Vanity Mirror by Josef Frank for Svenskt Tenn, Sweden, 1940s
View Similar Items
Vanity Mirror by Josef Frank for Svenskt Tenn, Sweden, 1940s
About the Item
- Creator:Josef Frank (Designer),Svenskt Tenn (Manufacturer)
- Dimensions:Height: 21.66 in (55 cm)Width: 21.66 in (55 cm)Depth: 6.7 in (17 cm)
- Style:Scandinavian Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1940s
- Condition:Wear consistent with age and use.
- Seller Location:Hägersten, SE
- Reference Number:Seller: josef frank mirror large table round1stDibs: LU2121312058593
Josef Frank
Austrian architect and furniture and fabric designer Josef Frank was a leading voice for a gentle, humane modernism. His advocacy of warm, comfortable, eclectically styled environments was highly influential in his adopted country of Sweden, and it’s now widely regarded as a harbinger of the backlash against doctrinaire modernism and the embrace of the homespun that occurred in the late 1960s.
The son of a successful Viennese textile manufacturer, Frank studied architecture at Vienna University of Technology, graduating in 1910. From the first years of his practice, he marched counter to the orderly, symmetrical architectural layouts and decors prescribed by contemporaries such as Adolf Loos.
Frank drafted rooms of varying shapes and called for flexible interior-design arrangements. His furniture pieces are light and easy to move — and his chairs are always made of wood, most often with lushly curved steam-bent arms and slatted backs. Frank openly loathed the tubular steel furnishings and “machine for living” aesthetic promoted by Le Corbusier and Ludwig Mies van der Rohe and other Bauhaus principals. “The home must not be a mere efficient machine,” Frank once said. “It must offer comfort, rest and coziness…. There are no puritan principles in good interior decoration.”
Frank — who was Jewish — sensed the dire implications of the rise of Nazism in Germany and Austria, and in 1933 he moved to Stockholm with his Swedish wife, Anna. He became the design chief for the furnishings maker Svenskt Tenn and found a perfect match culturally for his brand of simple, relaxed and bright creations. Like many modernists — notably Charles and Ray Eames and Alexander Girard — Frank had a deep love of folk art, which influenced his designs for a wide array of colorful, richly patterned upholstery fabrics, many based on the classic “Tree of Life” motif.
In all his designs, Frank took inspiration from a broad variety of sources. In his furniture, one can discern traces of Asian patterns, Rococo, Italian Renaissance, Scandinavian handicrafts and even Chippendale pieces. As such, the work of Frank — the friendly modernist — is at home in any type of décor.
Find vintage Josef Frank pillows, armchairs, floor lamps and other furniture on 1stDibs.
Svenskt Tenn
Today, the name Svenskt Tenn is associated around the world with the vibrant, modernist textiles and furniture of Josef Frank, who was the Swedish company’s chief designer in the mid-20th century. But the term “svenskt tenn” actually means “Swedish pewter,” and the very first goods the company sold were stylish pewter objects, such as an elegant 1927 candelabra found in the collection of the Saint Louis Art Museum, or a sleek, understated mirror in the collection of the National Museum of Fine Arts. These pieces were designed to appeal to discerning but price-conscious shoppers in 1920s-era Stockholm.
Art teacher and interior designer Estrid Ericson (1894–1981) partnered with pewter artisan Nils Fougstedt (1881–1954) to establish Svenskt Tenn in 1924, and their creations quickly gained a reputation for high quality and affordability, winning a gold medal at the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925 — the design fair that brought global attention to the Art Deco style.
The experience of renovating her own apartment in the 1920s exposed Ericson to Swedish functionalism — or funkis, as it was known in Sweden — a branch of modernism that advocated uncomplicated forms, subdued colors and utility. She was inspired to open an interior design department at Svenskt Tenn, and in 1930 the firm introduced its first line of furniture.
Selections included items produced by the companies Gemla and Bodafors, as well as original designs by Ericson and the architects Uno Åhrén and Björn Trägårdh, who had worked together on the redesign and expansion of the showroom. The trio’s furniture was displayed at Stockholm’s Galleri Modern in 1931, where it was met with praise from critic Gotthard Johansson, a leading proponent of Swedish functionalism. Johansson admired the “pure lines” and “modern austerity” of the furniture, establishing Svenskt Tenn as an important voice in Swedish design.
But the signature partnership that would come to define the look of Svenskt Tenn was in part the result of political turmoil and the emergence of Nazism in Europe. When Josef Frank fled Vienna for Stockholm in 1933, he was already an accomplished architect who questioned modernist orthodoxy in design. He disliked tubular steel furniture and believed that monochromatic surfaces were distressing to viewers, while pattern and ornament gave interiors a sense of warmth and calm. Ericson was an admirer of Frank’s work, and offered him the chance to design products for Svenskt Tenn. Their professional partnership, particularly in textile design, would eventually become one of the hallmarks of Swedish modernism.
Frank and Ericson collaborated from 1934 until Frank’s death in 1967, with Frank creating unmistakable, bold designs and Ericson employing her flair for interiors, merchandising and display. The pair called their shared approach “Accidentism” or “The Happy Chances Philosophy,” mixing and matching the new and antique, the serious with the playful and pattern with solid colors to find eclectic new combinations in their showroom.
