acrylics, mosaic, and clay. Candy was a consummate traveler who spent time in Mexico, Guatemala, Japan, Iran, Turkey, Uzbekistan, Spain, England, and Ireland. Acquired from the highly reputable auction house Austin Auction Gallery, est.1983, Austin, Texas. Important Western & Religious Art catalog Dimensions: (approx) 16" High, 10" Wide, 6.5" Deep Condition: Great original antique / vintage condition with nicely aged patina. Includes the original sword, which is very rare. Wear consistent with age and use, including scattered chippy paint losses and worn paint, nothing that detracts from the display but only adds to the overall authenticity, character and old world rustic charm Interesting, colorful, with a unique sculptural form and rich history, this large wooden statue would make for a wonderful decorative object - curiosity in your authentic Mexican hacienda, Santa Fe New Mexico adobe...

Great pair of vintage craftsman made side table. These tables are estimated to be roughly 50 years old and will go nicely with any decor you choose t...

19th Century Sailor's Woolie of the Ship-Sloop "Coquette," circa 1880, a handcrafted sailor's woolwork picture depicting a larboard side view of a steam-sailor at anchor, fully dress...

Thirty-nine piece set of Mid Century ceramic pottery Christmas ornaments hand crafted by Peggy Beaver who was quite the artist in Columbia, SC. The white glaze “frosting” has chipped...

A small Huichol Yarn Painting on wood board with striking Color and vivid imagery by Artist Gabriel Bautista. The colors range from deep pinks, cobalt, re...

A beautiful majestic carved Owl in one piece in lovely old brown finish with interestingly carved ears and eyes colored in a yellow background with very dark pupils, very large claws...

Impressive 1960s large Mexican folk art hand painted papier-mâché angel with 5 arm candelabra. Hand painted details over white robe, include hair, face, gold gilt rope collar, pink a...

British Sailor's Woolwork of Royal Navy Ship, The sailor's woolwork or woolie depicts a starboard view of a Second-Rate Royal Navy Ship with three masts. T...

This very colorful pin wheel design wooden raffle drum is constructed in two pieces. The rectangular round drum holds the tickets and contains a metal handle and a latch on a door to access the lottery tickets...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 07, 2021 found industrial objects 3.25h x 8.25w x 8.25d in 8.26h x 20.95w x 20.95d cm JR0301 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Fabulous and large cabin cruiser boat model with an untested motor and batteries. 41.5 inches long and sitting on a brand new custom made stand with a nautical theme. In very good vi...

Fantastic antique found unpainted carousel horse form having distressed wood, amazing character, and handsome custom iron stand. Makes a stunning folk art sculpture with monochromat...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Antique Sailor's Woolie of the American Protected Cruiser "USS Chicago", circa 1885, a sailor's hand crafted folk art woolwork picture of a bark-rigged auxiliary steam sailor with in...

British Sailor's Woolwork of Royal Navy Ship H.M.S. St George, Circa 1860 A naive sailor's woolie with a Portside view of the H.M.S St. George, named below on a red banner, th...

A monumental vintage Pyramid Pencil Company wood trade sign. Great for a man cave or restaurant!

Add rich decorative character, whimsical elegance and rustic warmth with this one-of-a-kind pair of two vintage American folk art candle sculptures. Primitive handmade slatted solid...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. Thes...

Large Modern Abstract Impasto Oil Painting on Board, "Night Club" Jazz,,Unfortunately illegible signature. Great use of color, space, movement, depicting night club "jazz" scene, Mus...

Divided into contrasting tones, this ceremonial African mask is linked to the Salampasu people of the Bantu ethnic group located primarily in the Democratic Republic of Congo. Salampasu masks...

19th Century Sailor's Woolie of HMS Avenger, circa 1847, a sailor's hand crafted woolwork picture of the Sidewheel Paddle Frigate HMS AVENGER (1845 -1847), a starboard side view of the small bark rigged auxuliary steam sailer with fore and main topsails backed, all other sails furled, under a dramatic sky, with silk banner...

19th Century Faux Grain Painted Chest, second half 19th Century, a diminutive six board chest with excellent quality original vinegar grain painted finish in a faux yellow pine patte...

