Iron Chandeliers and Pendants

Ceiling pendant, France. Lustre made in wrought iron and colored glass. The glass is the original but it is like new. Soft and pleasant lighti...

A grand Italian wall sconce in rococo style made from iron during the mid-century with as many as seven lightbulbs which have black fabric lampshades. The sconce is made on an iron base and decorated with curled metal...

Art deco hanging lamp, circa 1920. Wrought iron frame. Decorated with ginkgo biloba leaves of very good workmanship. Basin in speckled glass paste. Signed on the bowl Muller Frères Luneville. Electrified and in perfect condition. Total height : 85 cm Total diameter : 54 cm Diameter of the bowl : 34 cm Weight : 8 kg Possible to reduce the height to adapt to the ceiling. You can contact me for more information and for the delivery costs. he Muller brothers, founders of the Muller Frères glassworks in Luneville, are French art glassmakers of the Art Nouveau and Art Deco periods. The family includes nine brothers and one sister. They were all trained in the art of glassmaking. The best known are Eugène Muller (1883-1914), Désiré Muller (1877-1952) and Henri Muller (1868-1936). Although several works state that the Muller brothers, originally from Kalhausen (Moselle), settled in Lunéville in 1870, recent research has established that the older brothers of this family left the Moselle for Nancy for a very specific purpose: they were recruited in 1894 by Emile Gallé. Indeed, the master glassmaker from Nancy changed his manufacturing strategy and broke his commercial ties with the Meisenthal glassworks in 1894. That same year, Emile Gallé had his own glass furnaces built in Nancy and recruited workers: the older brothers of the Muller family, Emile, Henri and Désiré, were hired by Emile Gallé as clerks or engravers-decorators on glass. The older brothers of the Muller family had been trained in glassmaking at the Saint Louis crystal factory and at the Meisenthal glassworks alongside Désiré Christian. But in 1897, Henri Muller left Emile Gallé, perhaps taking with him some of his manufacturing secrets. He started a partnership with the Croismare glassworks. His production is in direct competition with those of Emile Gallé and the Daum factory. At that time, the glasses are blown in Croismare, in the glass factory called Hinzelin gobeleterie. A second glass factory was established in Lunéville itself in 1910. Both factories specialize in art glass. Numerous pieces were produced, of good technical quality and very similar to those produced in the Gallé factory in Nancy: vases, lamps and trinkets typically Art Nouveau. The production is most often in multi-layered glass, cut with a wheel or engraved with hydrofluoric acid with naturalistic representations. The most beautiful pieces are finished by fire polishing to give them a beautiful shine. From 1905 to 1908, Désiré and Eugène Muller were recruited by Léon Ledru, director of the decoration workshop of the Val-Saint-Lambert crystal works in Seraing, Belgium. Their work consisted of creating a series of decorative glassware in the Art Nouveau and Ecole de Nancy style. After the First World War, the Muller company became prosperous and the factory employed up to three hundred people. Production then evolved towards the Art Deco style, creating in the 1920s many ceiling lights in marmorated glass (glass of several colors, pigments being incorporated) or pieces of molded glass, the mounts being in brass, bronze or wrought iron. Toilet brushes...

Industrial hanging lamp made in former Czechoslovakia during the 1960s. It features cast iron top, clear glass cover and iron grid. Porcelain socket for E 27 lightbulbs and new wire....

Industrial hanging lamp manufactured in Poland during the 1960s. It features a green enamel shade with white enamel interior, a cast iron top and a glass cover. The porcelain socket ...

Antique French Provincial iron chandelier, Circa 1880.

A Very Fine Hand-Hammered Louis XIV style Iron Chandelier. Exquisite Detail. 10 lights. France, circa 1910. Dimensions: Height 37" Width 41" Depth 31" CW5276.

Industrial black enamel pendant light made in former Czechosloivakia during the 1950s. White enamel inside the shade. Metal celing cano...