Frank’s textiles are like a visual catalogue of exotic plants and flowers, geological formations and maps, inspired in part by Ericson’s world travels and by Frank’s love of folk art. Svenskt Tenn continues to sell fabric, wallpaper and household goods, many of which sport variations of Frank's signature botanical motifs. Antique and vintage Svenskt Tenn pewter, lighting, furniture, textiles and decorative objects are generally priced anywhere from $2,500 to $25,000 depending on scale and condition.
The tenets of Scandinavian modernism are as fresh and relevant now as they were in the 1950s — light-filled and airy rooms with white walls are perfect settings for comfortable furniture upholstered in one of Josef Frank’s indelible patterns, and nearly a century since its founding, the signature aesthetic of Svenskt Tenn remains as distinctive and timeless as ever.
Find antique and vintage Svenskt Tenn mirrors, seating, tables and other furniture on 1stDibs.
- Swedish Modern Brass Floor Lamp, Sweden 1940s in the Manner of Josef FrankBy Josef FrankLocated in Hägersten, SESwedish Modern floor lamp in the manner of Josef Frank, made during the 1940-50s. Polished brass and hand sewn, pleated lamp shade in off white chin...Category
Vintage 1940s Swedish Scandinavian Modern Floor Lamps
MaterialsBrass
- Table Mirror by Uno & Östen Kristiansson for Luxus, Sweden, 1950sBy Luxus Vittsjö, Uno & Östen KristianssonLocated in Hägersten, SERare large table mirror designed by Uno & Östen Kristiansson. Produced by Swedish company Luxus during the 1950s. Frame made from solid lime treated oak with leather lining holding t...Category
Vintage 1950s Swedish Scandinavian Modern Table Mirrors
MaterialsAluminum
- Pewter Box by Nils Fougstedt, Firma Svenskt Tenn, Sweden, 1953By Nils Fougstedt, Svenskt TennLocated in Hägersten, SEBox designed by Nils Fougstedt. Produced by Firma Svenskt Tenn, this example made in 1953. Made from pewter with brass edges. Good vintage condition with age related patina and wear....Category
Vintage 1950s Swedish Scandinavian Modern Decorative Boxes
MaterialsBrass, Pewter
- Swedish Table Mirror "No 634" by Per Argén, 1950sBy Fröseke 2, Per ArgénLocated in Hägersten, SETable mirror model "634" designed by Per Argén. Produced in Sweden by Fröseke, AB Nybrofabriken in the 1950s. Made from solid oak with brass hardware. Nice detailing with visible joi...Category
Vintage 1950s Swedish Scandinavian Modern Table Mirrors
MaterialsBrass
- 1950s Table mirror in beech and brushed steel by Uno & Östen KristianssonBy Luxus Vittsjö, Uno KristianssonLocated in Hägersten, SELarge table mirror designed by Uno & Östen Kristiansson. Produced by Swedish company Luxus during the 1950s. Frame made from solid beech. Zipper joinery on the frame and the back pie...Category
Vintage 1950s Swedish Scandinavian Modern Table Mirrors
MaterialsSteel
- Swedish Modern travertine coffee table, Sweden 1940sLocated in Hägersten, SESwedish modern coffee table designed and made in Sweden. Produced between the 1940-50s. Made from stained beech with tapered legs and travertine table top. Very good vintage conditio...Category
Vintage 1940s Swedish Scandinavian Modern Sofa Tables
MaterialsTravertine
- Josef Frank, 'Table Mirror' Svenskt Tenn, Sweden, 1934By Josef Frank, Svenskt TennLocated in Berlin, DEJosef Frank, 'Table Mirror' mod. 2214. Brass, mirror glass, backplate in mahogany, Design dating from 1934. This model is manufactured by Svenskt Tenn in Stockholm, circa 1940.Category
Vintage 1940s Swedish Scandinavian Modern Table Mirrors
MaterialsBrass
- Josef Frank Table Mirror Produced by Svenskt Tenn in SwedenBy Josef FrankLocated in Limhamn, Skåne länRare table mirror designed by Josef Frank. Produced by Svenskt Tenn in Sweden.Category
Vintage 1950s Swedish Scandinavian Modern Table Mirrors
MaterialsBrass
- Josef Frank Table Mirror Produced by Svenskt Tenn in SwedenBy Josef FrankLocated in Limhamn, Skåne länRare table mirror designed by Josef Frank. Produced by Svenskt Tenn in Sweden.Category
Vintage 1950s Swedish Scandinavian Modern Table Mirrors
MaterialsBrass
- Table Mirror, Leather and Brass, Josef Frank for Firma Svenskt TennBy Josef Frank, Svenskt TennLocated in Stockholm, SEMirror in brass and leather, designed by Josef Frank for Firma Svenskt Tenn. Sweden, mid1900s.Category
Mid-20th Century Swedish Mid-Century Modern Table Mirrors
MaterialsBrass
- Rare Estrid Ericson Table Mirror, Svenskt Tenn, 1940sBy Svenskt Tenn, Estrid EricsonLocated in Stockholm, SEMirror 2492, also called "Lagerbladsspegeln", designed by Estrid Ericson in 1941.Category
Vintage 1940s Swedish Scandinavian Modern Table Mirrors
MaterialsMetal
- Table Mirror by Josef Frank, Firma Svenskt Tenn, Brass, Sweden, 1950sBy Nordiska KompanietLocated in Stockholm, SETable mirror in brass designed by Josef Frank for Firma Svenskt Tenn, Sweden, 1950s. Four pieces available, two different sizes. Measures: Height 47, diameter 38 cm 3 500 USD ...Category
Mid-20th Century Swedish Scandinavian Modern Table Mirrors
MaterialsBrass