European Table Lamps

French cast bronze sculptural table lamp, signed M Jaubert, France, circa 1960-1970 Composed of a cast abstract bronze sculpture on a black marble base. Signed near bottom on bronze....

21st Century desk lamp in golden bronze and with porcelain base decorated with sky with clouds and pure gold decorations. The metal parts are finely chiselled. The joint on the bar a...

20th century, Pair of French Gilt Bronze Candlesticks The pair of candlesticks, made in the twentieth century, is in gilded bronze. The structure of each candlestick consists of pl...

Classical Louis XV style gilt bronze table lamp 19th Century France The perfect piece to add a touch of luxury and glamour to a tablescape, very fine quality, hand finished details, ...

Pair of exceptional cast bronze table lamps in the manner of Jean Michel Frank. The base is simply formed in the X shape of an extruded cross. This demonstrates perfectly balance of ...

19th Century, French Gilt Bronze Buillotte Lamp This elegant table lamp model buillotte was made in France in the early nineteenth century, classic taste with decorative elements Em...

A Pair of 19th Century Louis XVI Style French Dore Bronze Mounted Baccarat Swirling Crystal Table Lamps. Each piece is beautiful with the finest and mo...

Pied de lampe de style Empire dans la gout de la maison de décoration Parisienne Jansen. Il est constitué de Bakélite ambré et de laiton doré. La brillance de la bakelite est super...

21st Century desk lamp in golden bronze and with porcelain base decorated with gold silk. The metal parts are finely chiselled. The joint on the bar allows you to direct the light so...

French Art Deco adjustable table lamp by Schneider in great vintage condition. The shade is in clear frosted glass with polished details. Mounted on ...

Pair of Italian lamps from the Island of Murano. This pair features purple hand blown glass. The stacked spheres are separated with clear glass rings and stand on a conic base. The g...

A beautiful and grand pair of French antique bronze 5 candle lamps, with handmade pink silk shades. Newly rewired.

1960s Aldo Tura Lacquered Parchment Bronze Table Lamp Italy Elegant Brass Rings on each side. Designer Aldo Tura, known as the master of parch...

This exquisite pair of Empire four light Candelabras with winged maiden standing on a globe with a rooster mount surmounted on a square bases are fabulous pair! Burning cornucopi...

A fine bronze urn with a stepped up marble base, now electrified. An excellent desk top or night stand, or accent piece . The urn with marble base is 12" tall

A wonderful vintage French bronze empire lamp with a dark patina. The lamp has a wonderful empire design all over. New plug and cord.

French 19th century electrified bronze candlestick lamp fitted with box pleat silk lampshade.

Clear crystal and burnished bronze table lamp in Liberty style. The pendant are in clear and black crystal. Each object is handcrafted and the care for every detail makes each item u...

Bronze two light bouillotte lamp with original patina and red tole painted shade with black and green accents. The exterior paint on the shade is original, the interior of the shade ...

Brutalist bronze lamp with an organic shape. France, 1960s.

French Art Deco table lamp with nickeled bronze for the base and glass lampshade from Degué, 1930. The particularity of the lamp is the shape of the glass, designed like a flower a...

A fabulous pair of tall Mid-Century Italian Florentine gilt tole and crystals lamps. These gorgeous gilded lamps are a nice large size wit...

Please note that VAT is not included in the price. Similar for its design to the bigger pill, it differs in size and construction techniques. Pillolina is, i...

French Art Deco table lamp by Degué from 1930. Special model with base in marble, bronze in silver and gold and big glass lampshade. In the middle there is the decor of a bird with a...

A handsome pair of French 19th century Renaissance st. Grand Tour Period patinated Bronze, Ormolu and black Belgian marble lamps possibly by F. Barbedienne. Each lamp is raised on an...

A large pair of mid 19th century bronze & ormolu candlesticks, having urn-shaped sconces above acanthus scroll decorated tapering stems above scrolled legs ending on triform platform...

A handsome pair of French 19th century Greek Revival st. Grand Tour Period Patinated Bronze, Ormolu and black Belgian marble lamps, possibly by Barbedienne. The pair of lamps are rai...

This fine and elegant Louis XVI style gilt bronze and hand-painted tole Bouillotte by Gherardo Degli Albizzi has got three-lights. The Toleware shade is hand painted with green ename...

DETAILS Signed, original black & white marble base, period wiring and fittings. DIMENSIONS Height: 6.5 inches Width: 3.5 inches Depth: 5.5 inches ABOUT THE LAMP A charming and very funny monkey named Boubou, excited by some suspicious sounds, decided to shine a lantern and discover the source and origin. The sculptural interpretation of this scene with a simple plot by a wonderful French sculptor turns a seemingly small trivial table lamp into a real work of art - with such skill the author conveys its emotional state, a mixture of fright and curiosity! ABOUT THE ARTIST Louis Octave Maxime Le Verrier (French, 1891 – 1973), known more commonly as Max Le Verrier, also known by the pseudonym Artus was a famous French sculptor. He was known for being a pioneer within the Parisian Art Deco movement, creating decorative art objects often made in bronze as well as historical sculptures. Max le Verrier was born on the in Neuilly-sur-Seine, near Paris, in 1891. His mother was Belgian and his father was a Parisian goldsmith and jeweler on Boulevard Malesherbes in Paris. His parents divorced when he was 7 years old. Le Verrier attended several boarding schools (Collège de Verneuil sur Avre) and was a brilliant student. He grew an interest for drawing and art during his education. However, his father thought that his future would be in farming, therefore he sent Max to study agriculture (St. Sever and La Réole) against Ma’s wishes. However, Max Le Verrier kept his liking for sculpture during his spare time lively. At the age of 16, he returned to Paris and did odd jobs to escape farm-work and to provide for himself. (His father emancipated him, and, as a result, he was left to fend for himself). In 1909, when he was 18, he left for England. As a foreigner, it was very difficult for him to find a job in London; refusing to come back to France and admitting defeat, he lived very difficult days. From an early age he showed great promise as an artist and sculptor; and after serving in the French army during World War I, he studied at the Ecole des Beaux-Arts in Geneva. During his studies in Switzerland he met fellow sculptors Pierre le Faguays and Marcel Bouraine, who became close friends and with whom he collaborated for much of his life. After completing his studies, le Verrier returned to France in 1919, and founded his own studio in Paris. It was at this time that he created his first popular sculpture, the famous 'Pelican' - which was the first of a long line of animal...

