Achille Castiglioni Table Lamp
View Similar Items
Achille Castiglioni Table Lamp
About the Item
- Creator:
- Dimensions:Height: 24 in (60.96 cm)Diameter: 20 in (50.8 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970s
- Condition:
- Seller Location:Los Angeles, CA
- Reference Number:1stDibs: LU986418318692
Achille & Pier Giacomo Castiglioni
Milanese industrial designer-architects Achille and Pier Giacomo Castiglioni (1918–2002; 1913-68) created some of the most iconic furniture designs in the world, particularly those that originated in the realm of mid-century modern lighting.
In the late 1930s, after graduating from the acclaimed Polytechnic University of Milan, Pier Giacomo opened a design studio with his brother Livio and likeminded architect Luigi Caccia Dominioni. Achille, also a graduate of Milan Polytechnic, joined the group after completing his studies in 1944. The era’s architects were encountering difficulty in their attempts to secure building commissions, so the group focused on designing practical everyday objects such as the Model 547, a tabletop radio for Phonola that was encased in Bakelite.
The Castiglioni brothers produced wildly popular and innovative designs throughout the 20th century. While Livio departed the practice in 1952 to pursue lighting design and sound technology on his own, Pier Giacomo and Achille would continue to collaborate on a wealth of projects in the ensuing years.
Vintage furniture collectors may be familiar with Livio and Italian designer Gianfranco Frattini’s serpent-like Boalum lamp, while Achille’s Taraxacum hanging lamp — created for FLOS with sprayed plastic polymers originally intended for military use — as well as the Arco, Snoopy and Toio lamps, which were the result of the collaboration between Pier Giacomo and Achille, are milestones in modernist lighting design.
Also for FLOS, Pier Giacomo and Achille created a series of metal frames that, wrapped in the polymer, became floor lamps (Gatto) or pendant lights (Viscontea and Taraxacum), all released in 1960. The Gatto floor lamp takes its name from the Italian word for “cat” and the inspiration for its aesthetic from lighting that George Nelson developed for legendary American furniture manufacturer Howard Miller during the 1940s. Around the same time, the designer Tobia Scarpa (son of the famed Italian architect Carlo Scarpa and one-half of the widely revered postmodern husband-and-wife design duo Afra and Tobia Scarpa) created a floor lamp called Fantasma (1961) using the polymers technique. FLOS continues to make the Castiglionis’ innovative pieces today.
In addition to their provocative lighting works, Pier Giacomo and Achille also created stereo systems, decorative objects, seating, tables and other items for the likes of Brionvega, Alessi, Zanotta, Kartell and more.
Find vintage Achille and Pier Giacomo Castiglioni floor lamps, table lamps, pendants, seating and other furniture on 1stDibs.
More From This Seller
View AllMid-20th Century Finnish Mid-Century Modern Table Lamps
Metal, Brass
Early 20th Century Dutch Mid-Century Modern Table Lamps
Metal, Brass
Mid-20th Century French Mid-Century Modern Floor Lamps
Aluminum, Brass, Steel
Vintage 1940s Italian Mid-Century Modern Floor Lamps
Metal, Brass
Mid-20th Century Italian Mid-Century Modern Table Lamps
Brass
Mid-20th Century American Mid-Century Modern Chandeliers and Pendants
Metal
You May Also Like
20th Century Table Lamps
Stainless Steel
20th Century Table Lamps
Stainless Steel
20th Century Table Lamps
Stainless Steel
20th Century Table Lamps
Stainless Steel
Vintage 1960s Italian Mid-Century Modern Table Lamps
Marble, Metal
Vintage 1960s Italian Mid-Century Modern Table Lamps
Marble, Metal
Recently Viewed
View AllRead More
We Dare You Not to Smile at These Whimsical Italian Designs
Make anyplace your happy place with Italian furniture at its subversive best.
Rooms We Love: 11 Splendid Living Rooms
Common wisdom used to declare the kitchen the hub of the house. These days, the living room seems to have assumed the role of domestic focal point. Unlike the Victorian parlor, stiffly furnished and reserved for guests, today’s living room is a central place for reading, conversation and, well, living, with furnishings that lend themselves to both casual lounging and elegant entertaining.