Embark on a journey through color and creativity with this 20th-century American Folk Art sculpture, a whimsical homage to the Chicago Imagist style, e...

A scarce early Duluth Fish Decoy American folk art sculpture, depicting a Orca killer whale, hand-carved by the late David Earl Perkins (Duluth, Minnesota, 1934-2018), featuring the realistic original hand-painted black finish with cream white accents, glass eyes and metal fins, signed at the underside "DFD", on a lead weight. circa 1960s/1970s Originally based on lures used for winter spear fishing, see below for the Duluth Fish Decoy story. - Dimensions: (approx) 8" Wide, 3.25" High, 4.75" Deep - Provenance / Acquisition: Property from a prominent Dallas, Texas estate Acquired from highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas - Very good original vintage condition with beautifully aged patina and typical wear, character and charm - The Duluth Fish Decoys Story: (From the DFD website and in the words of Dave & Jim Perkins) "I guess it all started when I speared my first northern pike – what a thrill.  The only thing better was to spear one lured in with a decoy I made myself. I made more decoys to spear more fish and found out I liked making decoys as much as spearing northerns.  Well, soon enough, my decoy/lunch box had more decoys than lunch. So I laid off the making and stepped up the spearing. Then when the fish tore them up and they scraped up against each other in the lunch box and they rolled around on the floor of the dark-house they weathered with an aged, charactered, antique patina.  It wasn't long before friends paid more mind to my spearing decoys than my fish stories.  Said they’d like to have some to set on the mantle – said they were folky.  So I laid off the spearing and stepped up the carving. Now I've been making DFD (Duluth Fish Decoys) spearing  decoys for longer than I want to admit – they say you’re only as old as you think you are. Being on the north side of seventy, I been making them for… let’s just say a long time.   I don’t know a web site from a stick of fire wood but the kids and grand-kids have been pestering me to get one for years. In fact, I told Jim, you make the web thing and I'll make the decoys that go on it.  But with the demand being more than I can keep up with, he's been making them right alongside of me - just like when he was a kid. Great to keep it in the family - two generations of DFD. Who'd of thunk it.   What a hoot it’s been to create something so enjoyed by others. Along the way our DFD decoys have ended up in The American Museum of Folk Art, on a limited edition print, in a governor’s mansion, in Hollywood actors' homes, in fishing decoy books, with interior designers, in art galleries, on a DVD, and now in a coffee table book devoted entirely to DFD.  What a hobby it’s been – what a blessing of God.   I hope to continue as long as my health holds out.   Lo, these many years later our DFD spearing decoys are still hand-crafted with that aged, weathered, antique patina.  As with all folk art there’s no two alike.  The pictures give the length of the decoy but it may vary by a half an inch.  They all have glass eyes and are hand painted with a brush – no air brush for us. The lead belly...

This colorfully painted and expertly carved mask was once used in one of the oldest Guatemalan dance performances, the Baile del Patzcar. Still practiced today, this dance evolved fr...

World-renowned for high-quality lost wax casting, the city of Benin in West Africa has been a leading producer of fine cast brass and bronze sculptures since as early as the 16th cen...

Rare American folk-art Memento Mori of Hiram Aluro Hill, died age 11, 1845. Good penmanship, watercolor and albumin glaze with borders intact. Foster brothers of Boston frame. This was purchased from...

A set of three carved big cats. A tiger, a snow leopard, and a serval are carved in wood and vibrantly decorated in yellow, orange, and red, with black spots and lines. Each cat is p...

Antique Mason Premier Grade Bluebill Drake Decoy, circa 1920, having head with glass eyes and carved mandible, nares and nail on bill, attached to hollow carved two part body (seam i...

20th c., Large Folk Art carousel with animals on a rotating base.Made of wood and canvas construction, with leather and other accent materials unsigned. The animals depicted are a ho...

Original Vintage Hand-Carved Relief Panel Fragment depicting a Bird Anonymous Southern Asia, probably India; first-half of the 20th century Wood Approximate size: 7.8 x 2.6 x 9.2 i...

Transport yourself to the late 19th century with this exquisite American appliqué textile, a testament to traditional craftsmanship. At its heart, a ...