A wonderful pair of 19th century aesthetic Hall Lanterns with floral decorative motifs, foliage and scrollwork. Featuring five glazed stained glass panels which date to 1860. A matc...

A French eight-light iron chandelier from the mid-20th century. This French midcentury chandelier features a central iron ring which is ornately decorated with a collection of c-scroll patterns throughout. There are eight torch-like lights set about the perimeter of central ring, each on twisted posts...

This hand-forged Iron chandelier is a classic reproduction light of our design. The three arms have three lights each for a total of nine candelabra sockets. Height is to the top of ...

Ceiling pendant, France. Lustre made in wrought iron and yellow glass.The glass is the original but it is like new. Soft and pleasant lighting. This chandelier is conform to USA a...

Edgar Brandt and Daum Nancy Art Deco chandelier. Art deco chandelier circa 1925 in wrought iron decorated with leaves and windings. Frame stamped E. Brandt. Coupe in blue and cream glass paste signed Daum Nancy. In perfect condition and electrified. Total height: 95 cm Diameter: 50cm Weight: 12 Kg You can contact me for more information and delivery costs. Edgar Brandt was born in Paris in 1880 and studied at the Vocational School of Vierzon. In 1925, BRANDT took part in the International Exhibition of Modern Decorative and Industrial Arts. Following the success of the Salon, the same year, he inaugurated his gallery at 27 boulevard Malesherbes. He exhibits there his creations of artistic ironwork, furniture, sculptures, lighting and decorative objects, but also the creations of other artists with whom he collaborates (Daum, Lalique). The BRANDT gallery will be the first decorative art gallery in Paris. BRANDT is considered the greatest exponent of Art Deco ironwork. He died in Collonge-Bellerive on May 8, 1960. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects.

Chandelier around 1930 in wrought iron representing a fountain. Composed of 6 glass cups molded in the spirit of Rene Lalique. Stamped in three places "Nics". In perfect condition...

Italian pendant chandelier with three arms, made with red enameled metal , brass and opaline glass . Elegant and modern design , typical of Italian lightings of the 1950s standar...

Monumental Italian Gothic style lantern in wrought iron and two colored blue and green stained glass. The Lantern is measures 220 x 60 cm Lante...

A French four-light chandelier. This French vintage mid-20th century light fixture has its nicely aged black paint with plaster over iron original finish. This chandelier features an...

A large Spanish style chandelier with curved gilt leaf and floral detail, scroll ironwork and eight chandelier lights.

Aged, hand twisted iron painstakingly rust-stopped and restored. Beautiful warm black patina with aged patina throughout. three brand new, UL certified sockets light inside the lante...

Large French wrought iron and frosted glass chandelier, circa 1900. A stunning and rare find from a restaurant in Biarritz, France, popular during the Belle Époque era. Heavy Artisan...

A French Mid-Century eight-light chandelier. This French chandelier from the mid-20th century of forged iron has a flattened, circular shaped body which supports the eight iron bobèc...

Industrial enamel factory lamp made by Lbd Veb Leuchtenbau Dresden in East Germany during the 1950s.It features black enamel shade with white enamel in...

Housing one-light. Will be rewired with certified US UL sockets for USA and appropriate sockets for all other countries and ready to hang. Detachable chains. Detailed dragons and flo...

Vintage industrial cast iron cage pendant light, c. 1950. Rust/patina as shown, wired for USA and in working condition. 19" Diam x 43" OAD fixture 18"H

Two-tier hand-made iron chandelier of simple design. Eight alternating arms with candelabra-size sockets (each accommodates up to 60 watts). This light fixture is our latest custom d...

Early French two-tier forged iron chandelier circa 1740-1780. Beautiful naturally pitted patina on all hand-forged iron surfaces. All-original. Not wired for electricity. A second ve...

Circa 1970, we offer these original pendant light, these are one of the most stunning samples of Brutalist art designed by Felipe Delfinger. Made of iron and multicolored blown glass.

