Beautiful rare armchair by Bernhard Hoettger, Worpswerde attr. , ca. 1930ies

Pair of armchairs designed by Erich Dieckmann and produced by Gelenka, Germany, 1930s This pair of German Bauhaus armchairs was designed by Erich Dieckmann in the 1930s. The chairs ...

Very beautiful and rare armchair designed by Nanna Ditzel for Kolds Savvaerk, made in Denmark. The armchair is made of oak and cane and comes in an excellent condition!

Beautiful set of six 'Hunting' chairs, probably the oldest version of model no. 3237 and attributed to Børge Mogensen and Fredericia Furniture, Denmark. All six chairs come with gre...

A beautiful pair of rare floor lamps designed by Hans-Agne Jakobsson in the 1960s and manufactured by Markaryd in Sweden. Both lamps are in good condition with minor signs of use and...

Beautiful set of three nesting tables by Severin Hansen, manufactured by Haslev Mobelsnedkeri in 1960. All nesting tables are in a very good condition with little traces of usage.  

Beautiful floor lamp by Mads Caprani, 1970ies: Crafted by Danish designer Mads Caprani, it elegantly merges form and function. From the innovative 1970s era, the lamp showcases Cap...

Axel Larsson was an incredibly productive Swedish furniture architect and designer with a more than 50-year long career. This armchair is a rarity, despite Larsson being most well-known for his furniture series designed for and mass-produced by SMF Bodafors. This particular chair takes inspiration from the uplifting, pared-down aesthetic of Scandinavian design. The design consists of a smooth sculptural frame crafted in curved and stained wood that frames a finely tailored seat and back. The streamlined design of the wood structure immediately stands out for its pronounced lines and airy construction. It shows off the architectural precision put into both the design and into the execution. The curve of the arms and legs - formed of a single piece of wood - defines the look and is perfectly balanced by the straight stretchers connecting the legs. The other defining feature is the obtuse angle created by the reclined position of the back and the raised seat. This angle is also followed by the frame and as a result the aesthetic is dynamic but still exudes the functional cosiness of Swedish design. There is a clear emphasis on comfort, from the tilted back to the sculpted, wide armrests and the seat cushion. The light upholstery complements that dark stained wood by creating an apparent contrast both in colour and texture. Axel Larsson also designed furniture for individual carpenters in Stockholm; these were made in small numbers, and this armchair may be one of these rare designs. Swedish Modern style is delicately scaled, using tapering legs and clever but simple solutions as seen on this chair as well. Subtitled “A Movement Towards Sanity in Design”, it also describes quality and the ability to lend grace to the daily chores of life. Condition: In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 25.59 in W x 30.31 in D x 30.9 in H; Seat height 21.65 in; Arm height 25.19 in 65 cm W x 77 cm D x 78.5 cm H; Seat height 55 cm; Arm height 64 cm About the Designer: Axel Larsson was born in 1898 in Torp socken, Sweden. Larsson was a professional for more than 50 years and belonged to a handful of furniture and interior designers who played a major role and influenced the development of their professional sphere. He grew up in Medelpad, and as a young carpenter's apprentice, he was given the opportunity to study further in Stockholm as a furniture designer through a scholarship from 1916 to 1920. In parallel with his studies at the Higher School of Art and Design, he was a furniture designer under Carl Malmsten during his work with furniture for Stockholm City Hall...

Objekt: 2 x Armlehnstuhl Entwurf: Marcel Kammerer zugeschrieben (Wien, um 1910) Modell-Nummer: Symbiose (Luxusausführung) aus Modell 6522 & 6528 (für Gebrüder Thonet) Ausführung: Mun...

Objekt: Armlehnstuhl Entwurf: J & J Herrmann (Wien, um 1905) oder Hans Christiansen (Mainz, um 1908) Modell-Nummer: - Ausführung: J & J Herrmann (Wien, um 1905) oder Ludwig Schäfer (Mainz, um 1910) Maße in cm (H x B x T x SH): 88 x 60 x 50 x 43 Material: Mahagoni massiv (palisander gebeizt & Schellack handpolitiert), Weißmetall intarsiert, Stoff (Backhausen, Windlichter - „M6185C08" - Entwurf von Ernst Lichtblau...

Fine armchair by Nordiska Kompaniet, Sweden ca 1930s.

The armchairs, crafted from meticulously painted blue and red wood, emanates an air of intrigue and allure. Its upholstery, adorned with fabric showcasing typical Futurist motifs, draws our attention. Here, we find flowing brushstrokes interlaced with geometric patterns—a visual symphony that encapsulates the spirit of the Futurist era. These vibrant and dynamic motifs reflect the movement's fascination with speed, progress, and the mechanization of society. A sense of precision and geometric rigor permeates the lines of this armchairs—a design choice that appears almost like a playful illusion, a deceptive geometric game that challenges our perception. It is within this juxtaposition of fluid brushstrokes and strict geometry that the soul of the Futurist movement comes to life, inviting us to contemplate the fusion of art, technology, and human ambition. An essential element that distinguishes this series of furniture is the presence of red lacquered wooden knobs—a detail of undeniable significance. These elegant accents, meticulously crafted, elevate the sofa's aesthetic appeal, creating an exquisite decoration that captures our attention and engages our emotions. Their vibrant red hue injects the piece with a sense of energy and passion, while their polished surfaces reflect the vision and meticulous craftsmanship of its creator. These armchairs take us back to the early 30s serves as a portal to a transformative era in history. It embodies the essence of Futurism—a movement driven by optimism, innovation, and a quest for a utopian future. Through its color palette, motifs, and geometric precision, it encapsulates the ideals that shaped an entire generation of artists. In conclusion, the rare Italian Futurist armchairs attributed to Fillìa Luigi Colombo...

This is an extremely rare 1930's Spanish Colonial Style Armchair that has been reupholstered. It has very convenient small wheels so its easy to move around,...