1860s More Lighting

19th century French pair of Louis XVI neoclassical ormolu wall lights or sconces. Pair of Louis XVI ormolu wall lights, each with two s-shaped light arms with foliage issuing from a slender tapering back plate showing a neoclassical intricate ornament of interlacing bands, framed by a pearl frieze. The bottom of the back plate ending in an acanthus foliage finial, the top being crowned by a neoclassical Amphora vase decorated with a laurel wreath and holding a flame. One of the wall lights showing a model no. at the back (597?). Electrified (European standard). The elegant pair of Louis XVI sconces...

An American Victorian oil lamp having an outstanding hand painted floral font, cast brass filigree base, hand blown chimney and it's original burner and parts. It is high style Victorian elegance of the late 19th century meant to be displayed in your Victorian parlor with pride. It was part of a circa 1860 Victorian household in old New Orleans lower garden district...

A large magnificent pair of 19th century French Louis XVI Style seven arm dore bronze and crystal cupid candelabras, Signed Baccarat. Each candelabra...

An incredible 19th century English six-arm green crystal chandelier, attributed to F. & C. Osler, London. Each crystal section is beautifully ...

Hallmarked in Birmingham in 1867 by Elkington & Co., this attractive pair of Victorian, antique sterling silver candelabra, are in the Neoclassical Revival style, and hold three cand...

This is an outstanding 19th century Victorian antique brass Corinthian column oil lamp with stepped square base and reeded column. An attrac...

A French Napoléon III ormolu-mounted and silvered bronze pair of lamps Very finely chiseled design with Lion's head holding medallions, acanthus leaves, godrons, arabesques and rosaces, with two detached handles, Resting on onyx bases Original gilding and silvered patina, oil lamp system circa 1860 Attributed to Victor Paillard (1805-1886) In 1828, Victor Paillard joined Jean-François Denière, bronzier and chaser, and stared to learn while attending evening classes with Chenavard and the chiseler Martinot. In 1835, Paillard founded his own company of art bronzes and furnishings at 3 rue de la Perle. He first made small bronzes items (paperweight, paper clip, etc.) then extended his production to clocks, groups, statuettes, lamps, chandeliers and candelabras around 1836 when he entered the "Réunion des Fabricants". He exhibited for the first time at the Exhibition of Industrial Products in 1839 where he presented two large candelabras, a clock with the figure of the Virgin with the goldfinch and a small caryatid clock in ground gold, the latter after a Feuchère model. The Jury then awarded him a silver medal just like at the 1844 exhibition. On this occasion, the critics praised Victor Paillard: “Good taste, respect for the work of the master sculptor, perfect execution, make Victor Paillard a remarkable manufacturer and an artist of merit ”. Indeed, Victor Paillard is a true artist as he is the author of a number of models, many of which represent young children and loves which he then performs in bronze. Such was his fame that he was appointed President of the Reunion des Fabricants de Bronze. At the 1849 Exhibition he won the Gold Medal. For the 1851 Universal Exhibition in London, he directed the casting of the colossal statue of seated Queen Victoria, executed in bronze and zinc after Dantan the Younger. Subsequently, his production took a new turn: he was at the head of two hundred workers and began to produce more than four hundred models. In 1855, he was appointed member of the Jury of the 1855 Universal Exhibition in Paris. His fame then transcended borders as he was called to Belgium, Austria and especially Russia where he worked for Baron Alexander von Stieglitz. He also received several official orders, notably for the decoration of the Foreign Affairs Palace at the Quai d'Orsay: he made the clock, the bronzes for the fireplace and the four chandeliers with chimeras and groups of children at the Salon de l'Horloge. , the large Renaissance style chandelier...

Pair of Swedish 19th century Gustavian style brass cut-glass wall lights/sconces Brass frame with a back plate appearing as the central stem issuing four crescent shaped rings, th...

Pair of large French 19th century Louis XVI goat heads three-light wall lights/sconces A pair Louis XVI style gilt bronze three-branch wall lights, each with a backplate the lower part of which is in the form of a goat's head resting on a foliage arabesque. The upper part of the backplate in the shape of an ivy-wrought stem being crowned by a stylized pinacle adorned with a large wavy ribbon bow, so-called Fontange ribbons. The candle arms scrolled, with foliate and eagles' heads decoration and nozzles shaped like foliage. Excellently chiseled and gilt pair of Louis XVI wall lights...

We are delighted to offer for sale this lovely original circa 1860-1880 solid bronze candlestick lamp conversion of a Corinthian pillar with Lion paw feet This lamp has been in my...

Large and decorative pair of Napoleon III/Renaissance Revival gilt bronze candlesticks with fluted stems issuing from a tripod foot decorated with fruit garlands resting on a triform...

Pair of candelabras with two branches of light each in gilt and sculpted bronze. Their decor is inspired by Rocaille motifs of asymmetrical foliage that coils upward, creating a live...