Midentury leafed pendant lamp / lantern in metal coppered. This pendant features a leafed sunburst shaped lampshade in coppered iron with two size of leaves. Each leave has an engra...

Pair of mid-century industrial style cage pendant lights with original black and white enamel. Wired for USA, good working condition. It features a black enamel shade, white enamel i...

Industrial light made by Elektrosvit in former Czechoslovakia during the 1960s.It features a cast aluminium top, a black enamel body with white interior. The socket requires E 27 lig...

TRINA “Trina” means lace in Italian. The inspiration comes from the world of antique handmade lace, in the form of a precious shawl that ador...

Bauhaus Classic from the 1930s. Black enamel industrial hanging lamp. Cast iron top. White interior. Weight 2.4 kg / 5.3 lb Priced per individual item. All lamps have been made sui...

Chandelier from the 1950s in iron and painted with a natural vintage patina. It has six candle lights surrounded with flowers and leaves in different shapes and colors. The lightbulbs used are Edison e14 which are found both in Europe and the United States. Comes with custom made black lampshades and can be used with naked lightbulbs as well. Colors may differ from the pics. Measures: Height in full: 105cm Height chandelier only...

This Mid-Century Modern indoor and outdoor vintage pendant by Tom Ahlström and Hans Ehrlich, circa 1970 was manufactured by A & E Lights ...

A very handsome Italian early 20th century chandelier - Lantern. Beautifully constructed from iron in Neogothique taste. Wonderful craftsma...

Industrial factory pendant lamp in cast iron made in former Czechoslovakia during the 1950s. It features a black metal enamel shade with white enamel interior, a striped glass and an...

A four-sided Arts & Crafts wrought iron lantern with yellow glass panels for indoor and outdoor use, France, 1920-1930. Brass and porcelain E27 light socket for a large sized bulb up...

Industrial black enamel pendant light made in former Czechosloivakia during the 1950s. White enamel inside the shade. Metal celing cano...

Set of eight Italian circa 1920s cast iron light fixtures with foliage motif and six interior lights each. Sold individually. Measurements: ...

French Art Deco wrought iron lantern. Great period French Art Deco hand forged wrought iron lantern. This beautiful French lantern has subtle deco accent...

Muller Frères, Luneville. Large impressive Art Nouveau chandelier in wrought iron designed with foliage with four screens in mouth-blown Pâte-de-verre art glass. 1930s. Measures...

Amazing wrought iron chandelier by the artist Bertil Vallien. Thick circular glass spheres hanging like pendants alternating with the cut-out decor of fish, leaves, birds and cherubs...

Industrial black enamel pendant lamp made by Elektrosvit in former Czechoslovakia during the 1930s -1970s. Designed in the period of Bauhaus. Whit...

Industrial black enamel pendant light made in former Czechoslovakia during the 1950s. White enamel inside the shade. Cast iron top. The porcelain socket requires E 27 light bulbs. Ne...

Heavy French Blacksmith Made Iron Game Hanger, made as a Light Fitting A very old piece with lots of Character, the frame is decorated with fleur d...

Hanging lamp Schneider Material: art glass and Iron Style: Art Nouveau Country: French To take care of your property and the lives of our customers, the new wiring has been done. If...

A heavy, iron chandelier in medieval revival and Henry III styles; hand wrought decoration, with honeycomb wax candle sleeves and heavy chain, 14 light. Amer...

