Pair of Large Gilt Bronze and Malachite Neoclassical Style Candelabra

Two neoclassical early 19th century malachite and gilt bronze candelabra French, circa 1830 Dimensions: Height 68cm, diameter 25cm This superb pair of Charles X period candelabr...

These exceptional, large pair of red marble and gilt bronze candelabra is opulently decorated finely-cast neoclassical style decorations. Each candelabrum is formed as a red marble vase...

Pair of gilt bronze table candelabra by Ferdinand Barbedienne French, late 19th century Measures: Height 97cm, width 46cm, depth 35cm These large and finely cast candelabra were...

Pair of monumental gilt bronze and glass floor standing candelabra Crafted in the neoclassical style, this pair of floor-standing candelab...

A Rare and Palatial Pair of Mid 20th Century Gilt Bronze and Malachite Six Light Torcheres The body of baluster form above a gilt bronze mounted circular and square base, the neck mounted with flowers and foliage leading up to seven tiered bronze acanthus arms. Malachite is a semi-precious stone and also a valuable copper ore, hydrous copper carbonate. It is a beautiful green earth stone with irregular black banding. It is easily recognized by its color, green streak, and silky or velvety luster. It was used to make beautiful jewelry and to adorn only the finest pieces of furniture. In the 18th and 19th centuries malachite was popular with Russian Czars...

A pair of Russian style gilt-bronze mounted Malachite three-light candelabra Fourth quarter of the 19th century the round columns on a square plinth on bronze feet and issuing thre...

An Exceptional Pair of Late 19th Century Napoleon III Gilt Bronze and Enamel Ten Light Candelabra Attributed to Maison Beurdeley The ten candle foliate designed branches with leaf drip pans, centered with an enamel vase and a gilt band with cherubs at play, topped with three bronze drapes and garlands of flowers. The triangle bases decorated with female masks and trailing floral motifs on plinth bases. After the 18th century model by Pierre Gouthière. This fine pair of candelabra are based on the model by Pierre Gouthière now conserved in the Petit-Trianon at Versailles. According to Pierre Verlet, the model corresponds to a large pair of candelabra with ten branches, drapery, foliage and fruit, richly carved and gilded in bronze, originally supplied by the marchand-mercier, Freres Darnault, for the Salon du Jeu de Mesdames at the Château de Bellevue. Pierre Gouthière (1732 – 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d’Artois, the Marquis de Marigny, and the duc d’Aumont. The collection of the duc d’Aumont was sold at auction in Paris in 1782 and many objects mounted by Gouthière were bought by Louis XVI and Marie Antoinette. His works, unsurpassed in creativity and execution, can now be found in the Wallace Collection and the Louvre. Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28. Among Beurdeley’s most prestigious clients were Emperor Napoleon III and Empress Eugénie, the duc D’aumale, Richard Wallace, the Duc and Princess d’Hamilton, Tsarine Alexandra Féodorovna, The Rothschild and Vanderbilt dynasties and the Metropolitan Club...

Pair of unusual gilt and patinated bronze and malachite two-light candelabra, French, circa 1850 Both female figures within a double trumpet design sitting or kneeling on tasselle...