A stunning and most decorative pair of French 19th century Louis Philippe period Patinated Bronze, Ormolu and Crystal candlestick lamps. Each candlestick mounted into a lamp is raise...

French Napoleon III 19th century ormolu table lamp with two light sources. Height to top: 77 cm. Circular base and tapered central support mounted with gilt bronze grapes and foliate...

Pair of circa 1930’s Opaline glass table lamps with gilt design

French Maison Charles style neoclassical one of a kind gold leaf and brass tree leaves Sconces, Wall Lights with Half Shield Shades. Two sockets on...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

Italian Blown Glass and Gold Lamp.Clear blown glass. Bright gold metal finish on metals. Rewired and in excellent condition. Italian, C. 1980. 80's Deco Dimensions: Width: 13″ Dep...

Each urn cast with frieze of classical figures, raised on a bronze-mounted rouge griotte square marble base. The lampshades are silk and custom made by Blanche Field...

A pair of circa 1930’s French mercury glass table lamps with gilt bronze bases

Brutalist table lamp by Albano Poli for Poliarte made in Italy in the 70s. The lamp has a bronze structure with 2 intermittent lights, the first which illuminates the cylindrical fab...

Daphine Gold Daphine and Flo, two of our most important icons, are now enriched with a new special semi-gloss brushed “yellow Gold” finish, which lends them uniqueness and prestige. ...

Step into the allure of the past with this pair of 19th-century French bronze candlesticks, thoughtfully transformed into radiant lamps. Electrified with ...

Superb and very rare sculptural French abstract bird table lamp by artist Philippe Jean, France around 1970s. The table lamp has a square heavy black-grey granite base signed Ph. Jea...

Pair of Stig Blomberg table lamps from the 1970s by the Swedish artist Stig Blomberg. The pair has each expressionist lion heads embedded on the sides of the lamps very detailed on ...

Pair of small Murano glass lamps with custom silk shades. Dimensions listed (8 in. diameter x 13 in. tall) are the overall dimensions of the l...

DIMENSIONS Height: 23 inches Width: 18.5 inches Depth: 15 inches ABOUT AUSTRIAN JUGENDSTIL (ART NOUVEAU) Towards the end of the 19th century, the world of fine arts had a nicely co...

The lamp in front of you is very simple but very classy. Designed in 1987 by Toso murano, it is simply formed by a drop of glass that elongates the lamp. It is an elegant object,...

A small French porcelain table lamp with brass base, in the Empire style, circa early-20th century, France. This small French porcelain lamp, ...

Superb and very rare sculptural French abstract bird table lamp by artist Philippe Jean, France around 1970s. The table lamp has a square heavy black-grey granite base signed Ph. Jea...

This gorgeous 1920s French Art Deco table lamp was designed & signed by Schneider. It features a nickel-plated bronze base with a glass sh...

A wonderful French 1930s pair of art deco table lamps by the Paris-based company of Léon Hugue, A nickel-plated solid brass or bronze base holds a signed cube in a clear frosted molded-pressed glass. This rare and outstanding lamp design has been completely rewired with an original style cloth braided cord, vintage style on/off switch, and original French bayonet style light bulb sockets. Has the original European plugs and is accompanied by US adaptors and bayonet LED light bulbs. The condition of the glass is excellent, with no flaws. Plug them in and you are ready to go. Léon Hugue was a producer of art deco lighting in Paris...

A pair of fine glazed blue porcelain gilt bronze-mounted table lamps, France, early 20th century. Porcelain vase raised on beautifully elaborate bronze base. Both porcelain vases are...

Inspiration for this table lamp is taken from “The Century Building” Lobby in New York. This collection is crafted from vertical rounded linear bronze f...

Fine quality pair of Charles X period gilt and patinated bronze candelabra lamps. Each having a central hand chiselled gilt bronze ca...

An Elegant and Large Table Lamp in the style of Louis XVI, Gilt Bronze Acanthus Ornamentation This table lamp features an interpretation of the classical column-based table lamp, co...

An exquisite obelisk crystal lamp by Baccarat. It is all crystal with a bronze dore cornucopia finial. Newly rewired and has a very high quality s...

Pair of Antique French Classical Urn Style Table Lamps with Cherubs Country: France Materials: Painted Bronze, Carrara Marble Condition: Newly Rew...

Pair of vintage French bamboo form bronze table lamps by Maison Charles. Lamp shades are oval form, new made. Singed on the side. Each table lamp includes 3 pcs.E27 bulb. Each la...

Pair of candelabra with winged putti, each supporting a floral bouquet, on top of marble base. Each putti is patinated bronze and the bouquets are gilt bronze. The floral bouquet has...

Flo Desk Gold Daphine and Flo, two of our most important icons, are now enriched with a new special semi-gloss brushed “yellow Gold” finish, which lends them uniqueness and prestige...