Amaizing hanging lamp Designer: Edgard Brandt Material: iron Style: Art Deco Country: France To take care of your property and the lives of our customers, the new wiring has been done. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of high society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the mid-20th century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest community of Italians outside of Italy, as it is estimated that 70 percent of the inhabitants have at least one Italian descendant, followed by Spanish immigrants. The most Important furniture stores in Argentina: Comte is founded in 1934 (under the direct management of Jean Michel Frank in 1940). Nordiska (Swedish company established in 1934). Churba in 1960, a company that brought foreign designers to present their furniture in the country: Denmark: (Arne Jacobsen, Finn Juhl, Bender Madsen, Ejner Larsen, Poul Kjaerholm, Hans Wegner) Sweden: (Hans Agne Jakobsson, Gustavsberg) United States: (Herman Miller) Finland: (Lisa Johansson, Folke Arstrom, Tapio Wirkkala, Alvar Aalto, Timo Sarpaneva) Swedish Factory: (Orrefors) Italy: (Littala, Vico Magistretti, Emma Gismondi, Gae Aulenti, Angelo Mangiarotti, Elio Martinelli, Gianna Celada, Angelo Mangiarotti, Mario Bellini, Carlo Scarpa) Finland: (Olivia Toikka) Plata Lappas (Lappas Silver): a goldsmith shop founded in 1887 in Argentina by Alcibiades Lappas of Greek origin. In 2019, in Argentina took place “the Art Deco world congress”, in which we participated as hosts invited by Geo Darder, founder of the Copperbridge – Foundation, in which prominent people from all over the world attended to learn about Art Deco in Argentina. Argentina currently has more than 100 Art Deco buildings and another 90 Art Nouveau buildings throughout the city of Buenos Aires. Argentina is a country that has not been involved in many wars, which is why it has been a refuge for works of art and antiques from different periods of time, unlike European countries. That is way many collectors, museums and antique dealers from all over the world visit it, you should not miss the opportunity to visit this great country. Laura Guevara Kjuder, architect. If you want to live in the golden years, this is the lighting that your project needs. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. If you are looking for sconces to match your ceiling lighting, we have what you need. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Edgar Brandt He was born in Paris on December 24, 1880. His family moved to Orleans when Brandt was 4 years old. At age 18, he graduated the Brevet Technicien Superieur and did two years military service with the 153rd infantry in Nancy. Brandt was awarded a gold medal 1st class, at the Salon des Artistes Francais, and became a member of the vetting team of the organization. In 1904, he was ordered to go to Toul near Nancy for military service. There it became apparent to him that the French Infantry had no light versatile weapon with a long target-range. At the end of the year he returned to Paris with the order to design and make a 60mm mortar and the required ammunition. Trained in the Ecole Professionnelle de Vierzon, he set up an ironmongery in Paris. There he created gates, balustrades, floor lamps and chandeliers in bronze, hammered wrought iron and steel for grand houses and ocean liners. His style was typical for the period with cone-fires, branches, fruits, and even birds and human faces. After the WWI, he created the Tomb of the Unknown Soldier under the Paris Arc de Triomphe. He participated in the famous Exposition Internationale des Arts Decoratifs de 1925 in Paris, making the monumental gate...

Hand forged wrought iron pendant light with iron scroll work and hand hammered grooved twist center with two lights. This is a nice handed forged light which would look great above a...

Industrial enamel factory light made by Lbd Veb Leuchtenbau Dresden in East Germany during the 1950s.It features black enamel shade with white enamel i...

An exquisite large size French wrought iron and glass lantern with three-lights, topped with an iron crown. This French hexagonal lantern from t...

Original antique candle pendant converted to electric chandelier. This unique and elegant, six-light chandelier incorporates everything that we love about antiques: it is unique, it...

Industrial enamel pendant by Mazda, France Black enamel shade, metal middle part with cast iron top Weight: 6.40 kg / 14.1 lb Priced per individual item. All lamps have been m...

Antique French 19th century iron coat of arms chandelier, Circa 1880.

Industrial walkabout work lamp made in Poland during the 1960s These lamps were used in factories, workshops and army as a portable light source . It fe...

A very charming Set of 6 Iron Lanterns from the South of France. Lovely minimalist lines.

Chic and stylish pair of hanging fixtures, each having an iron birdcage like structure which surrounds a frosted white globe. Both were originally designed as swag lights...

A Gothic style chandelier with three candle style lights on a flat, open, wrought iron base of curled, geometric shapes. With three hand made chains co...