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Gae Aulenti & Piero Castiglioni 'Parola' Table Lamp in White for Fontana Arte

$1,796per item

About

Gae Aulenti & Piero Castiglioni 'Parola' table lamp for Fontana Arte features three different kinds of glass working processes: opaline blown glass for the adjustable shade, natural glass for the stem and natural beveled crystal for the base. It is an exemplary model of technical integration between artisan and industrial skills. Available in table, floor, wall and suspended versions. White or amber glass. Price is per item. In-stock lead time up to 20-21 weeks. Out of stock lead time up to an additional 3-4 weeks. Please note in-stock availability subject to change. For time sensitive orders, please contact dealer prior to purchasing. UL Listed. 1 X 150W 120V E11 (mini-can) T4 halogen lamp (not included). The cord has a braided black and white cloth cover and in-line dimmer.

Customization Options

Colors: White or Amber Types: Table Lamp, Floor Lamp, Sconce, Pendant

Details

Shipping & Returns

  • Shipping
    Ships From: Burlington, NJ
  • Return Policy

    A return for this item may be initiated within 1 day of delivery.

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About the Designer

Gae Aulenti

The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980–86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy.

After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space.

Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble Jumbo coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura. Each work has a marvelous sculptural presence. Pieces such as her Pipistrello table lamp and Quadrifoglio pendant are a perfect marriage of organically shaped glass and high-tech fixtures. Others have a futuristic elegance — and some even have a touch of personality. Aulenti’s Pileino and La Ruspa table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.

About the Seller
5.0
Located in Glendale, CA
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