Shooting Print, On the Covert Side, Photogravure by Arthur Wardle

1990's Arthur Weaver Oval Cricket Ground Print, England v West Indies. A colourful cricket lithograph signed by the artist, Arthur Weaver, of the 'Final Test' at The Oval Cricket Gr...

Thomas Blinks Photogravure, waiting for the guns. A wonderful titled color photogravure of four hunting dogs, setters, after Thomas Blinks original painting, waiting for the guns. Framed and mounted in a modern wooden frame with gold slip. Publication details printed in the bottom boarder 'painted by Thomas Blinks, London Published 1895 by Arthur Tooth & Sons, 5 & 6. Haymarket, S.W. copyright registered by the British Art Publishers Union Limited. New York & Mess'' Stiefbold & Co. Berlin'. Thomas Blinks was born in 1860 and was regarded as one of the best sporting artists of his generation, the turn of the nineteenth and twentieth centuries. Painting from life and largely self-taught, Blinks was a leading animal and sporting painter specializing in painting hunting scenes and was considered one of the best Victorian painters...

Royal North Devon Golf Club 1893 by Mayall & Co. Ltd. A great image of the members of the 'Royal North Devon Golf Club, Westward Ho!' from 1893. The figures are all photographs superimposed onto a painted background of the course. In the margin is printed 'Permanent Autotype, Produced by Mayall & Co. Ltd. 73 Piccadilly'. The image appears very much photographic but is more of a photomechanical print rather than a photograph. John Jabez Edwin Paisley Mayall (1813-1901) was an English photographer who in 1860 took the first carte-de-visite photographs of Queen Victoria. Taken from Royal North Devon:- Royal North Devon at Westward Ho! Can rightly claim to be the cradle of English Golf. Founded in 1864, it is the oldest golf course in the country and is regarded as the St Andrews of the South. The golf course is as tough as any of the UK's more famous links layouts and has recently been placed in Golf World 's 'Top 100 Courses in the World' that a golfer 'must play'. Not only is Royal North Devon a great course, it is also a place of huge historical importance. Inside the warmly welcoming clubhouse, the golf museum, honours boards and the clubs top competition trophies are worth a visit on their own and help to tell the story of the game and this remarkable club's unique place in it. Above all, this is great, natural golf that is largely unchanged from 100 years ago when Harold Hilton et al pronounced Westward Ho! As England's No 1 competition golf course. RND is pure, raw exhilaration and ultimately the experience of playing a fast running links in a stiff breeze still tests the very best in the game. Many of the great players of the last 100 years were regular competitors at RND but the greatest of them all is without doubt John Henry Taylor...

Collection of Original Artwork by Arthur Weaver. A large collection of original artwork for the Morton & John Olman book "St. Andrews & Golf". It includes the concept for the dust c...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

"The Ring of the Niblung", "The Rhinegold: Prelude; The Valkyrie: First Day of the Trilogy; Siegfried: Second Day of the Trilogy; The Twilight of the Gods: Third Day of the Trilogy" ...

AUTHOR: MALORY, Thomas, (Arthur Rackham). TITLE: The Romance Of King Arthur And His Knights Of The Round Table. PUBLISHER: London: Macmillan and Co., Ltd., 1917. DESCRIPTION: SIG...

Evans, C.S. (editor). Rackham, Arthur (illustrator). The Sleeping Beauty. London and Philadelphia: William Heinemann & J.B. Lippincott Co., 1920. F...